Art and Design Commons^™

Open Access: A Model For Sharing Published Conservation Research, Peter D. Verheyen, Priscilla Anderson, Whitney Baker, Beth Doyle

Peter D Verheyen

The conservation field has articulated the importance of publishing our research to disseminate information and further the aims of conservation. Article X of AIC’s Code of Ethics states that conservators should “contribute to the evolution and growth of the profession, a field of study that encompasses the liberal arts and the natural sciences” in part by “sharing of information and experience with colleagues, adding to the profession’s written body of knowledge.” Our Guidelines for Practice state “the conservation professional should recognize the importance of published information that has undergone formal peer review,” because, as Commentary 2.1 indicates, “publication in peer-reviewed …

Stolperstein Für Ernst Collin, Peter D. Verheyen

Peter D Verheyen

Article (in German) provides biographical details about the life of Ernst Collin, son and grandson of Prussian and German court bookbinders, who was one of the leading writers in the field of bookbinding and the history of the book in the period between the World Wars.

On April 1, 2014 two Stolpersteine (Stumbling Blocks) were laid to memorialize Ernst Collin and his wife Else (nee Cronheim) in front of the entrance to their home at Cicerostr 61 in Berlin. Stolpersteine are “monuments created by Gunter Demnig that commemorate victims of the Holocaust. They are small, cobblestone-sized memorials for an individual …

Special Formats, Innovative Preservation Storage Solutions, Peter D. Verheyen

Peter D Verheyen

Expanded version of earlier (2009) presentation that discusses the types of materials; challenges of the materials; storage options; transport and access; other considerations of oversized materials in libraries and archives. The presentation also discussed the tube storage system developed for architectural and other over-sized drawings at Syracuse University Library as a case-study.

Platten En Perkament, Peter D. Verheyen, Marlene Hoogeveen (Translator)

Peter D Verheyen

Translation into Dutch for Handboekbinden (Journal of the Stichting Handboekbinden) by Marlene Hoogeveen of: Peter D. Verheyen. "Vellum on Boards" The Guild of Book Workers Journal 39 (2004).

Vellum is arguably one of the most beautiful binding materials in use, and at the same time one of the least used in modern design bindings. While it is often used in limp bindings, its use “over hard boards” has been much more limited. A study of the bookbinding literature reveals it being covered in-depth to a larger degree in German language trade manuals than in English. This could explain their seemingly …

Book Repair Basics For Libraries, Peter D. Verheyen, Marianne Hanley

Peter D Verheyen

This presentation familiarizes viewers with different aspects of circulating collections book repair for school, public, and academic library staff. It shows basic descriptions of techniques using images, and video. This presentation should not be construed as a how-to, hands-on workshop. Likewise, it is not aimed at the treatment of special collections items. Selected resources for training, both hands-on and online are provided at the end.

Where Book Art And Technology Mingle, Peter D. Verheyen, Richard Minsky

Peter D Verheyen

Interview of Peter D. Verheyen by Richard Minsky. Peter Verheyen, conservator, bookbinder, and creator of the Books Arts Web, discusses the current state of book arts. Although he creates impeccable fine bindings that have won international awards, Peter Verheyen's huge contribution to the field of book art has little to do with making or conserving physical books. His magum opus is the Book Arts Web (philobiblon.com), the main location on the Internet for book art information and resources, from online exhibitions to tutorials, opportunities, blogs, and reference materials.

Bookbinding & Conservation: A Sixty-Year Odyssey Of Art And Craft By Don Etherington, Peter D. Verheyen

Peter D Verheyen

For those involved with bookbinding, book conservation, or with the Guild of Book Workers, Don Etherington needs no introduction – he has served as a teacher, mentor, and friend. Now, with Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft we can read about how he came to enter this field, was influenced by his teachers and mentors, and how he helped shape the world of bookbinding and conservation.

"Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft" contains a forward by Bernard Middleton, another leader in the field, and one who needs little introduction himself. It is …

Special Formats, Innovative Preservation Storage Solutions, Peter D. Verheyen

Peter D Verheyen

The presentation dealt with the tube storage system developed for architectural and other over-sized drawings at Syracuse University Library.

The Bone Folder By Ernst Collin, Peter D. Verheyen

Peter D Verheyen

DER PRESSBENGEL/THE BONE FOLDER: A DIALOGUE BETWEEN AN AESTHETICALLY- INCLINED BIBLIOPHILE AND A WELL-VERSED-IN-ALL-ASPECTS-OF-THE- CRAFT BOOKBINDER

By Ernst Collin, translated and introduced by Peter D. Verheyen

Der Pressbengel, by Ernst Collin, was originally published in German in 1922. This is its first translation into English. Conceived as a dialogue between a bibliophile and a master bookbinder on all aspects of the bookbinding craft as well as specific techniques, the text also addresses the conflicts between quality and cost and matters of good taste. An introduction by the translator discusses the historical context of the decline of formal training, a trend …

The Changing Book: Transitions In Design, Production, And Preservation, Peter D. Verheyen

Peter D Verheyen

This book review was originally published in the Guild of Book Workers' Newsletter, Vol 181, December, 2008.

"The Changing Book: Transitions in Design Production, and Preservation publishes the proceedings of the conference of the same name organized by and held at the University of Iowa July 22-25,2005. This conference tied together many threads, from an exhibition honoring the life's work of William (Bill) Anthony, the first conservator at the University of Iowa and teacher to some of today's best, to a "tent show" which gave the public the opportunity to learn about the book arts hands-on, to 19 formal presentations …

Member Profiles: Karen Hanmer And Peter Verheyen, Peter D. Verheyen, Karen A. Hanmer

Peter D Verheyen

This is the second in a continuing series of interviews of Guild members. Current and former Exhibitions Chairs Karen Hanmer and Peter Verheyen met at Standards in Chicago in 1999. She never dreamed his subliminal messages would entice her from making “freaky-foldies” to become a binder. He never suspected she would attempt to seduce him to the other side with odd examples of vaguely book-like ephemera. They share an appreciation of fine craft, spare design, and excessively robust (read Teutonic) endsheets.

William Anthony Fine Binder, Peter D. Verheyen

Peter D Verheyen

William “Bill” Anthony (1926-1989) was arguably one of the most influential bookbinders and conservators in the US. His impact cannot be measured by his work alone but also by his legacy as demonstrated by all those he trained, many of whom are now leaders in the field in their own right. Lawrence Yerkes’ forward and Helen Ryan’s introduction to the catalog describe not only Anthony’s life and work, but also the emotional bond they had with him and his spirit that touched so many.

The German Case Binding, Peter D. Verheyen

Peter D Verheyen

The case (Bradel) binding is the most common, general purpose binding structure in use by binders in Germany. What sets it apart from other case bindings is that the cover boards and spine stiffener are joined together with a strip of sturdy paper before covering. This allows the covers to be fit precisely to the textblock, especially at the joint and fore-edge. For this reason the structure is also very well suited to beginners. Books using this structure are generally covered in full cloth, paper, or a combination of the two. The structure is not well suited to leather binding …

Springback Ledger Bindings (English Style), Peter D. Verheyen

Peter D Verheyen

During his introduction, Richard Baker described how, while Deputy Head of the Conservation Bindery of the Johns Hopkins University Library'he was introduced to the springback binding. The historical development of the springback, originally patented in Great Britain in 1799 by John and Joseph Williams, is described in Bernard Middleton's History of English Craft Bookbinding, but Middleton does not detail the steps required to complete a binding. The springbackalso has a long history in the German binding tradition, where it continues to see regular use, especially for guestbooks.

As a style, the springback is firmly rooted in the "trade" binding tradition. …

Vellum On Boards, Peter D. Verheyen

Peter D Verheyen

Vellum is arguably one of the most beautiful binding materials in use, and at the same time one of the least used in modern design bindings. While it is often used in limp bindings, its use “over hard boards” has been much more limited. A study of the bookbinding literature reveals it being covered in-depth to a larger degree in German language trade manuals than in English. This could explain their seemingly greater popularity in Germany, as evidenced by reproductions in exhibition catalogs and other publications. With a decline in traditional training opportunities, it is becoming increasing difficult to find …

The Springback: Account Book Binding (German Style), Peter D. Verheyen, Donia Conn

Peter D Verheyen

These instructions for making a springback account book are derived from my notes as an apprentice at the Kunstbuchbinderei Klein, with adaptations over time. While my training is in the German tradition, the steps outlined should not be radically different from the English tradition. Although the technique was originally patented in Great Britain in 1799 by John and Joseph Williams,) the authors have found very few descriptions of this method in contemporary English language texts. Alex J. Vaughan describes the technique with great detail in Section II, 'Stationery Binding' of Modern Bookbinding. There is also an historical mention in Bernard …

Conserving And Preserving Your Books, Peter D. Verheyen

Peter D Verheyen

An introduction to book preservation ad conservation topics and problems for library school students an collectors. Includes paper, leather, repair, and a resource list.

Bringing Us Together / Getting Us Out, Peter D. Verheyen

Peter D Verheyen

The past five years have seen an explosion in the use of the Internet by book artists both as a tool for communication and as a means of publicizing their work. Not quite as rapidly, but steadily nevertheless some formerly traditional book artists have left the confines and limitations of hot type on damp paper to explore the creation of "books" which can only exist in digital form. In this presentation, I will explore how both book artists and the book arts represent themselves using digital media and what I see as some of the implications for the ways in …

Basic Paper Treatments For Printed Book Materials, Peter D. Verheyen

Peter D Verheyen

In October of 1989, at the Guild of Book Workers' Standards of Excellence Seminar, Betsy Palmer Eldridge gave a presentation on "Basic Paper Treatments for Printed Book Materials." This 2 1/2 hour presentation was a very ambitious undertaking, but she did a magnificent job.Since these presentations and the synopses that later appeared in the GBW Newsletter, there has been some discussion. The presentations and these articles are not to be construed as a "how to" of basic paper conservation but rather as an introduction for those with interest but little experience. For the more experienced, they present the methods of …