Open Access. Powered by Scholars. Published by Universities.®
- Keyword
- Publication
- Publication Type
Articles 1 - 3 of 3
Full-Text Articles in Art and Design
Reading Boredom In Tennyson, Dante Gabriel Rossetti, William Morris, And Christina Rossetti, Rebekah Ann Lamb
Reading Boredom In Tennyson, Dante Gabriel Rossetti, William Morris, And Christina Rossetti, Rebekah Ann Lamb
Electronic Thesis and Dissertation Repository
Focusing on the poetry of Alfred Lord Tennyson, the poetry and paintings of Dante Gabriel Rossetti, the early poetry of William Morris and the poetry and prose of Christina Rossetti, this thesis examines how boredom emerges in Victorian aesthetic culture. Drawing from writings in visual culture, gender studies, social history, and recent returns to new formalism in Victorian studies, this thesis attends to how renderings of boredom open up our understanding of the relationship between poetry, art, temporality, embodiment, and explorations of everyday life and living in Victorian England.
Chapter One of my thesis is an introductory explanation of boredom …
A Gust Of Wind, Sean Caulfield, Karilee Fuglem, Elida Brenna Linge, Patrick Mahon, David Merritt, Tegan Moore, Francine Savard
A Gust Of Wind, Sean Caulfield, Karilee Fuglem, Elida Brenna Linge, Patrick Mahon, David Merritt, Tegan Moore, Francine Savard
Visual Arts eBook Collection
Catalogue of an exhibition held at the DNA artspace from from October 3 to November 14, 2015.
Moving Pictures. Pg. 2-5. By Patrick Mahon.
Fleeting Images. Pg. 5-6.
Biographies and Works in the Exhibition. Pg. 7-8.
Greek At Chartres, William S. A. Dale
Greek At Chartres, William S. A. Dale
Visual Arts Publications
This study of the so-called Headmaster of the West Portals of Chartres Cathedral attempts to demonstrate that this sculptor was probably a Greek, as suggested by Revoil.
First, it describes the present setting of the West Portals, and reviews the evidence for their change in location. Next, it distinguishes between the hand of the Head Master and those of his associates in the carving of the column figures of all three doorways, and describes his illusionistic use of low relief and a form of linear projection in the Maiestas Domini of the central tympanum.
A brief demonstration of the difference …