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Articles 1 - 4 of 4
Full-Text Articles in Art and Design
“Everybody Loves A Conjurer:” The Fake Artworks Of Elmyr De Hory (1906-1976) And Their Consequences On The Art World, Caroline Grinstead
“Everybody Loves A Conjurer:” The Fake Artworks Of Elmyr De Hory (1906-1976) And Their Consequences On The Art World, Caroline Grinstead
Student Scholar Symposium Abstracts and Posters
Art institutions such as museums, galleries, and auction houses have for many years been characterized as reliable and trustworthy. The act of art forgery threatens this integrity and causes these institutions to rethink how they acquire artworks. My research focuses on a specific art forger, Elmyr de Hory, who became notorious for being able to reproduce works in the style of notable artists such as Picasso, Matisse, and Modigliani. By successfully selling his forgeries to multiple museums and galleries, only to be discovered later, de Hory forced institutions to reconstruct their approaches in authenticating and acquiring works of art. As …
The Relationship Between Photo Retouching And Color Grading, Ivan Magrin-Chagnolleau
The Relationship Between Photo Retouching And Color Grading, Ivan Magrin-Chagnolleau
Presidential Fellows Articles and Research
This paper deals with photo retouching and color grading. It proposes a simplified workflow for both of them. It also points the commonalities and the differences, and further explore the relationship between the two, including a phenomenological point of view as well as an aesthetic point of view. It also discuss the implications of that relationship in pedagogy.
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
The Solomenko Embroidery Workshops, Wendy Salmond
The Solomenko Embroidery Workshops, Wendy Salmond
Art Faculty Articles and Research
This article reevaluates the Solomenko Embroidery Workshops in the context of late nineteenth century Russia's rapid establishment of art colonies and centers dedicated to restoring the handicraft industries of the kustar.