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Full-Text Articles in Art and Design

Platten En Perkament, Peter D. Verheyen, Marlene Hoogeveen (Translator) Jan 2012

Platten En Perkament, Peter D. Verheyen, Marlene Hoogeveen (Translator)

Peter D Verheyen

Translation into Dutch for Handboekbinden (Journal of the Stichting Handboekbinden) by Marlene Hoogeveen of: Peter D. Verheyen. "Vellum on Boards" The Guild of Book Workers Journal 39 (2004).

Vellum is arguably one of the most beautiful binding materials in use, and at the same time one of the least used in modern design bindings. While it is often used in limp bindings, its use “over hard boards” has been much more limited. A study of the bookbinding literature reveals it being covered in-depth to a larger degree in German language trade manuals than in English. This could explain their seemingly …


The German Case Binding, Peter D. Verheyen Jan 2006

The German Case Binding, Peter D. Verheyen

Peter D Verheyen

The case (Bradel) binding is the most common, general purpose binding structure in use by binders in Germany. What sets it apart from other case bindings is that the cover boards and spine stiffener are joined together with a strip of sturdy paper before covering. This allows the covers to be fit precisely to the textblock, especially at the joint and fore-edge. For this reason the structure is also very well suited to beginners. Books using this structure are generally covered in full cloth, paper, or a combination of the two. The structure is not well suited to leather binding …


Springback Ledger Bindings (English Style), Peter D. Verheyen Jan 2005

Springback Ledger Bindings (English Style), Peter D. Verheyen

Peter D Verheyen

During his introduction, Richard Baker described how, while Deputy Head of the Conservation Bindery of the Johns Hopkins University Library'he was introduced to the springback binding. The historical development of the springback, originally patented in Great Britain in 1799 by John and Joseph Williams, is described in Bernard Middleton's History of English Craft Bookbinding, but Middleton does not detail the steps required to complete a binding. The springbackalso has a long history in the German binding tradition, where it continues to see regular use, especially for guestbooks.

As a style, the springback is firmly rooted in the "trade" binding tradition. …


Vellum On Boards, Peter D. Verheyen Jan 2004

Vellum On Boards, Peter D. Verheyen

Peter D Verheyen

Vellum is arguably one of the most beautiful binding materials in use, and at the same time one of the least used in modern design bindings. While it is often used in limp bindings, its use “over hard boards” has been much more limited. A study of the bookbinding literature reveals it being covered in-depth to a larger degree in German language trade manuals than in English. This could explain their seemingly greater popularity in Germany, as evidenced by reproductions in exhibition catalogs and other publications. With a decline in traditional training opportunities, it is becoming increasing difficult to find …


The Springback: Account Book Binding (German Style), Peter D. Verheyen, Donia Conn Jan 2003

The Springback: Account Book Binding (German Style), Peter D. Verheyen, Donia Conn

Peter D Verheyen

These instructions for making a springback account book are derived from my notes as an apprentice at the Kunstbuchbinderei Klein, with adaptations over time. While my training is in the German tradition, the steps outlined should not be radically different from the English tradition. Although the technique was originally patented in Great Britain in 1799 by John and Joseph Williams,) the authors have found very few descriptions of this method in contemporary English language texts. Alex J. Vaughan describes the technique with great detail in Section II, 'Stationery Binding' of Modern Bookbinding. There is also an historical mention in Bernard …


Basic Paper Treatments For Printed Book Materials, Peter D. Verheyen Jan 1991

Basic Paper Treatments For Printed Book Materials, Peter D. Verheyen

Peter D Verheyen

In October of 1989, at the Guild of Book Workers' Standards of Excellence Seminar, Betsy Palmer Eldridge gave a presentation on "Basic Paper Treatments for Printed Book Materials." This 2 1/2 hour presentation was a very ambitious undertaking, but she did a magnificent job.Since these presentations and the synopses that later appeared in the GBW Newsletter, there has been some discussion. The presentations and these articles are not to be construed as a "how to" of basic paper conservation but rather as an introduction for those with interest but little experience. For the more experienced, they present the methods of …