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Articles 1 - 10 of 10
Full-Text Articles in Art and Design
Body As Instrument: Crafting A Spatial Representational Language For The Dancer's Body, Avery Boland
Body As Instrument: Crafting A Spatial Representational Language For The Dancer's Body, Avery Boland
Architecture Undergraduate Honors Theses
This project explored the intersection of dance and architecture using choreography, photography, and architectural principles through the development and application of a graphic notation system. Focused on the works of modern dance pioneer Martha Graham and photographer Barbara Morgan, the study tested the representation of the body in space through the use of Graham's choreography as captured by Morgan.
The results of the study demonstrated the effectiveness of the representational language in capturing the spatial dynamics of the human body in Martha Graham's choreography through the notation of “frame” and “plane”. Through a comparative analysis of the selected dances, the …
Form From Color: Color Generated Form, Kyra Vreeland
Form From Color: Color Generated Form, Kyra Vreeland
Architecture Undergraduate Honors Theses
Form From Color: Color Generated Form evaluates the ability of color to be a three-dimensional and architectural space creator. While complex in history and connotations, color within this capstone is assigned a theoretical characteristic by which forms are generated from color solely. The produced results suggest that color can be a form generator and can have more spatial applications in design. This capstone has the mode of inquiry of a Creative Artistic Inquiry.
There are three series of tests within this capstone. All of which are based on Johannes Itten’s belief that primary colors correspond with primary shapes. The first …
Urban Portraiture: Capturing The Personality Of Place, Hannah Gray
Urban Portraiture: Capturing The Personality Of Place, Hannah Gray
Architecture Undergraduate Honors Theses
This capstone aims to develop a prototypical process using digital photography to document the essence of place. A final visual narrative element is created with the intent of being utilized by architectural designers to draw inspiration and understanding from the setting in which they are designing. The process involved four distinct phases that culminated in a single narrative montage. These four phases included the actual photographing of the city, evaluating and taxonomy of the photographs into categories that best embodied the spirit of the place, the altering of individual photographs into their essential parts and pieces, and the process of …
A Story Of The Social Life Of Yulupa Cohousing, Kayla Ho
A Story Of The Social Life Of Yulupa Cohousing, Kayla Ho
Architecture Undergraduate Honors Theses
This capstone is a study of the lived social experience of one cohousing community. Cohousing communities are designed with the intention of fostering a community with a mixture of privately-owned units and publicly shared spaces and responsibilities. The study is conducted at a significant point in American history: these communities are a fast-growing phenomenon in the United States yet they remain unknown and/or unattainable to many Americans.
Qualitative information from the community’s current residents is gathered by using research tools of interviewing and photography. Interviews were completed virtually due to the COVID-19 pandemic. Photographs were created during a three-day visit …
Alfred Hitchcock As A Cinematic Architect Of Suspense, Hannah Both
Alfred Hitchcock As A Cinematic Architect Of Suspense, Hannah Both
Architecture Undergraduate Honors Theses
Film has the ability to evoke powerful emotional reactions from its audience through the emotional atmosphere it creates. This almost intangible quality is difficult to quantitatively describe. Architecture, to the learned few, has a similar ability to evoke emotional reactions to the spatial atmosphere it creates. Broadly, the goal of this research is to investigate the emotional influence of suspense in cinematic space and how it might quantitatively be described through a series of definable principals or space making strategies evident through an analysis of Rear Window. The medium of film allows space to be released from the physical …
Audio To Architecture: House Music As A Form Generator, Polina Timchenko
Audio To Architecture: House Music As A Form Generator, Polina Timchenko
Architecture Undergraduate Honors Theses
Contemporary music undergoes similar process of creation to that of the design process through computation and variation. House music as a representation of contemporary culture has a layered structure that allows specific characteristics to identify it as house music. Song components can vary and mix in different orders that form new dynamic compositions. I am going to explore the idea that every house music component can be translated into geometry with the use of parametric design techniques.
The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead
The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead
Architecture Undergraduate Honors Theses
Adolphe Appia (1862-1928), theorist and pioneering voice of the New Stagecraft Movement in twentieth century theatre, was a transformative influence on the history of scenic design. This paper looks at the links between Appia’s theories in theatre scenic design and contemporaneous German aesthetic theory. At the time German theorists like Adolf Hildebrand and August Schmarsow developed an aesthetic theory, Einfülung or empathy theory, based on the connection between the human body and perception. I will argue this theory influenced not only Appia and his contemporaries it also shaped the landscape of mid-century theatre design. Appia’s own theories revolved around three …
Making Process: The Search For A Personal Language Through A Shared Vocabulary Of Painting And Design, Callie Fleetwood
Making Process: The Search For A Personal Language Through A Shared Vocabulary Of Painting And Design, Callie Fleetwood
Architecture Undergraduate Honors Theses
As designers, everything we make is personal. The act of making is a learning experience, as well as a personal act. We learn through this act of making. Making spans many mediums, including painting and architecture. Every designer has a language that is unique and personal to them. There is however, a shared and fundamental basis, or vocabulary, for these languages that span mediums and designers. To better understand the making process, a careful study of the architectural work and personal paintings of two architects has been done. Le Corbusier and Alvar Aalto are two architects who practiced in the …
Communicating Through Space: An Exploration Of Interdisciplinary Relationships Between Architecture And Theatre Through Practical Application, Erin E. Hunter
Communicating Through Space: An Exploration Of Interdisciplinary Relationships Between Architecture And Theatre Through Practical Application, Erin E. Hunter
Architecture Undergraduate Honors Theses
Space as an expression of ideas is a relevant topic both in theatrical design and architectural design. Both create worlds, places in time, and experiences. The theatre is a platform where architectural ideas can be explored on a real scale. Audiences can make associations based on representation on the stage and connotations from popular culture. Theatre is more temporary than architecture by nature, and therefore theatre can reference architectural ideas in temporary settings to tell a story. By analyzing the physical characteristics of a space and the societal and cultural conditions that created it, a theatre set can isolate moments …
Architecture As Drawing: Representational Space Architecturally Transformed, Andrew Arkell
Architecture As Drawing: Representational Space Architecturally Transformed, Andrew Arkell
Architecture Undergraduate Honors Theses
This thesis project was motivated by the premise that a drawing could take on architectural meaning beyond its initial performance as a re-presentation of an architectural idea. Initially, there existed the goal to create a drawing that was architecture. In the creation of a process wherein the drawing is the research, however, there comes an understanding that a drawing may never be literal architecture; although, the means by which the drawing is created might be architectural, or at the very least, speak to ideals which are fundamental to the creation, to the process, of architecture itself.