American Studies Commons^™

Profiles Of Selected Mormon Actors, J. Michael Hunter

J Michael Hunter

“Profiles of Selected Mormon Actors” provides brief profiles of over 80 Mormon actors and actresses, including some biographical information and career highlights. This chapter appears in the first volume of Mormons and Popular Culture: The Global Influence of an American Phenomenon (Praeger 2013), a comprehensive treatment of Mormons and popular culture, providing an introduction and wide-ranging overview of the topic.

Profiles Of Selected Mormon Athletes In Professional Sports, J. Michael Hunter

J Michael Hunter

“Profiles of Selected Mormon Athletes in Professional Sports” provides profiles with career highlights of over 200 Mormon athletes in professional sports, including baseball, basketball, bodybuilding, boxing, football, golf, hockey, racing, running, volleyball, and wrestling. This chapter appears in the second volume of Mormons and Popular Culture: The Global Influence of an American Phenomenon (Praeger 2013), a comprehensive treatment of Mormons and popular culture, providing an introduction and wide-ranging overview of the topic.

The Longing, H. Rice

H. William Rice

No abstract provided.

Stalking Glory, H. Rice

H. William Rice

No abstract provided.

My Father's Dogs, H. Rice

H. William Rice

No abstract provided.

Pledger Lake, H. Rice

H. William Rice

No abstract provided.

July 24, 1952 - Premiere Of High Noon, H. Rice

H. William Rice

No abstract provided.

A Flag Is Flipped And A Nation Flaps: The Politics And Patriotism Of The First International World Series, Todd J. Wiebe

Todd J Wiebe

No abstract provided.

Women And Death In Film, Television And News: Dead But Not Gone, Joanne Clarke Dillman

Joanne Clarke Dillman

Ovid, Christians, And Celts In The Epilogue Of Charles Frazier's Cold Mountain, Emily A. Mcdermott

Emily A. McDermott

CHARLES FRAZIER HAS CAREFULLY SITUATED HIS NOVEL ABOUT AN American Civil War deserter within Greek and Latin classical literary traditions. Since its publication, Cold Mountain has all but universally been hailed as an “odyssey” by readers, critics, and scholars, in recognition of its structure as an adventure-laden homeward journey, with the end goal of reuniting two lovers; it is rich with Homeric allusions (even to the point of quotation) and typologies of both character and scene (Chitwood; McDermott, “Frazier Polymêtis.”; Vandiver). In the first chapter, the author further introduces two fragments of the pre-Socratic philosopher, Heraclitus (18), a thinker whose …

Navigating With Harriet Quimby, Rachael Peckham

Rachael Peckham

My maternal grandmother Ruth never missed an episode of the game show Jeopardy! One night in 2008, while I was working on my dissertation about a long-forgotten aviatrix with whom my family and I share connections, Grandma Ruth called to tell me about a Jeopardy! clue she had just heard: "The first woman to fly across the English Channel." My grandmother was reserved and soft-spoken, but I imagine her slapping the armrests of the recliner, disturbing the outstretched cat at her side, and beating all three contestants to the buzzer: "Who is Harriet Quimby?"--the subject of my dissertation.

Identity Anxiety And The Power And Problem Of Naming In African American And Jewish American Literature, Rachael Peckham

Rachael Peckham

This article examines the fraught power of names and (re)naming in African-American and Jewish-authored literature in 20th-century America. The article applies various concepts within critical race theory, such as critic Stuart Hall's theories on cultural identity, to The Autobiography of Malcolm X, Ralph Ellison's personal essay "Hidden Name and Complex Fate," and Bernard Malamud's short story "The Lady of the Lake." In each of these texts, African-American and Jewish characters' names serve as loaded markers for the shifting planes of identity in tension with a culture and history of oppression.

Ruby Dee, 1922-2014, Judith Smith

Judith E. Smith

Ruby Dee was a marvelously expressive actor, and a lifelong risk-taking radical committed to challenging racial and economic inequality. She made history as part of an extraordinary group of Black Arts radicals — including Paul Robeson, Lorraine Hansberry, Harry Belafonte, John O. Killens and Julian Mayfield, as well as her husband Ossie Davis — who actively protested white supremacy and thought deeply about the political implications of conventional racial representations, creating new stories and introducing new Black characters to convey deep truths about Black life.

In small parts and choice roles, Dee’s presence lit up stage and screen. In her …

Review Of Demands Of The Dead In American Literary History, Katy Ryan

Katy Ryan

No abstract provided.

Introduction: Melville And Americanness: A Special Issue, Brian Yothers

Brian Yothers

No abstract provided.

Terror, Hospitality And The Gift Of Death In Morrison’S Beloved, Puspa Damai

Puspa Damai

The “us versus them” narrative still pre-dominates the analysis of terrorism in the West, which invariably associates “them” with terrorism. Toni Morrison’s hauntingly memorable novel – Beloved – provides a radically different and historically grounded view of terror and terrorism in the West. The novel not only releases us from the “us versus them” paradigm by demonstrating America’s intimacy with terror, it also enables us to examine terror and terrorism from the perspective of a gendered and ethnic subject who subverts the easy categorization of “us” and “them” or civilized and terrorist. Following Jacques Derrida’s contemplations on death and terror, …

We Are Cowboys In The Boat Of Ra: Sonny Rollins And Ishmael Reed's Black Cowboy, Brian Flota

Brian Flota

No abstract provided.

From Here To InFinnerty: Tony Soprano And The American Way, Terri Carney

Terri M. Carney

As fellow critics have pointed out in a myriad of published studies on the series, The Sopranos challenges the traditional gangster genre formula and brings the mob closer to all of us: Tony and his gang inhabit a recognizable world of Starbucks, suburbia, and SUVs. They discuss issues of the day, the same ones we discuss when we turn off the TV after the episode. In short, they inhabit a quotidian reality that is continuous with our own, and we are prevented from drawing the neat lines that allow us a comfortable remove from the horror of the “criminal world,” …

The Critics And The Whale, Brian Yothers

Brian Yothers

No abstract provided.

Ishmael's Doubts And Intuitions, Brian Yothers

Brian Yothers

No abstract provided.

Sacagawea: A Uniquely American Legend, Donna Jean Kessler

Donna J Barbie

In an examination of American texts produced from 1804 to 1989, this dissertation delineates that Sacagawea became a legendary figure because she has exemplified critical elements of narrative traditions recounting the nation's sacred beginnings. As a plethora of works have portrayed Sacagawea as the Indian princess of the Lewis and Clark Expedition, she became an important emblem of manifest destiny. Flexible within its mythic framework, the Sacagawea legend has additionally enabled proponents to confront timely cultural issues, such as women suffrage, taboos against miscegenation, and modern feminism.

Chapter one provides a review of American frontier myths, concepts of sacred mission …

Desire And Disaster In New Orleans: Tourism, Race, And Historical Memory, Lynnell Thomas

Lynnell Thomas

Most of the narratives packaged for New Orleans's many tourists cultivate a desire for black culture—jazz, cuisine, dance—while simultaneously targeting black people and their communities as sources and sites of political, social, and natural disaster. In this timely book, the Americanist and New Orleans native Lynnell L. Thomas delves into the relationship between tourism, cultural production, and racial politics. She carefully interprets the racial narratives embedded in tourist websites, travel guides, business periodicals, and newspapers; the thoughts of tour guides and owners; and the stories told on bus and walking tours as they were conducted both before and after Katrina. …

Kittens In The Oven: Race Relations, Traumatic Memory, And The Search For Identity In Julia Alvarez’S How The García Girls Lost Their Accents, Natalie Carter

Natalie Carter

The search for an ever-elusive home is a thread that runs throughout much literature by authors who have immigrated to the United States. Dominican authors are particularly susceptible to this search for a home because “for many Dominicans, home is synonymous with political and/or economic repression and is all too often a point of departure on a journey of survival” (Bonilla 200). This “journey of survival” is a direct reference to the dictatorship of Rafael Leonidas Trujillo Molina, who controlled the Dominican Republic from 1930-1961. The pain and trauma that Trujillo inflicted upon virtually everyone associated with the Dominican Republic …

Photogrammar: Organizing Visual Culture Through Geography, Text Mining, And Statistical Analysis, Taylor Arnold, Peter Leonard, Lauren Tilton

Peter Leonard

The Farm Security Administration – Office of War Information photographic dataset is a collection of over 170,000 monochrome and colour photographs, commissioned between 1935 and 1945 by the government of the United States of America. Offering a unique snapshot of the nation during the period, it serves as an important visual record for scholars and the public­at­large. The FSA­OWI photographic archive has been digitized by United States Library of Congress, and because the photographs were taken on behalf of the United States Government, access to and use of the collection is essentially free and open. The Photogrammar project takes the …

Blackbirds And Growing Pains: A Conversation With Rutherford Chang, Matthew Ryan Smith, Ph.D.

Matthew Ryan Smith, Ph.D.

No abstract provided.

History: The Birth Of "America" In 1882, Robert H.I. Dale

Robert H. I. Dale

This article concerns a New York Times story about the birth of the female Asian elephant calf, named America, at the winter headquarters of the "Greatest Show on Earth" in Bridgeport, Connecticut on February 2, 1882. Phineas T. Barnum, one of the owners of the show, and one prone to self-aggrandizing bluster, claimed that America was the second elephant ever born in captivity. America was born only to months before the arrival in New York of the most famous circus elephant of all time, Jumbo, on Easter Sunday, 1882, and only two years before the origin of a small wagon …

Rave Reviews The History Of Akron's Tuesday Musical, Thomas Bacher, Cynthia Harrison, Sharon Cebula

Thomas Bacher

The Tuesday Musical Club was founded in 1887 by thirteen young Akron women who had an overwhelming desire to share their love of music. With further support of Gertrude Penfield Seiberling, the wife of industrialist Frank Seiberling, the organization grew like many other musical organizations across the country. Unlike similar clubs, the Akron-based entity continued to expand and is one of a very few that have survived. Among the artists who have appeared as a part of the rich history of Akron's Tuesday Musical Organization are Vladimir Horowitz, Artur Rubinstein, Yehudi Menuhin, Yascha Heifetz, Glenn Gould, Van Cliburn, Isaac Stern, …

Blues People Final Curriculum Guide.Pdf, Vincent L. Stephens

Vincent L Stephens

Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames

Melissa A. Ames

Fictional fathers in narratives are often allegorical in nature and contemporary television is not immune from this. ABC’s groundbreaking television drama, Lost, offers a multitude of father figures that suggests not only a crisis concerning the role of the father in the 21st century but also the crisis of national security experienced by Americans after the attacks. In particular, the program showcases three specific types of troubled father/child relationships: those in which the father is absent and/or dead, those where the father is portrayed as abusive and/or evil, and those where the father and child are estranged and/or their relationship …

Rapture, John Gery

John R O Gery

No abstract provided.