American Studies Commons^™

Review Of Wild Heart: A Life. Natalie Clifford Barney's Journey From Victorian America To The Literary Salons Of Paris By Suzanne Rodriguez, Tama L. Engelking

World Languages, Literatures, and Cultures Faculty Publications

No abstract provided.

The American College Novel: An Annotated Bibliography, Priscilla Finley

Library Faculty Publications

Kramer's revision of his 1981 bibliography (CH, Dec'81) of novels set at American colleges adds 209 citations with annotations for novels published 1981-2002 and condenses annotations for novels carried over from the first edition for a total of 648.

Once More, With Feeling, James Plath

James Plath

Professor Plath's presentation at Honors Convocation as the winner of the 2004 Pantagraph Award for Teaching Excellence.

The Nuts And Bolts Of College Writing, Priscilla Finley

Library Faculty Publications

Unusual for a style handbook, Nuts and Bolts embeds writing advice in essays that identify rhetorical structures as tools for "shaping your ideas, questions and convictions to share with others." While it offers suggestions that will help writers fine-tune their sentences and paragraphs, it has a lot to say about the machinery of college writing on a grander scale--the switches, transformers, and fans which must function well before a unit can be bolted together.

Review Of Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Tim Engles

No abstract provided.

Book Reviews: Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Book Reviews: Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Review Of Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Toni Morrison: Playing In The Dark, A Yemisi Jimoh, Phd

Afro-American Studies Faculty Publication Series

No abstract provided.

Angling For Repose: Wallace Stegner And The De-Mythologizing Of The American West, Jennie A. Harrop

Faculty Publications - Department of Professional Studies

When Wallace Stegner published his first book in 1937, a stereotypical Western novel invariably included a gun-slinging cowboy hero, a near-mythical gunfight at dusk, and a formulaic, predictable plot that rarely left readers unsure of who would prevail in the end. Stegner recognized the limitations of such archetypal assumptions and sought to achieve something different with his work. In this paper, I argue that Wallace Stegner asked the nuanced questions necessary to further this nation’s understanding of western archetypes and, as a result, to begin to debunk the misleading mythologies of the American West.

In this study, I look first …

Front Matter, Tom Mack,

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Sins Of The Father: Patriarchy And The Old South In The Early Works Of William Faulkner, John Easterbrook

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Frazier Polymetis: Cold Mountain And The Odyssey, Emily A. Mcdermott

Classics Faculty Publication Series

Ever since its appearance in 1997, Charles Frazier’s novel, Cold Mountain, has been billed as a latter-day Odyssey. Separate unattributed book notes on the world wide web speak of its protagonist’s “dangerous odyssey” and his “odyssey through the devastated landscape of the soon-to-be-defeated South.” One reviewer styles the novel "a Confederate deserter's homeward odyssey"; another characterizes it as having “reset much of the 'Odyssey' in 19th-century America.” While such assertion of parallelism between the novel and Homer’s epic is widespread, it also tends to remain general and relatively unadorned. It evidently rests on such typically odyssean plot elements …

"He Hath Wrong'd Himself": Satire As The Driving Force In Stowe's Uncle Tom's Cabin, Jennifer Reisch

The Journal of Undergraduate Research

The words of Shakespeare's character, Jaques, reflect the power of the best and deadliest kind of satire. Robert Harris claims that this kind of satire does not seek to do harm to any individual but to the vice itself (par. 3). The best satire creates "a shock of recognition" within oneself, and as Jaques tells his audience "If it do him right,/ Then he hath wrong'd himself." This is the mode of satire found in Harriet Beecher Stowe's Uncle Tom's Cabin. Yet most critics do not see Uncle Tomas satiric; rather they consider it tragic, didactic, or sentimental. Indeed, Stowe's …

Review Of The Book Adirondack Tragedy: The Gillette Murder Case Of 1906, 3rd Ed., Kathryn M. Plank

Faculty Scholarship

No abstract provided.

Cultural-Studies Criticism, Peter Lurie

English Faculty Publications

Faulkner’s “career” within cultural studies began, within the history of the cultural-studies movement itself, comparatively late. This is not an especially remarkable point about Faulkner or any one particular writers; as a critical movement, cultural studies was never concerned more with any one figure than another, and was always concerned with an interdisciplinary and interdiscursive focus rather than a writer’s singularity. It is a point worth noting, however, because of the specific ways in which Faulkner’s work seems hospitable to cultural studies’ concerns. From his earliest stages of writing, Faulkner was aware of his work’s position within a field of …

Querying The Modernist Canon: Historical Consciousness And The Sexuality Of Suffering In Faulkner And Hart Crane, Peter Lurie

English Faculty Publications

The extended historical “moments” that Crane and Faulkner both seek to offer readers may then be defined by their affinities with pain. In the context of American history, that painfulness refers to the experience of historical subjects such as the American Indian as well as marginalized populations like Southern blacks and, as with young Thomas Sutpen, rural poor whites. What both Faulkner and Crane signal in key sections of their work is the way that historical awareness, on the part of either characters or readers, is activated by and necessitates a textual effect of suffering. It is the different valence …

[Introduction To] Race Mixing: Southern Fiction Since The Sixties, Suzanne W. Jones

Bookshelf

In the southern United States, there remains a deep need among both black and white writers to examine the topic of race relations, whether they grew up during segregation or belong to the younger generation that graduated from integrated schools. In Race Mixing, Suzanne Jones offers insightful and provocative readings of contemporary novels, the work of a wide range of writers—black and white, established and emerging. Their stories explore the possibilities of cross-racial friendships, examine the repressed history of interracial love, reimagine the Civil Rights era through children's eyes, herald the reemergence of the racially mixed character, investigate acts …

Paul Laurence Who? Invisibility And Misrepresentation In Children's Literature And Language Arts Textbooks, Mary Jackson Scroggins, Jane M. Gangi

Education Faculty Publications

This article is a call-and-response-type conversation between two women—educators, mothers, lovers of words—on the representation of books about children of color in literature and language arts textbooks for preservice teachers. Scroggins shares anecdotes on the experience and real-life effects of invisibility, misrepresentation, and underrepresentation; her comments are italicized. Gangi reviews select textbooks and booklists. Both comment on the state of multiculturalism in children's literature.

Parts of this article were presented at the conference "Color, Hair, and Bone: The Persistence of Race into the 21st Century," held at Bucknell University on September 27, 2002. Other parts are adapted from Encountering Children's …

Contents, Tom Mack,

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 6 Fall 2004

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Review Of Moving Out: A Nebraska Woman's Life, Susan Naramore Maher

English Faculty Publications

At the end of her memoir, Moving Out, Polly Spence assesses all the little ironies of her life and concludes, "[each] time everything seemed just right, each time I thought I'd found it all—the work, the love, and the ideal way to live—something brought change to me." Change is a central motif in her narrative, reflected in a title that underscores movement and mobility, not settlement. Spence's Nebraska life provides a toehold on the slippery surface of twentieth-century culture in America.

The Blues And Jazz In Albert Murray's Fiction: A Study In The Tradition Of Stylization, Jacquelynne Jones Modeste

Dissertations, Theses, and Masters Projects

The use of the blues as a critical theory and as a literary model for the crafting of fiction opens new possibilities for both intellectual and artistic exploration. Reflecting the power of human agency amidst antagonism, the blues is the music of personal triumph over the brutality of circumstances despite any change in condition. The music's emphasis on improvisation reveals human agency because through instrumentation, singing, stylistic nuances, audience participation and/or venue individuals transform perceived or imagined woefulness into hopefulness. Studying the blues and its cultural legacy is significant in identifying the mechanisms by which individuals and ultimately entire communities …

"I Like Things Simple, But It Must Be Simple Through Complication": Re-Reading Gertrude Stein, Hilary Jennifer Marcus

Dissertations, Theses, and Masters Projects

No abstract provided.

Passing Into Print: Walt Whitman And His Publishers, Charles B. Green

Dissertations, Theses, and Masters Projects

Few scholars have attempted to conduct a close examination of Whitman's relationship to his publishers in the context of Leaves of Grass. In their "Typographic Yawp: Leaves of Grass , 1855--1992," Megan and Paul Benton present a minimal, but interesting examination of the typographic story of Leaves, but they ignore three of the editions and deal with author-publisher relations only superficially. Other articles examine individual editions of Leaves of Grass, but none really explore what Whitman's complicated relationships with the publishers of his time tell us about the conditions for his work and for authorship in mid-nineteenth-century America. Most studies …

Preacher Or Actor: The Dramatic Role Of Puritan Sermons In America, Beth Robbins

Undergraduate Review

No abstract provided.

Olaudah Equiano's Views Of Slavery In His "Narrative Of The Life", Corie Dias

Undergraduate Review

No abstract provided.

Maxine Hong Kingston, Charles L. Crow

Western Writers Series Digital Editions

“The history of the intermingling of human cultures is a history of trade—in objects like the narwhal’s tusk, in ideas, and in great narratives.”

—Barry Lopez, Arctic Dreams

The Woman Warrior (1976), Maxine Hong Kingston’s first book, made her famous. Her arrival coincided with, and helped to fuel, an awareness of literature by women and ethnic minorities, and a change in the literature studied in high-school and college classrooms. Today Kingston is one of the most frequently taught of living American authors. Her works are studied in courses in English, women’s studies, Asian studies, ethnic studies, postmodern literature, postcolonial literature, …

Robet Roripaugh, John D. Nesbitt

Western Writers Series Digital Editions

In an essay entitled “Literature of the Cowboy State” in 1978, Robert Roripaugh opened his discussion by declaring, “As far as serious literature from the American West is concerned, the least known, most neglected and uncataloged body of writing [. . .] is that of Wyoming” (26). He goes on to assert that there is little consistency “in the state’s literary output” (26). Twenty-five years later, Roripaugh’s remarks are still valid. Despite an attempt by several well-meaning scholars in the late 1980s to put together a literary anthology for the centennial of Wyoming’s statehood, and despite the recent compilation of …