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Full-Text Articles in Art and Design
Sewing Lives: Mary Shelley’S Frankenstein And The Global Garment Industry, Sarah Garland
Sewing Lives: Mary Shelley’S Frankenstein And The Global Garment Industry, Sarah Garland
CLCWeb: Comparative Literature and Culture
This paper takes Mary Shelley’s Frankenstein and uses it as an extended metaphor to investigate the points of destructive alienation and disassociation within the globalized consumption of clothing. The promise of new clothing is a set of garments that function like Victor’s dream of creation; materials are stitched together to give objects that match our closest-held ideals. And yet, because of our quick Victor-Frankenstein-like alienation from these ‘fast fashion’ objects when they no longer please us, clothing becomes, like the monster, an abjected figure for waste and shame, moving around the globe destructively, created from the bodies of the poor …
Heritage, Tradition, And Craft In Quiltmaking (Fa 1131), Manuscripts & Folklife Archives
Heritage, Tradition, And Craft In Quiltmaking (Fa 1131), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 1131. Collection contains Interviews, photographs, and informant data sheets relating to Sandy Staebell's project with quiltmakers in Allen County and Monroe County, Kentucky and Macon County, Tennessee for the 2017-2018 Osby Lee Hire and Lillian K. Garrison Hire Memorial Lecture Series.
Faytullayeva, Shamira A. (Fa 584), Manuscripts & Folklife Archives
Faytullayeva, Shamira A. (Fa 584), Manuscripts & Folklife Archives
FA Finding Aids
Finding Aid only for Folklife Archives Project 584. Illustrated paper by Shamira A. Faytullayeva titled “A Great Tailor in My Family.” This illustrated project describes the economic benefits of the tailoring skills of a Russian emigrant, Samisiya Faytullayeva. Samisiya’s mother taught her to sew when she was a child, and the skill has provided an income for her family in the years since her husband’s death and their subsequent immigration to the United States. This project was submitted for the 2011 Folklife Archives Award competition at Western Kentucky University.