Art and Design Commons^™

Laurus: After Dark. Fall 2014, Daley Eldorado, Sarah Benal, Emily Burns, Kirsten Clawson, Eric Holt, Sam Greenfield, Sean Stewart, Lori Nevole, Kayla Punt, Alexa Horn, Nicole Mosby, Abie Rohde, Michael Page, Dizzy Roberson, Samuel Lee, Emily Tran, Leonardo Casabella, Scott Sampson, Katie Cooley, Alec Kaus, Hannah Eads, Madeline Cass, Nicholas Wilkinson, Haley Heesacker, Mina Holmes, Evan Pillle

Laurus: Undergraduate Literature Journal of the University of Nebraska-Lincoln

Contents

Dizzy Roberson
“The Devil Is Just Left of the Spleen”...6

Samuel Lee
“Sonnet - To Punk”.....9
“Sonnet, Again”......26
“Sea of Trees”......42

Emily Tran
“Bloody Eyeballs”.....10

Leonardo Casabella
“The Broken Frame”.....11

Scott Sampson
“Packed”.......18

Katie Cooley
“Shades”.......19

Alec Kaus
“Warrant”......20
“Waiting”......25
“When the Night”.....44

Hannah Eads
“Blessed Be!”......21

Madeline Cass
“Scrimshaw”......23

Nicholas Wilkinson
“The Hunt”......27

Haley Heesacker
“The Lonely Pink Flower”.....35

Mina Holmes
“Sugar and Spice”.....36

Evan Pille
“To the Desk of Edgar L. Brandbum”...45

Contributor Bios......59

Editor Bios......62

A Language In Becoming, Camille C. Hawbaker

School of Art, Art History, and Design: Theses and Student Creative Work

Words as I have known them are evolving concepts in the landscape of human language, where the meanings of words are interwoven with layers of history and culture. The boundaries of language are defined by words, and around the edges are instinctive sounds that precede and exceed meaning. These sounds are an interrupting force that unsettles the linguistic structure. We often use them for expression in the form of sobs, grunts, moans, murmurs, chants, obscenities and exclamations. They appear in times of spontaneous emotion that words cannot convey. They can also be used purposely, poetically, “…to shatter [one’s] judging consciousness …

Society And Style: Prints From The Sheldon Museum Of Art, Alison G. Stewart, Paul Royster

Zea E-Books Collection

This collection of works explores how Societies and Styles changed over the course of Early Modern Europe (1500-1800) from the time of the advent of printing on paper to the Industrial Revolution and beyond through little-seen printed masterpieces from the Sheldon Museum of Art’s collection. Today, “print” continues to endure even as new forms of digital publications transform our world in previously unimaginable ways, just as printing did centuries ago.

This exhibition offers a view into the ways printed works of art on paper (mostly woodcuts, engravings, and etchings) showcase society and its various aspects, ranging from one Christian martyrdom …