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Articles 1 - 9 of 9
Full-Text Articles in Art and Design
Nasty People: An Illustrated Guide To Understanding Sex, Sophia Weaver
Nasty People: An Illustrated Guide To Understanding Sex, Sophia Weaver
Senior Honors Projects
Sex made me and it probably made you too, but for many of us sex remains a mystery for our entire lives. I see sexual images every day, but I rarely hear it discussed openly or factually. This is problematic. If most people are having sex and most people have a lot of misinformation about it, STDs, unwanted pregnancies and even sexual assaults are much more likely. Research suggests that increased (and well developed) sex ed. can reduce all of the possible negative outcomes of sexual misinformation. My observations of everyday life and my research in academia have given me …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Una Mueca Irónica: !El Travestismo Como Recurso Artístico De Las Yeguas Del Apocalipsis / An Ironic Grin: ! Cross-Dressing As An Artistic Resource Of The Apocalypseof The Yeguas, Sophia Cantizano
Independent Study Project (ISP) Collection
The Yeguas del Apocalipsis (Mares of the Apocalypse), were an art collective consisting of two men, Pedro Lemebel and Francisco Casas, who revolutionized the way transvestism was used in performance art. Active between 1988 and 1997, the Yeguas lit the way out of the dictatorship and into the post-regime transition period. For this reason, the context in which Lemebel and Casas made their art was more conducive to their own open criticism and explicit commentary of the political and social landscape, than that of the performance artists who functioned during the authoritarian dictatorship itself. This gave the Yeguas’ performances a …
Performing Ourselves At The Center, Shawn(Ta) Smith-Cruz
Performing Ourselves At The Center, Shawn(Ta) Smith-Cruz
Publications and Research
This interview sits alongside an extended version edited for Amanda Curreri’s solo exhibition, The Calmest of Us Would be lunatics, which took place from January 21–May 8, 2016, at Rochester Art Center, in Rochester, Minnesota. Curreri dug through the archival collection of the Daughters of Bilitis, the first lesbian organization in the country, and their journal, The ladder, at the Tretter Collection in LGBT Studies at the University of Minnesota. The exhibition is titled after a line in Emily Dickinson’s 1877 letter to Elizabeth Holland which reads, “Had we the first intimation of the Definition of Life, the calmest of …
Niki De Saint Phalle: The Female Figure And Her Ambiguous Place In Art History, Lucy Kay Riley
Niki De Saint Phalle: The Female Figure And Her Ambiguous Place In Art History, Lucy Kay Riley
Student Publications
Niki de Saint Phalle had a fearless approach in her representation of women and her invitation of audience interaction. Born in 1930, she lived through the years of very male dominated areas of art: Abstract Expressionism, Pop Art, and Neo-Dada. Niki de Saint Phalle provided a unique treatment of the female figure through drawing, painting, writing, found object sculpture, large public sculpture, and installation. One of the pieces I will primarily focus on embodies her fascination with audience interaction and the portrayal of the female figure: her controversial and temporary installation of 1966, ‘SHE – a cathedral.' In comparison to …
We Are Standing In The Nick Of Time: Translative Relevance In Anne Carson's "Antigonick", Michelle Alonso
We Are Standing In The Nick Of Time: Translative Relevance In Anne Carson's "Antigonick", Michelle Alonso
FIU Electronic Theses and Dissertations
The complicated issues surrounding translation studies have seen growing attention in recent years from scholars and academics that want to make it a discipline and not a minor branch of another field, such as linguistics or comparative literature. Writ large with Antigonick, Carson showcases the recent Western push towards translation studies in the American academy. By offering up a text that is chaotic in its presentation, she bypasses the rigid idea of univocality. By giving the text discordant images, she betrays the failed efficacy of sign and signification, and by choosing a text to be performed and mutually participated …
Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts
Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts
Media Studies Publications
This chapter discusses the implications of wearable technologies like Google Glass that function as a tool for occupying, commodifying, and profiting from the bio- logical, psychological, and emotional data of its wearers and those who fall within its gaze. We argue that Google Glass privileges an imaginary of unbridled exploration and intrusion into the physical and emotional space of others. Glass’s recognizable esthetic and outward-facing camera has elicited intense emotional response, partic- ularly when “exploration” has taken place in areas of San Francisco occupied by residents who were finding themselves priced out or evicted from their homes to make way …
Towards Romantic Syncretism: Liminal And Transitory Women In The Work Of Dante Gabriel Rossetti, Michelle Bunton
Towards Romantic Syncretism: Liminal And Transitory Women In The Work Of Dante Gabriel Rossetti, Michelle Bunton
2016 Undergraduate Awards
Throughout his career, Dante Gabriel Rossetti struggled with a poetic and visual synthesis of the ideal with the sensual, exploring and attempting to resolve the complex paradox of Victorian sexuality, a feat not easily achieved during an era of such fervent morality. Developing his own Romantic Syncretism, Rossetti presents a synthesis of multifaceted symbolism and allegory in his work, combining pagan and Christian themes to create a liminal space in which the divided natures of his female subjects, their object versus subject-hood, are unified. His approach to Christian symbology, via a fleshy and aesthetic representation of the female form, retains …
Queering Sugar: Kara Walker’S Sugar Sphinx And The Intractability Of Black Female Sexuality, Amber Jamilla Musser
Queering Sugar: Kara Walker’S Sugar Sphinx And The Intractability Of Black Female Sexuality, Amber Jamilla Musser
Publications and Research
This essay analyzes the controversy surrounding artist Kara Walker’s 2014 installation, A Subtlety, or the Marvelous Sugar Baby, to unpack the pleasures and dangers that subtend discussions of black female sexuality. What Walker announced as a tribute to the labor of brown and black bodies produced myriad conversations about pleasure, danger, and black female sexuality. Most art critics argued that the piece reclaimed black female agency; many visitors criticized the work (and the public response to it) as disrespectful and problematic. In the essay, I argue that both of these responses highlight the difficulty of talking about black female …