American Studies Commons^™

Black Hillbilly: An Exploration Of The Black Erasure From The Appalachian Historical Narrative, Suzanne S A Blunk

Master of Arts in Humanities | Master's Theses 1936 - 2022

In 1915 two Black businessmen, Archie McKinney and Matthew Buster, secured the purchase and operation of Eagle Coal Company Inc. in Montgomery, West Virginia. A Black-owned coal company operated and existed in southwestern West Virginia. Eagle Coal has all but disappeared, even from historical memory. What exactly happened to this coal company remains very much a mystery and is a poignant image that represents the mystery that surrounds the Black experience in Appalachia. In the face of “social injustice, racial violence, disfranchisement, and the intensification of the segregationist system,” Black Americans set out from the South in search of better …

A Claiming Of Kin: A Linguistic Analysis Of Southern Appalachian English In Melissa Range's Scriptorium: Poems, Jolee White

Undergraduate Honors Theses

The research studies the Southern Appalachian dialect present in five poems in Melissa Range’s Scriptorium: Poems. The linguistic phenomena characteristic of Southern Appalachian English observed and analyzed in the poems include lexicon, grammatical features, and phonological aspects. The research seeks to bring attention to this Appalachian woman writer as well as to bring understanding of her reasoning behind incorporating the dialect in her poetry. It establishes that the five poems by Range contain the lexicon, grammatical features, and phonological aspects of the SAE dialect. It holds meaning both grammatically and pragmatically within the context of the poem and Appalachia.

Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry

Theses and Dissertations

Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.

The Mothman And Other Strange Tales: Shaping Queer Appalachia Through Folkloric Discourse In Online Social Media Communities, Brenton Watts

Theses and Dissertations--Linguistics

Little work has been conducted on the intersections of queer and Appalachian identities, in part because these two identities are viewed as incompatible (Mann 2016). This study uses a multimodal critical discourse analytic approach to examine the Instagram posts of the Queer Appalachia Project, which represent a substantial body of discourse created by and for queer Appalachians. Of specific interest to this analysis are those posts which employ folkloric figures, such as West Virginia’s Mothman, to do identity work that is queer, Appalachian, and queer-Appalachian. Often, this act is accomplished through juxtaposition with Appalachian imagery and the reclamation of homophobic …

Finding The Singing Spruce: Craft Labor, Global Forests, And Musical Instrument Makers In Appalachia, Jasper Waugh-Quasebarth

Theses and Dissertations--Anthropology

Musical instrument makers in the state of West Virginia in the United States pursue “singing,” lively instruments that capture ideals of musical tone and “re-enchant” their work and lives through relationships with craft materials and the forest landscape. Suitable tonewoods that grow in the region, such as red spruce (Picea rubens), intersect with makers’ desires to craft instruments in the style of famed makers such as the C.F. Martin Company and the Gibson Company as well as provide instruments imbued with a sense of place. While the demand for and symbolic import of instruments made with local wood …

The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore

Master's Theses

This thesis examines Fred Chappell’s virtually overlooked collection of poetry Family Gathering (2000), and how the poems operate within the mode of the grotesque. I argue that the poems illuminate both the southern grotesque and Roland Barthes’s theory of photography’s Operator, Spectator, and Spectrum. I address Family Gathering as a family photo album full of still shots, snapshots, and even selfies, which illumines how Chappell’s use of the grotesque in this collection derives more from its original association with visual arts rather than only depicting the grotesque typically associated with characteristics deemed explicitly shocking or terrifying. I argue that …

The Doyen Of Dixie: A Survey Of The Banjo Stylings Of Uncle Dave Macon, Corbin F. Hayslett

Electronic Theses and Dissertations

David Harrison Macon (1870-1952) is often memorialized for his showmanship rather than his banjo playing. To compartmentalize such a significant American musician yields a wide gap within scholarship about Macon, country music history and the banjo. Macon’s banjo playing, documented through over two-hundred and fifty recordings made between the 1920s and 1950s, represents an array of cultures, eras, ethnicities, and styles all preserved in the repertoire of one of the most prolific country musicians of the 20^th century. This study reveals Macon’s playing by considering such factors as influences that preceded his professional tenure, identifying elements within his playing …

Enduring Music: Migrant Appalachian Communities And The Shenandoah National Park, Madeline Marsh

Senior Honors Projects, 2010-2019

This paper is an archival study of the displaced children of families formerly living in the Shenandoah National Park which spans from Strasburg to Waynesboro, Virginia. The study looks at interviews, from the JMU Special Collections archives, of these children in the 1970-80s, nearly fifty years after their forced migration from the 197,438 acres that comprised the park. Change and pressure during the 1930s-40s combined with national policy began the nostalgic preservation and veneration of the culture of these people of the Blue Ridge Mountains; through the archives, a clear and diverse picture of the perspectives and lifestyles of people …

“Ain’T It A Pretty Night?”: An Analysis Of Carlisle Floyd’S Susannah As An Allegory For The Socio-Political Culture Of The United States In The 1950s, Melissa L. Allen

Senior Honors Projects, 2010-2019

This capstone thesis discusses the applicability of Carlisle Floyd’s 1955 opera, Susannah, as an allegory for the socio-political climate of the United States in the 1950s. In order to do so, a musical analysis of the opera’s score was then performed for its use of folk song conventions and verismo operatic conventions. The libretto was analyzed for the use of social conventions of Southern Appalachia. Characters actions and musical content were then judged on whether (1) their actions were in line with the social conventions of traditional Appalachian culture and (2) if their musical content used/reflected conventions of traditional Appalachian …

Get Ye A Copper Kettle: Appalachia, Moonshine, And A Postcolonial World, Christopher David Adkins

USF Tampa Graduate Theses and Dissertations

For little over a century, the American region of Appalachia was an internal mineral colony of the United States. This internal colonization produced innumerable negative environmental and economic effects, as well as – most insidious of all – the constructed stereotype of the Hillbilly that even in the Twenty-First Century refuses to die. Yet part and parcel of that same stereotype is something found all over Appalachia, representing a freedom, an identity, and an heritage so long denied to Appalachia and the Appalachian people on its own terms: moonshine, the colorless, unaged corn whiskey long produced both in Appalachia …

“The Hard Work Is Done In The Looking”: Analyzing Representations Of And Responses To Appalachia In Popular Culture, Elizabeth Rose Barnes Trollinger

Electronic Theses and Dissertations

For many Americans, the concept of Appalachia as a singular place has been created through images in popular culture, often stereotypical. This thesis presents an evolution of Appalachian representations—or, more appropriately, a chronology of images in stasis, as they seem to have remained fairly unchanged over time. Responses to those images, however, have changed greatly. Most importantly, responses from within Appalachia have transformed, with regional people gaining power over the types of images of the region in popular culture. There is, however, a paradoxical dualism in the responses from within the region, as some Appalachians grow weary of being stereotyped …

Constructing A Healthcare Assets Map In Rural Appalachia: An Analysis Of Healthcare Services And Perceived Health Threats, Catherine Myers

USF Tampa Graduate Theses and Dissertations

Using data gathered over the course of two months through participant observation and semi-structured interviews with health providers (n=19) and community members (n=20), this research analyzes patient access to health care resources and describes community members' and health care providers' perceptions of pressing health concerns in their area. The results of this research show the types of health care resources in the county, the similarities and differences between health providers' and community members' perceptions, and how the unique characteristics of this community influence health care access and health disparity.

Frontier Access To East Tennessee: A Ceramic Analysis Of Ramsey House (40kn120), Bell Site (40kn202), And Exchange Place (40sl22), Abby Jane Naunheimer

Masters Theses

East Tennessee, falling within the Appalachian sub-culture, was romanticized by 19th-century writers as an unchanging, rural society. The stigma of a non-consumer, frontier culture persisted, questioning the ability of East Tennessee residents to access consumer goods during the frontier period. By using multiple lines of evidence, historical archaeology is well-positioned to study unknown settlers living within a misunderstood region.

Three frontier-era East Tennessee homesteads were chosen to conduct ceramic analyses as a beginning point of understanding consumer access. Ramsey House, Bell Site, and Exchange Place were each occupied beginning in the late 18th century and continued into the first quarter …

Literacy, Discourse, And Identity: The Working-Class Appalachian Woman Academic, Sarah Marie Mcconnell

Theses, Dissertations and Capstones

Drawing on conversations about the politics surrounding literacy acquisition, I take a deeper look into the effects of obtaining membership within an academic discourse community on Appalachian women from the working class. The tensions that develop between the two opposing discourses promotes a sense of loss as they create distance between these women and their home community, alter relationships, and disrupt identity. Working-class Appalachian women occupy the borderlands between discourses: one foot in their Appalachian community; the other in their academic community. They negotiate their fragmented identities in order to play the appropriate role within the appropriate context. Their status …

"This Murder Done": Misogyny, Femicide, And Modernity In 19th-Century Appalachian Murder Ballads, Christina Ruth Hastie

Masters Theses

This thesis contextualizes Appalachian murder ballads of the 19^th- and early 20^th-centuries through a close reading of the lyric texts. Using a research frame that draws from the musicological and feminist concepts of Diana Russell, Susan McClary, Norm Cohen, and Christopher Small, I reveal 19^th-century Appalachia as a patriarchal, modern, and highly codified society despite its popularized image as a culturally isolated and “backward” place. I use the ballads to demonstrate how music serves the greater cultural purpose of preserving and perpetuating social ideologies. Specifically, the murder ballads reveal layers of meaning regarding hegemonic …