Art and Design Commons^™

The Voice Of One Crying In The Wilderness, Megan Kenyon

MFA in Visual Art

I am a Midwestern, Christian, and feminist artist. I make work about the beautiful, broken, and absurd ways in which American evangelical culture influences lives, especially women’s lives. I’m dragging everything into the light by deconstructing and critiquing the world in which I live, move, and have my being. I do this by harnessing prophetic imagination and incarnational space to shine a light on how patriarchy infects evangelical Christian theology and practice. Using prophetic imagination through photographic self-portraiture and text (my own and found texts using the Bible), I seek to make plain the effects of white, Christian patriarchy on …

Cultural Formation Of Place: Making Yourself At Home, Olivia Arratia

Art Theses and Dissertations

The environment you grow up in can become a pivotal part of your existence. The sights, smells, people, and places you experience every day can transform the way you see the world. Growing up in a Mexican-American household has brought its own set of experiences that have made me the artist I am today. I am one of many contemporary artists building on the foundations of their heritage and the Chicano movement. I am also a Mexican-American artist expanding the identity and extending the legacy in the 21st century. This paper will investigate how Mexican-American heritage has influenced my artistic …

Visual Displays In Space Station Culture: An Archaeological Analysis, Justin St. P. Walsh, Alice C. Gorman, Wendy Salmond

Art Faculty Articles and Research

We offer an archaeological analysis of the visual display of “space heroes” and Orthodox icons in the Russian Zvezda module of the International Space Station (ISS). This study is the first systematic investigation of material culture at a site in space. The ISS has now been continuously inhabited for 20 years. Here, focusing on the period 2000–2014, we use historic imagery from NASA archives to track the changing presence of 78 different items in a single zone. We also explore how ideas about which items are appropriate for display and where to display them originated in earlier Soviet and Russian …

Cvc's Plans For Spring 2021

St. Norbert Times

News

• CVC’s Plans for Spring 2021
• Coffee, Crafts and Conversation
• Managing Difficult Talks at Home

Opinion

• Is Good Enough Good?
• My Prediction for 2021

Features

• Circle K Club
• A Published Alum: Jasmine Babineaux

Entertainment

• Student Spotlight: Kodee Zarnkee
• Music Review: My Chemical Romance
• Higurashi When They Cry
• Coming Soon to Netflix
• Most Anticipated December Book Releases
• Junk Drawer: Most Looking Forward to Over Break

Sports

• Delayed: College Hockey
• The Olympics Are Still On
• Common Ice Skating Injuries
• Implications of College Sports Cancellations

Eternity In Low Earth Orbit: Icons On The International Space Station, Wendy Salmond, Justin Walsh, Alice Gorman

Art Faculty Articles and Research

This paper investigates the material culture of icons on the International Space Station as part of a complex web of interactions between cosmonauts and the Russian Orthodox Church, reflecting contemporary terrestrial political and social aairs. An analysis of photographs from the International Space Station (ISS) demonstrated that a particular area of the Zvezda module is used for the display of icons, both Orthodox and secular, including the Mother of God of Kazan and Yuri Gagarin. The Orthodox icons are frequently sent to space and returned to Earth at the request of church clerics. In this process, the icons become part …

Student Wins Valley Pitch Contest

St. Norbert Times

News

• Student Wins Valley Pitch Contest
• Our Fragile Democracy: A Conversation
• Music, Movements and Manhood
• Fr. Gregory Boyle Talks Love, Tenderness

Opinion

• The Road to Voting Rights For All
• When Does a Coach Cross the Line
• Why Are You Here?
• In-Person vs. Online College
• The Internal Struggle of Politics
• Top Mental Health Apps of 2020

Features

• SNC Goes Green with Eco Club
• A Fond Farewell to Hessica Horton

Entertainment

• Student Spotlight
• Book Review: “180 Seconds” by Jessica Park
• Three Music Artists For Late Fall and Early Winter
• Hypnosis Mic - Division Rap Battle - Rhyme Anime
• Weekly Review of “The …

Nalo Zidan Discusses Masculiminality

St. Norbert Times

News

• Nalo Zidan Discusses Masculiminality
• Reviewing the 2020 SGA Elections
• Safer at SNC: Student Perspective
• Spreading Anti-Racism Awareness
• Arno Michaelis: Embrace Diversity

Opinion

• Political Discourse
• The Switch in Conversation
• Digital Age Calls for New Course Offerings
• A Day Off

Features

• Zambia Project
• New Faculty at SNC: Toni Morgan
• Yoga on the Lawn with Lisa Burke

Entertainment

• Student Spotlight
• Book Review: “Under the Rainbow” by Celia Laskey
• Weeb Corner
• Top 3 Favorite “Peaky Blinders” Episodes
• Show Review: “Anne With An E”
• Coming Soon to Netflix
• Upcoming Events
• Junk Drawer: Favorite Children’s Book

Sports

• Packers Claw the Falcons
• Varsity Blues
• Greyhound Racing: …

Legacy Of Ruth Bader Ginsburg

St. Norbert Times

News

• Legacy of Ruth Bader Ginsburg
• Presidential Madness as Election Looms
• Lovelee Talks Art and Community
• Fall Sorority Recruitment
• CAUGHT: COVID Cash
• Beto O’Rourke Calls on Gen Z

Opinion

• Reality TV is the New Reality
• The Mystery of Multitasking
• Goodbye, RBG
• Impending Apocalypse and Puppeteering
• A Screaming Good Time in Wisconsin

Features

• Green Bay Farmers’ Market
• Kayaking on the Fox
• Career and Internship Fair Goes Virtual
• New Faculty: Elizabeth Danka (Biology)

Entertainment

• Student Spotlight
• Weeb Corner: What’s New in Anime?
• Review of “Avatar: The Last Airbender”
• Four of the Most Anticipated October Book Releases
• Junk Drawer: Favorite Fall Beverage

Sports …

‘Apprpriate Hoods’: The Development Of Academic Dress At Nashotah House Theological Seminary, Stephen A. Peay

Transactions of the Burgon Society

No abstract provided.

Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond

Art Faculty Articles and Research

This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Church of the “Savior Not Made by Hands” at Abramtsevo in 1880–81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious painting polarized elite Russian society and was …

My Mother On Dream Interpretation And The Lack Of Finality In Death, Liz Johnston

Comparative Woman

This is an interview with my mother, a dream interpreter. Here, we explore her practice of reading dreams and discuss her experiences in communicating with spirits.

A Renaissance Of The Visual Arts In Worship For Churches Of Christ, Heather Heflin Hodges

Doctor of Ministry Theses

This Doctor of Ministry thesis presents the results of a project in which a group of four artists from across the United States met via video conference to create liturgical art activities that can be integrated into the Sunday morning worship for Churches of Christ. The problem identified at the beginning of the project was a lack of integration of the visual arts in worship in Churches of Christ. I understood this lack to be due in part to an iconoclastic heritage in Protestantism as well as a focus on rational intellectualism and desire for simplicity in worship as a …

Living Tradition: Contemporary Ethiopian Christian Art From The Sobania Collection, Neal Sobania, Charles Mason, Nina Kay, Andie Near, Raymond Silverman, Tom Wagner

Kruizenga Art Museum Exhibition Catalogs

Produced by Storming the Castle Pictures for the Kruizenga Art Museum as a catalog for the exhibition “Living Tradition: Contemporary Ethiopian Contemporary Art from the Sobania Collection,” September 21 – December 15, 2018. Photography by the Kruizenga Art Museum, Neal Sobania, Raymond Silverman and Tom Wagner. Design by Tom Wagner.

Ellis H. Minns And Nikodim Kondakov’S The Russian Icon (1927), Wendy Salmond

Art Faculty Books and Book Chapters

"Kondakov’s magnum opus [The Russian Icon] failed to win an audience. Though it appeared just in time for a surge of popular interest in Russian icons abroad, it never became the book of choice for the English-speaking public seeking a guide through the ‘dark forest’ of the icon’s history... My chapter offers some suggestions for why this crude caricature of Kondakov’s work took hold in the 1920s and became axiomatic throughout the Soviet period. In particular, it considers the role that Minns’s translation may have played, however inadvertently, in cementing this impression. Minns’s interventions in and framing of …

Embroidery In The Circle Of The Last Romanovs, Wendy Salmond

Art Faculty Articles and Research

This article essay examines the liturgical embroideries associated with the Empress Alexandra Fedorovna and her sister Grand Duchess Elizaveta Fedorovna. It suggests that the sisters’ needlework for sacred purposes was invested with a significance not seen in elite Russian society since the late seventeenth century. At a time when the arts of Orthodoxy were undergoing a state-sponsored renaissance, who was better suited to lead the resurgence of liturgical embroidery than the wife and sister-in-law of the Emperor, the last in a long line of royal women seeking to assert their piety and their power through traditional women’s work? In the …

Pavel Tretiakov’S Icons, Wendy Salmond

Art Faculty Books and Book Chapters

"Between 1890 and his death in 1898, the Moscow art collector Pavel Tretiakov acquired sixty-two icons of the sixteenth and seventeenth centuries. With this comparatively late entry into the world of icons, Tretiakov laid the foundation for one of the world’s greatest collections of medieval Russian paintings. Why is it, then, that Tretiakov’s icons are today so rarely mentioned and so hard to find? The most practical explanation is that they were simply swallowed up into the vast repositories of the reorganized State Tretiakov Gallery in 1930, along with thousands of icons from churches and private collections nationalized afer 1917. …

An Imperial Collection: Exploring The Hammers' Icons, Wendy Salmond

Art Faculty Books and Book Chapters

"Changing hands one last time, in the 1950s, for many years the icons at BJU lived as it were incognito, the details of their glamorous origins largely forgotten. Reuniting this core group-the cream of the Hammers' imperial icons--with others that passed into American museums in the 1930s allows us to appreciate the full significance of Armand and Victor Hammer's foray into marketing icons Americans.Viewed in isolation, most of their "imperial icons" are perhaps no mo than a poignant reminder of the vast destruction and dislocation of Orthodox culture during the Soviet Cultural Revolution. Taken together, however, they paint a vivid …

Coptic Art- What Is It To 21st-Century Youth?, Mariam Ayad Dr.

Sociology, Egyptology & Anthropology Department: Faculty Work

Coptic iconographer Fadi Mikhail writes about what prompted him to select an ancient form of artistic expression as a venue for his creativity and talent, while Ayad discusses some of the unique features that set Mikhail's icons apart.

Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography, Wendy Salmond

Art Faculty Books and Book Chapters

Wendy Salmond's foreword to Irina Yazykova's Hidden and Triumphant: The Underground Struggle to Russian Iconography, in which Yazykova discusses how the art of icon painting survived during years of Russian Communism and is now poised to launch a new era that reflects modern experience.

How America Discovered Russian Icons: The Soviet Loan Exhibition Of 1930-32, Wendy Salmond

Art Faculty Books and Book Chapters

On 14 October 1930, the first exhibition of Russian icons ever to take place in the United States opened at the Museum of Fine Arts in Boston. Over the next nineteen months it traveled to nine venues across the country, introducing the American public to a form of medieval painting virtually unknown outside Russia. Billed as the "Union of Soviet Socialist Republics Loan Exhibition," its avowed goal was to share with the outside world the full story of Russian icon painting's evolution from the twelfth to the nineteenth centuries, thereby adding a vital missing chapter to the history of medieval …

Russian Icons And American Money, 1928-1938, Wendy Salmond

Art Faculty Articles and Research

The article explores the marketing tactics and consumer expectations with regards to icons released in the street markets and provincial cities of Soviet Russia and acquired by American collectors from 1928-1938. These icons, including those from Byzantium in the tenth century, were seen as cultural commodities during the Russian revolution and the subsequent socialist construction. The Soviet apparatus Antikvariat was tasked with appraising the icon collections held by the Gosmuzeifond or the State Museum Reserve for exports.

Pennsylvania Folklife Vol. 46, No. 3, Don Yoder, Alfred L. Shoemaker, Paul R. Wieand, Earl F. Robacker, Ada Robacker, Herbert H. Beck, Edna Eby Heller, Vincent R. Tortora, Frances Lichten

Pennsylvania Folklife Magazine

• Two Worlds in the Dutch Country
• Belsnickel Lore
• Carpet-Rag Parties
• Quilting Traditions in the Dutch Country
• Lititz
• Lititz Specialties
• Amish Funerals
• Pennsylvania Redware
• Scratch-Carved Easter Eggs
• Fractur From the Hostetter Collection

Pennsylvania Folklife Vol. 46, No. 2, Nancy Kettering Frye, Jean-Paul Benowitz, Amos Long Jr., John A. Milbauer

Pennsylvania Folklife Magazine

• "An Uncommon Woman" in the Age of the Common Man: The Life and Times of Sarah Righter Major
• Maintaining Mennonite Identity: The Old Order Church in Pennsylvania and Virginia
• The End of an Era: The Last One-Room Public Schools in Lebanon County
• Pennsylvania Extended in the Cherokee Country: A Study of Log Architecture

Pennsylvania Folklife Vol. 46, No. 1, Jean-Paul Benowitz, John Lowry Ruth, Paula T. Hradkowsky, Monica Mutzbauer

Pennsylvania Folklife Magazine

• The Mennonites of Pennsylvania: A House Divided
• "Not Only Tradition, but Truth": Legend and Myth Fragments Among Pennsylvania Mennonites
• Mennonite Women and Centuries of Change in America
• "It is Painful to Say Goodbye": A Mennonite Family in Europe and America

Pennsylvania Folklife Vol. 45, No. 3, Susan L. F. Isaacs, Donald Roan, Debora Kodish, Lois Fernandez, Karen Buchholz, Susan Fellman Jacob, Ron Schlegel, Mindy Brandt

Pennsylvania Folklife Magazine

• Folklife at the Margins: Cultural Conservation for the Schuylkill Heritage Corridor
• The Goschenhoppen Historians: Preserving and Celebrating Pennsylvania German Folk Culture
• The African American Festival of Odunde: Twenty Years on South Street
• Joanna Furnace: Then and Now
• Port Clinton: A Peek Into the Past

Pennsylvania Folklife Vol. 45, No. 2, Thomas E. Gallagher Jr., Robert Troy Boyer, Amos Long Jr., Christine M. Mueseler, Catherine Anne Jacobs, Hugo A. Freund

Pennsylvania Folklife Magazine

• Occupational Folklife
• A Fine-Tooth Comb: Atlee Crouse Carries on a Family Tradition
• "Lime and Manure": Agricultural Practices Among the Pennsylvania Germans
• Alcoa, New Kensington: "It was More Than a Job - It was a Way of Life"
• Women's Work: Textile Manufacturing in the Lackawanna Valley
• Working the Seams: African American Professional Performers Moving Between White Public Culture and African American Private Culture

Pennsylvania Folklife Vol. 45, No. 1, Joan Saverino, Joseph Bentivegna, Nicholas V. De Leo, Catherine Cerrone, Janet Theophano

Pennsylvania Folklife Magazine

• "Domani Ci Zappa": Italian Immigration and Ethnicity in Pennsylvania
• A Study of the San Cataldesi Who Emigrated to Dunmore, Pennsylvania
• A Look at the Early Years of Philadelphia's "Little Italy"
• "An Aura of Toughness, Too": Italian Immigration to Pittsburgh and Vicinity
• Expressions of Love, Acts of Labor: Women's Work in an Italian American Community

Pennsylvania Folklife Vol. 44, No. 3, Diane Sidener Young, Anne W. Goda, Susan Kalcik, Woodward S. Bousquet, Monica Mutzbauer

Pennsylvania Folklife Magazine

• Conservation and Mediation in the Folk and Traditional Arts of Pennsylvania
• Isaac and Thomas Stahl, the Revival Potters of Powder Valley
• The Folk Art of Decorated Eggs
• Jim Popso and His Coal Country Folk Art
• Leaving the Old World for the New: Rules Governing Emigration from Landau in the Palatinate

Pennsylvania Folklife Vol. 44, No. 2, Susan Kalcik, June Granatir Alexander, M. Mark Stolarik, Corinne Earnest, Klaus Stopp, Jobie E. Riley

Pennsylvania Folklife Magazine

• Fortune's Stepchildren: Slovaks in Pennsylvania
• Slovak Churches: Religious Diversity and Ethnic Communities
• Slovak Fraternal-Benefit Societies in Pennsylvania
• Early Fraktur Referring to Birth and Baptism in Pennsylvania: A Taufpatenbrief from Berks County for a Child Born in 1751
• The Solitary Sisters of Saron

Pennsylvania Folklife Vol. 44, No. 1, Charles L. Blockson, Roland C. Barksdale-Hall, Jerrilyn Mcgregory, Terry G. Jordan

Pennsylvania Folklife Magazine

• "A Missing Link": The History of African Americans in Pennsylvania
• The Twin City Elks Lodge: A Unifying Force in Farrell's African American Community
• The Greening of Philadelphia
• The "Saddlebag" House Type and Pennsylvania Extended