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Full-Text Articles in Art and Design

Conservation Re-Casing (Binding), Donia Conn, Peter D. Verheyen, Department Of Preservation And Conservation Jan 2011

Conservation Re-Casing (Binding), Donia Conn, Peter D. Verheyen, Department Of Preservation And Conservation

Libraries' and Librarians' Publications

Conservation recasing is a way to preserve our 19th and 20th century materials in which the bindings have failed and, in many cases, been lost over time. It is not intended to be used on valuable bindings or volumes printed before 1800. The structure used is based on the German (Bradel) case binding.


Bookbinding & Conservation: A Sixty-Year Odyssey Of Art And Craft By Don Etherington, Peter D. Verheyen Jan 2010

Bookbinding & Conservation: A Sixty-Year Odyssey Of Art And Craft By Don Etherington, Peter D. Verheyen

Peter D Verheyen

For those involved with bookbinding, book conservation, or with the Guild of Book Workers, Don Etherington needs no introduction – he has served as a teacher, mentor, and friend. Now, with Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft we can read about how he came to enter this field, was influenced by his teachers and mentors, and how he helped shape the world of bookbinding and conservation.

"Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft" contains a forward by Bernard Middleton, another leader in the field, and one who needs little introduction himself. It is …


Bookbinding & Conservation: A Sixty-Year Odyssey Of Art And Craft By Don Etherington, Peter D. Verheyen Jan 2010

Bookbinding & Conservation: A Sixty-Year Odyssey Of Art And Craft By Don Etherington, Peter D. Verheyen

Libraries' and Librarians' Publications

For those involved with bookbinding, book conservation, or with the Guild of Book Workers, Don Etherington needs no introduction – he has served as a teacher, mentor, and friend. Now, with Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft we can read about how he came to enter this field, was influenced by his teachers and mentors, and how he helped shape the world of bookbinding and conservation. "Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft" contains a forward by Bernard Middleton, another leader in the field, and one who needs little introduction himself. It is …


Bookbinding & Conservation: A Sixty-Year Odyssey Of Art And Craft By Don Etherington, Peter D. Verheyen Jan 2010

Bookbinding & Conservation: A Sixty-Year Odyssey Of Art And Craft By Don Etherington, Peter D. Verheyen

Libraries' and Librarians' Publications

For those involved with bookbinding, book conservation, or with the Guild of Book Workers, Don Etherington needs no introduction – he has served as a teacher, mentor, and friend. Now, with Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft we can read about how he came to enter this field, was influenced by his teachers and mentors, and how he helped shape the world of bookbinding and conservation.

"Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft" contains a forward by Bernard Middleton, another leader in the field, and one who needs little introduction himself. It is …


The Changing Book: Transitions In Design, Production, And Preservation, Peter D. Verheyen Dec 2008

The Changing Book: Transitions In Design, Production, And Preservation, Peter D. Verheyen

Peter D Verheyen

This book review was originally published in the Guild of Book Workers' Newsletter, Vol 181, December, 2008.

"The Changing Book: Transitions in Design Production, and Preservation publishes the proceedings of the conference of the same name organized by and held at the University of Iowa July 22-25,2005. This conference tied together many threads, from an exhibition honoring the life's work of William (Bill) Anthony, the first conservator at the University of Iowa and teacher to some of today's best, to a "tent show" which gave the public the opportunity to learn about the book arts hands-on, to 19 formal presentations …


The Changing Book: Transitions In Design, Production, And Preservation, Peter D. Verheyen Dec 2008

The Changing Book: Transitions In Design, Production, And Preservation, Peter D. Verheyen

Libraries' and Librarians' Publications

This book review was originally published in the Guild of Book Workers' Newsletter, Vol 181, December, 2008. "The Changing Book: Transitions in Design Production, and Preservation publishes the proceedings of the conference of the same name organized by and held at the University of Iowa July 22-25,2005. This conference tied together many threads, from an exhibition honoring the life's work of William (Bill) Anthony, the first conservator at the University of Iowa and teacher to some of today's best, to a "tent show" which gave the public the opportunity to learn about the book arts hands-on, to 19 formal presentations …


Finding Time: How It Is Made Visual Artists Newsletter, Brian Fay Jul 2007

Finding Time: How It Is Made Visual Artists Newsletter, Brian Fay

Articles

FINDING TIME

Brian Fay outlines the processes and concepts underpinning his practice


Bringing Us Together / Getting Us Out, Peter D. Verheyen Nov 1998

Bringing Us Together / Getting Us Out, Peter D. Verheyen

Peter D Verheyen

The past five years have seen an explosion in the use of the Internet by book artists both as a tool for communication and as a means of publicizing their work. Not quite as rapidly, but steadily nevertheless some formerly traditional book artists have left the confines and limitations of hot type on damp paper to explore the creation of "books" which can only exist in digital form. In this presentation, I will explore how both book artists and the book arts represent themselves using digital media and what I see as some of the implications for the ways in …


Bringing Us Together / Getting Us Out, Peter D. Verheyen Nov 1998

Bringing Us Together / Getting Us Out, Peter D. Verheyen

Libraries' and Librarians' Publications

The past five years have seen an explosion in the use of the Internet by book artists both as a tool for communication and as a means of publicizing their work. Not quite as rapidly, but steadily nevertheless some formerly traditional book artists have left the confines and limitations of hot type on damp paper to explore the creation of "books" which can only exist in digital form. In this presentation, I will explore how both book artists and the book arts represent themselves using digital media and what I see as some of the implications for the ways in …