Open Access. Powered by Scholars. Published by Universities.®
- Keyword
Articles 1 - 5 of 5
Full-Text Articles in Art and Design
Impact16 Transdisciplinary Symposium, Pact Zollverein, Essen Germany, Conor Mcgarrigle
Impact16 Transdisciplinary Symposium, Pact Zollverein, Essen Germany, Conor Mcgarrigle
Other resources
IMPACT16 is an encounter with HOOD, RYBN.ORG und FORMATIONS, three expert collectives whose diversified forms of cooperation and flexible working practices transcend disciplinary boundaries.
How and where do alternative realities come about both in and between different fields of knowledge? How can we productively uncover contradictory ›rift zones‹ in today’s world? What kind of frameworks for action can we cultivate?
Informed by multiple perspectives and practices in the arts, politics, technology, sociology, economics and science, the contributing collectives’ inquiries and strategies circumvent disciplinary limits and constraints and open up new spaces for thought and action.
The transdisciplinary symposium offers 30 …
Brian Fay Contribution To The Lismore Castle Arts Public Discussion- Painting As A Dream, Friday 25th Of April, 2014, Brian Fay
Other resources
Brian Fay contribution to the Lismore Castle Arts, Waterford, Public Discussion- Painting As A Dream, Friday 25th of April, 2014
Brian Fay Interview For Peel Magazine, Brian Fay
Brian Fay Interview For Peel Magazine, Brian Fay
Other resources
This interview is from a series of artist conversations around the use of and relationships to the materials they employ in their practice. Other interviewees include Alexandra Hughes, Nadia Scola, Rachel Sharp, James Watts and Zara Worth.
Temporalities And The Drawn Response To The Conservation And Restoration Of Paintings, Brian Fay
Temporalities And The Drawn Response To The Conservation And Restoration Of Paintings, Brian Fay
Other resources
This paper will consider the temporal implications for drawing in the light of conservation and restoration treatments to paintings by the Seventeenth Century Dutch painter Johannes Vermeer.
Using three critical frameworks: Norman Bryson’s becoming model for drawing and the relationship of liminality to a painting during conservation/restoration, George Didi Huberman’s anti-chronological reading of the detail and the pan in painting, and Walter Benjamin’s definitions of drawing the paper will seek to address some implications for a drawing practice that responds to a pre-existing museum artworks.
The paper will present some findings from my own drawing practice that responds to Vermeer’s …
Art-Watching, Limited Edition Art Book, Niamh Ann Kelly, Brian Fay, Brenda Dermody
Art-Watching, Limited Edition Art Book, Niamh Ann Kelly, Brian Fay, Brenda Dermody
Other resources
No abstract provided.