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Full-Text Articles in Art and Design

Study Of Creative Processes That Lead To Successful Visually Narrative Art Products, Denissa U. Kiehl Dec 2014

Study Of Creative Processes That Lead To Successful Visually Narrative Art Products, Denissa U. Kiehl

Theses and Dissertations - UTB/UTPA

The success of an artist’s work depends upon a few key factors. No matter which field of study you pursue as an individual it is important to examine and understand previously collected knowledge and works developed within that field. Once an artist has learned from the successful “Old” methods and examples of artworks he or she may then combine the “Old” with some of his or her “New” methods and ideas. When it comes to visual narrative art there is a large variety of visual art and other creations to learn from. Factors related to decision making will change with …


Comics And Illustration From The Written; The Conversion Of A Story From Prose To Graphic Depiction., Kayla A. White Ms. Dec 2014

Comics And Illustration From The Written; The Conversion Of A Story From Prose To Graphic Depiction., Kayla A. White Ms.

Undergraduate Honors Theses

This is a thesis that details the process of writing a short 30 page novel, and then converting the subsequent story into a graphic format via illustrations and into a comic book layout. The story itself deals in reworking our learned assumptions of good and evil, specifically in the supernatural and human possibility for both. The comic book format is an exploration of my reader’s different responses to the written and the graphic.


A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner Aug 2014

A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner

Electronic Thesis and Dissertation Repository

What are the current boundaries of the photographic and how can an ontology of photography take form as a material and conceptual program of research? Responding to the difficulty inherent in any definitive attempt to grasp photography, this dissertation places emphasis on the less determined act of evoking as a model of dialogue, and engagement, with the photographic. This dissertation is composed of two parts that engage both the question “What is photography?” and the ontological anxiety that shadows it. These lines of questioning are pursued in two ways: directly through considering the qualities of the photographic as elucidated by …


Seth Czaplewski Thesis, Seth P. Czaplewski May 2014

Seth Czaplewski Thesis, Seth P. Czaplewski

Graduate School of Art Theses

My work investigates the history of production and how human interactions have been affected by shifts in production over the course of the past two hundred years in the United States: the pre-industrial, Industrial Revolution, and the post-industrial age. The changes that occurred in society as a result of how production shifted from era to era informs my artistic practice and productions, which address areas neglected in the wake of progress. At the onset of each era, the technological advances initially appeared to be beneficial to society and people shifted from being locally oriented to being globally oriented.

My historical …


The Hat Lady Equation, Lauren Capone May 2014

The Hat Lady Equation, Lauren Capone

University of New Orleans Theses and Dissertations

The Hat Lady Equation is a collection of poems by Lauren Capone. As influences she cites Elizabeth Bishop, John Berryman, among the exquisite minutiae of day-to-day living. The poems explore works of visual art by Alberto Giacometti, James Taylor Bonds, Chris Dennis, Blaine Capone (her brother), and creatures of the natural world including fish, the rhinoceros, a lettered olive shell. . . . Lauren shows a preoccupation with disassembling through the poems whether it's her identity, art, or happenings of everyday life.


Paiting, Lucas Page May 2014

Paiting, Lucas Page

Undergraduate Theses—Unrestricted

My work is motivated by the painting “as such” – as an inquiry into and intervention upon what constitutes a painting, how they are constructed, how they function, etc. Through an investigation of painting as a genre, both in its historical canon and contemporary forms, I deconstruct the formal and cultural elements surrounding the field. Four major axes serve as the basis for my inquiry and intervention of painting: Painting, Abstraction, Representation, Control. Taking as a point of departure the comment, “Your work is a representation of abstraction,” I aim to figure out how “the painting” (in all of its …


The Thing You Are Looking For, Jessie Shinn May 2014

The Thing You Are Looking For, Jessie Shinn

Graduate School of Art Theses

This thesis document explores the influences and content of visual artist Jessie Shinn’s work, in particular the photography she has done as part of her Master of Fine Arts degree program at Washington University in St. Louis. Ideas discussed include phenomenology, phenomenophilia, affect, defamiliarization, the everyday, space, emptiness and boredom. Important artists and movements mentioned are Caspar David Friedrich, J.M.W. Turner and Romanticism; Alfred Stieglitz and Modernism; and contemporary artists Hiroshi Sugimoto, Uta Barth and Wolfgang Tillmans. Writers and philosophers Samuel Coleridge, Rainer Maria Rilke, Rei Terada, Kathleen Stewart, David Markson, David Foster Wallace, Jacques Derrida and Gilles Deleuze are …


Painting And Stuff, Lol, Sopearb Touch May 2014

Painting And Stuff, Lol, Sopearb Touch

Graduate School of Art Theses

Our own human experience is a distinct realm which can never be precisely duplicated in another lifetime. It frames our whole view of existence and, as artists, affects our art making process. The theory of the Tabula Rasa functions as the inspiration of my work and this writing examines my personal view of growing up in the internet age and America, and how my view of life, as well as artistic practice, is shaped by a consumerist culture that has gone global. Additionally, as a figurative painter, I create a context with other artists who create work about their own …


Ergonomically Designing Art Objects, Ambika Subramaniam May 2014

Ergonomically Designing Art Objects, Ambika Subramaniam

Undergraduate Theses—Unrestricted

The following thesis examines the work of Ambika Subramaniam, in particular her thesis installation Ergonomically Designing Art Objects, for the Bachelor of Fine Arts in Sculpture at Washington University in St. Louis. Based within a discussion of semiotics, the thesis researches furniture signification and tracks its evolution through traditional form, ergonomic function, and consumed product. Major points include the ways in which objects are capable of collapsing and retaining the semiotic divide between a sign and referent, and how that signification relates to contemporary design-oriented products. Using the chair as the exemplifying object, the thesis installation questions how objects have …


Liquidation, Amanda A. Oppedisano May 2014

Liquidation, Amanda A. Oppedisano

Electronic Thesis and Dissertation Repository

This dossier is an accompanying document to my MFA thesis exhibition, Liquidation (2014). Within my dossier, I articulate the formal and material considerations of my art making practice in which everyday household goods acquired primarily from the dollar store are manipulated in order to consider the “abject” qualities inherent to these items. Observed through the theoretical work of Julia Kristeva in her essay, Powers of Horror, the “abject” as a term is critically and historically applied to the art objects I create in order to explore the dollar store as the basis for my material selection, but also as a …


Familial Dialects, Amanda King May 2014

Familial Dialects, Amanda King

MFA in Photography and Integrated Media Theses

Using the framework of scientific investigation, ‘Familial Dialects’ explores the languages – systems of signs and codification of those signs - of individual members of my family, and the metaphors that arise from their interaction with pieces of the natural world. Each of the pieces combine an inherent form and an organizing action as a means of representing an individual’s form of expression. These familial dialects are created and translated using the methodologies of a naturalist - collection, dissection, observation, and classification. The pieces draw meaning from the connotative associations built from familial connections as well as from broader cultural …


Submersion, Hannah M. Harper Ms. May 2014

Submersion, Hannah M. Harper Ms.

Undergraduate Honors Theses

The artist discusses the influence, concept, and process behind creating a cohesive body of work and accompanying show, Submersion, for the completion of her Bachelor of Arts degree and undergraduate research for the Fine and Performing Art Scholars branch of East Tennessee State University's Honors College. The show is to be held May 1st through May 7th of 2014 with its reception on May 3rd in the Submarine Gallery located on ETSU campus. The artist explored themes of the unknown, subconscious, and memory, using water as a reoccurring symbol. The works include five large portraits and two small to medium …


Labor, Vera Bauluz Apr 2014

Labor, Vera Bauluz

CGU MFA Theses

I make sacred objects from scratch, from ready mades, from industrial materials, and sometimes from trash or recycling. I treat those objects with love and reverence to embed them with essence and soul. I propose conversations with objects exquisitely executed, that question our social order and the machine, easily understood by everybody, although still challenging our understanding of contemporary art.

The placement of the work and the lighting, as fundamental part of the installation, attempts to generate strokes of conscience that enhance human understanding and capabilities beyond a specific discourse.

Humor and sacred coexist in my installation and in my …


Zenventures: Unwind Your Imagination With Guided Meditation, Darlene Kent Apr 2014

Zenventures: Unwind Your Imagination With Guided Meditation, Darlene Kent

Creativity and Change Leadership Graduate Student Master's Projects

This project was designed to create guided meditation to enhance creativity. Research was done to gather information on guided imagery, meditation and storytelling to gain a strong understanding of meditation in general, and to determine the themes of the various meditations. The guided meditations for this project were called, Zenventures, a combination of peace and adventure. The guided mediations take the person on a journey where they connect to their creative potential. A success plan was created to ensure the project stayed on track. There were several outcomes from the project: seven written meditations, seven Zenventures (recorded meditations with music), …


Fragmented, Max Rebel Jan 2014

Fragmented, Max Rebel

Electronic Theses and Dissertations

This thesis, Fragmented, outlines Rebel’s explorations with materials and techniques that led to the creation of his current work that was presented in his MFA Exhibition. Fragmented focuses on elements of abandoned and ignored structures found in both urban and rural communities. Rebel is interested in the visual characteristics directly related to manufactured landscapes that have been reshaped by neglect, specifically, surfaces that appear old and weathered. The assemblages he makes in reference to these deserted sites do not comment on specific architectural locations. Instead, they are meant to emphasize common traits found at multiple sites. By working with …


Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices, Alun John Price Jan 2014

Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices, Alun John Price

Theses: Doctorates and Masters

Contemporary designers and photographers face many challenges as the profession rapidly develops. This is especially the case in in the Western Australian context. A review into the recent history of the Western Australian design profession is evidence that designers and photographers are consistently shifting between commercial and self-expressive practice. However, the urge to keep up with technological advancement has masked conscious development of this shift, which is a key to self-realisation and improvement for a designer and photographer. This lack of conscious questioning limits holistic development in design practice. This research reflects on myself as a designer developing a response …