Open Access. Powered by Scholars. Published by Universities.®
- Keyword
Articles 1 - 2 of 2
Full-Text Articles in Art and Design
Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond
Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond
Art Faculty Articles and Research
This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Church of the “Savior Not Made by Hands” at Abramtsevo in 1880–81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious painting polarized elite Russian society and was …
The Importance Of Frankfurt Printing Before 1550. Sebald Beham Moves From Nuremberg To Frankfurt, Alison Stewart
The Importance Of Frankfurt Printing Before 1550. Sebald Beham Moves From Nuremberg To Frankfurt, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
Five hundred years ago, Sebald Beham had reasons enough to leave Nuremberg and more than enough reasons to move to Frankfurt. That town's attraction as a printing center became one of the factors that resulted in Beham's settling permanently in the city on the Main in 1531, leaving behind his home town of Nuremberg, best known as the artistic center of the Renaissance master Albrecht Durer. Despite the high regard the Franconian town and Durer received, the authorities there did not treat other painters in Durer's circle particularlywell. The dubbing of Beham as 'godless painter' in 1525 constituted one of …