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Articles 1 - 4 of 4
Full-Text Articles in Art and Design
Nest, Camillia Elci
Nest, Camillia Elci
Masters Theses, 2020-current
The major themes in this body of work are time and layers. These themes are linked by the materiality of the work. Intentional destruction and recreation, perpetually. The work is constantly being made, destroyed, and remade. It is always partly past and partly future. Nest is a self portrait displaying objects acquired and made over the past several years.
And All The Things That Grew On The Ground, Sarah E. Phillips
And All The Things That Grew On The Ground, Sarah E. Phillips
Masters Theses, 2020-current
This is a document archiving and describing my work for the years 2019-2021 as part of the completion requirements for the Master of Fine Arts degree. As a whole, this work investigates the paradox and negotiations of access to the self, the history, and to the landscape you occupy. It asks questions about authorship, valuing, sacred and sacrament, but retains the gravitation, umbilical tie to memoir and narrative. Ritual, habit, and transformational cleansing are recurring themes in the work. Body, breath-- access to the invisible. Preservation of the uncertain. Fragility carries weight, and importance, destruction and negotiation as vessels of …
Interview Panel With Adam Erby, Emilie Johnson, And Teresa Teixeira, Adam Erby, Emilie Johnson, Teresa Teixeira
Interview Panel With Adam Erby, Emilie Johnson, And Teresa Teixeira, Adam Erby, Emilie Johnson, Teresa Teixeira
Madison Historical Review
No abstract provided.
The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond
The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond
Masters Theses, 2010-2019
The Misconception of Knowing, the Invention of Time; Curiosities & Introspections of Vernacular Photography is a body of work that combines photography, artist books, and alternative processes in a series of pieces that explore the synergy between the act of creating vernacular or common photography, the photograph in its many forms, and the interaction with the photographic image at all the stages of its existence. It also exists in conjunction with this written monograph, which supports and gives insight into the work. Through the use of poems, sketchbook musings, the history of photography, critical theory and social norms within photography, …