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The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin
The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin
Master's Theses
Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …
Campfire Delights, Tarah Catalano
Water Lady, Rachel Sullivan
Full Issue, The Anthology
Full Issue, The Anthology
The Anthology
This is the entirety of the 2015 Winthrop Anthology issue.
Satori 2016, Winona State University
Satori 2016, Winona State University
Satori Literary Magazine
The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.
Full Issue, The Anthology
Full Issue, The Anthology
The Anthology
This is the entirety of the 2016 Winthrop Anthology issue.