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Metaphors In Materials And Imagery For Self Reclamation And Empowerment, Janice Lardey
Metaphors In Materials And Imagery For Self Reclamation And Empowerment, Janice Lardey
Masters Theses
As an experimental multidisciplinary artist, my creative process draws inspiration from daily experiences and encounters with the mundane. I am particularly interested in West African textile cultural practices, specifically the use of symbols and basic geometric forms to communicate through materials (specifically fabrics) and the role these images and forms play in African culture. In my work, I am developing my own distinct vocabulary of symbols and patterns, inspired by these practices.
My artistic practice explores a wide range of themes related to women, sustainability, loss, everydayness, wear and tear, degeneration, the transitory nature of life, and material effects, often …
Remains To Be Seen: Recollecting Memory, Nathanael Kooperkamp
Remains To Be Seen: Recollecting Memory, Nathanael Kooperkamp
Masters Theses
Abstract
Remains to be Seen, a multi-media installation, provides the opportunity for reconfiguration, re-contextualization and re-remembering of visual memory. Geoffry Cubit, a historian of memory, has noted that “memory has no fixed, stable, unitary meaning to which we can invariably recur: it has always been, and legitimately, a concept in flux and under review”.[1]My work in this exhibition (and as discussed throughout this paper) addresses the unstable and revisionist nature of memory—both culturally and individually. Additionally, I attempt to address how memory (collective, visual, familial and individual) is implicated in the creation of selfhood, of personal narrative, …