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Full-Text Articles in Art and Design
The Importance Of Frankfurt Printing Before 1550. Sebald Beham Moves From Nuremberg To Frankfurt, Alison Stewart
The Importance Of Frankfurt Printing Before 1550. Sebald Beham Moves From Nuremberg To Frankfurt, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
Five hundred years ago, Sebald Beham had reasons enough to leave Nuremberg and more than enough reasons to move to Frankfurt. That town's attraction as a printing center became one of the factors that resulted in Beham's settling permanently in the city on the Main in 1531, leaving behind his home town of Nuremberg, best known as the artistic center of the Renaissance master Albrecht Durer. Despite the high regard the Franconian town and Durer received, the authorities there did not treat other painters in Durer's circle particularlywell. The dubbing of Beham as 'godless painter' in 1525 constituted one of …
Viewing Heaven: Rock Crystal, Reliquaries, And Transparency In Fourteenth-Century Aachen, Claire Kilgore
Viewing Heaven: Rock Crystal, Reliquaries, And Transparency In Fourteenth-Century Aachen, Claire Kilgore
School of Art, Art History, and Design: Theses and Student Creative Work
This thesis examines reliquaries and objects associated with medieval Christian practice in fourteenth-century Aachen. The city's cathedral and treasury contain prestigious relics, reliquaries, and liturgical items, aided by its status as the Holy Roman Empire's coronation church. During the reign of Holy Roman Emperor Charles IV (r. 1349-1378), reliquaries, pilgrimage, and architecture reflect late medieval interests in vision, optics, and transparency. Two mid-fourteenth century reliquaries from the Aachen Cathedral Treasury, the Reliquary of Charlemagne and the Three-Steepled Reliquary, display relics through rock crystal windows, in contrast to the obscuring characteristics of earlier reliquaries. Not only do the two reliquaries visually …
Lucas Cranach's Samson And Delilah In Northern European Art, Jacqueline S. Spackman
Lucas Cranach's Samson And Delilah In Northern European Art, Jacqueline S. Spackman
School of Art, Art History, and Design: Theses and Student Creative Work
This thesis explores images of Samson and Delilah in northern Europe in the fifteenth and early sixteenth centuries. My research focuses primarily on Lucas Cranach’s painting, Samson and Delilah of 1528-30, in the Metropolitan Museum of Art, New York. By examining prints and decorative artworks that include the Samson and Delilah narrative, it is my goal to understand where Cranach’s painting fits into the larger art historical picture. Through examining the locations and suggested meanings of other works, I hope to establish that it is also possible to understand the intention and meaning behind Cranach’s painting. I analyze the work …