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Art Practice

Theses and Dissertations

Theses/Dissertations

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Ripe Spoils, Yan Cynthia Chen Jan 2024

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

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Emotional Landscapes, Jin Young Jeong Jan 2023

Emotional Landscapes, Jin Young Jeong

Theses and Dissertations

“Emotional Landscape” delivers a sense of gravity, openness, and breathing space through oil paintings on linen of abstracted bodily forms. The imagery in the works generates an atmosphere where one can feel rooted and anxiety-free. The paintings invite a close read of the complexities of compounded affects.


The Dream Of Being Totally Open, Frederick Greis May 2019

The Dream Of Being Totally Open, Frederick Greis

Theses and Dissertations

This essay details four major themes in the paintings of Frederick Greis: spiritual experience, nature, pleasure, and humor. These themes are described within the context of the artist's main goal, which is to create an experience of profound unburdening.


Double Splinters, Theresa M. Daddezio May 2018

Double Splinters, Theresa M. Daddezio

Theses and Dissertations

Awareness of matters outside oneself can be heightened by a repetitive task, one that requires a meditative focus on the rudimentary of movement. The construction of a line is a projection from a fixed point that creates a multiplicity of lines, synapses, and connective fabric in the mind that project outward to any possible or arbitrary point. When assembling our reality, our eyes operate as the mediators of such points, drawing in visual clues to the world around us. Sight is composed from the movement of light particles alongside of individual and collective memories that construct what is.