Art and Design Commons^™

Mending What’S Invisible, Chaehee Yoon

Masters Theses

A written thesis to accompany the M.F.A. Exhibition Mending What’s Invisible, in which the artist’s personal experiences and memories explore the cultural identities and femininity in Korea and the US. These identities are explored by using traditional Korean motifs, embroidery patterns, and the visual images of the artist's childhood photographs in the projects of “Reconnecting of Nostalgia” and “Mutating”. Also the visual clips of the artist's hometown is demonstrated in the video project “Things I hated” that discusses criticalities of Korean cultures and a sense of nostalgia for childhood in Korea. The project comes out of a personal need to …

Made Of Water, Covered In Mud, Nicole Norman

Graduate Theses and Dissertations

My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …

Contemporary Textiles: Unraveling White Feminist Discourse, Meredith Friedman

MA Theses

In recent decades, attention to textile art has flourished. The growth of contemporary studies committed to revising fiber’s hierarchical categorization represents a discursive turn heavily weighted within feminist inquiry. The interrelation between textile techniques and constructs of femininity and domesticity was at the base of a robust interdisciplinary field of feminist theory developing around the 1970s in the US. Often referred to as the second wave of feminism, this era experienced scholars and artists proposing the medium’s capacity to counter the elusive genre’s marginalization and, by extension, presenting textile’s ability to subvert notions of gender difference. This analysis aims to …

Good Dyke Art, Sam M. Mack

Graduate Theses and Dissertations

The work in good dyke art visually expands upon conversations about institutional critique and its contradictions, specifically questioning who dictates the boundaries between institutions and bodies: how divisions are made between them and who enacts or receives force. One’s participation in this critique, however, indicates a participation in the problematics of the institution and by extension, a desire to critique may also be considered a desire to participate in that system.

Ceramic, glaze, and found objects manifest an allegorical formalism that utilizes coded languages of institutional spaces, traditions of queer-coding, and charged word-play. The ceramic vessel forms reference the Ancient …

Raeleen Kao Interview, Beena Patel

Asian American Art Oral History Project

BIO: Raeleen Kao is a drawer, printmaker, and amateur competitive eater aka glutton residing in Chicago with a Charles Brand etching press, a red tabby, and forty plants.

Her prints and drawings have been exhibited in museums and galleries across the country most notably at the International Museum of Surgical Science, the Monmouth Museum of Art, Bert Green Fine Art, the Smith College Museum of Art, Tory Folliard Gallery, Firecat Projects, and Normal Editions Workshop. Her work has been represented at SELECT Fair New York, the Editions and Artist Books Fair in New York, the Cleveland Fine Print Fair, the …

Toilet Talk, Michael Blake

Theses and Dissertations

Toilet Talk explores both formal and autobiographical themes related to desire, sexuality, and the relationship between public and private space. My work and research aims to reposition and queer the industrial object and its promotion of hyper masculine ideals.

Niki De Saint Phalle: The Female Figure And Her Ambiguous Place In Art History, Lucy Kay Riley

Student Publications

Niki de Saint Phalle had a fearless approach in her representation of women and her invitation of audience interaction. Born in 1930, she lived through the years of very male dominated areas of art: Abstract Expressionism, Pop Art, and Neo-Dada. Niki de Saint Phalle provided a unique treatment of the female figure through drawing, painting, writing, found object sculpture, large public sculpture, and installation. One of the pieces I will primarily focus on embodies her fascination with audience interaction and the portrayal of the female figure: her controversial and temporary installation of 1966, ‘SHE – a cathedral.' In comparison to …

Mana & Ea, Dan Taulapapa Mcmullin

The STEAM Journal

This work, Mana and Ea, expresses Polynesian indigenous sovereignty struggles with colonialism and globalism in the Pacific Islands.

Relational Viewing: Affect, Trauma And The Viewer In Contemporary Autobiographical Art, Matthew Ryan Smith

Electronic Thesis and Dissertation Repository

This dissertation examines the communicative relationship between contemporary autobiographical art and the viewer. By analyzing the work of six artists, Richard Billingham, Jaret Belliveau, Larry Clark, Nan Goldin, Lisa Steele and Bas Jan Ader, I maintain that lived experience and personal history condition the way viewers respond to autobiographical art. I turn to literary theory as a critical methodology to argue that autobiographical art operates as a catalyst for identification, memory and self-discovery. I use affect and trauma theory to demonstrate how artwork produces meaning and discourse through the viewer’s feelings, emotions and bodily sensations. Consequently, I survey the importance …