American Studies Commons^™

The Impact Of Family Environment And Religion In Purple Hibiscus And Beloved, Thoa Phan

Theses and Dissertations

This study explores the repercussions of slavery-induced dehumanization and trauma depicted in Toni Morrison’s Beloved, and explores Kambili’s stifling home life characterized by her father’s rigid Catholicism in Purple Hibiscus by Chimamanda Ngozi Adichie. Morrison’s Beloved emphasizes the importance of personal engagement with the history of slavery so as to fully comprehend its horrors and overcome them. In Purple Hibiscus, the paper investigates the role religion plays in causing trauma, as Eugene’s strict adherence to Catholicism and dismissal of traditional rituals inflict both physical and psychological pain on his family. The complex and multifaceted depiction of religion in these novels …

“Slave Guys O Not Slave Guys:” Tracing Colonialism And Resistance In The Hawaiian Pidgin Bible, Aleena Jacob

Theses and Dissertations

On the one hand, colonial-era Bibles represented powerful rhetorical devices for imperialists; on the other hand, Bibles offered a voice of justice that baited hope in marginalized readers. During the U.S. settler colonial movement, Bibles equipped U.S. missionaries with the authority to force assimilation practices, including the extermination of indigenous languages with English-only laws. In Hawai'i, English-only policies functioned to not only dispossess indigenous populations of their native languages, land, and sense of belonging, but they also began a century-plus tradition of monolingualist policy in the U.S. that continues into the present day. Such policies, along with standardized English ideologies …

Campy Musical Black Queer Forms: Finding Utopia In Lil Nas X’S World Of Montero, Jaymi Leah Grullon

Theses and Dissertations

Lil Nas X, a breakout music star has broken into the mainstream and has stirred up controversy and moral panic among conservative Christians as well as those who are not in support of over Black queer representation in media. Moreover, I am interested in which ways he queers the forms of pop, hip hop and camp through his music videos, “Montero (Call Me By Your Name),” “Industry Baby,” featuring Jack Harlowe, and his performative skits. In my first chapter, I will be laying down the theoretical framework that I will be connecting from various scholars to define campy musical Black …

Diy Feminisms In The Third Space: Female Rhetorical Techniques Performed In Multi-Generational Alternative Media, Cristen M. Fitzpatrick

Theses and Dissertations

This dissertation looks at the creation of both a literal and figurative clubhouse created by women, for women, through alternative publishing endeavors, including pamphlets, zines, and blogs, as women patchworked a “do-it-yourself” (DIY) feminism from the mid-20th century through today. I discuss alternative media utilized by marginalized, radical feminist groups and the application of newly-discovered feminist rhetoric throughout. I begin with an overview of feminist literacy and rhetoric, leading to a discussion of the pamphlets of the Women’s Movement in the 1960s. This sets the stage for the zines of the next generation, the 1980s and 1990s, in which women …

Mental Illness And Femininity In Late Nineteenth-Early Twentieth Century Anglo-American Literature, Bianca Cristina Basone

Theses and Dissertations

This thesis attempts to prove that the diagnosing and treatment of mental illness in Victorian Anglo-American literature was heavily gendered and therefore misogynistic. To do so, four characters will be studied: Lady Audley in Mary Elizabeth Braddon’s Lady Audley’s Secret, the unnamed female narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper, Edna Pontellier in Kate Chopin’s The Awakening, and Septimus Warren Smith in Virginia Woolf’s Mrs. Dalloway. Using the first three characters I intend to show that women during the nineteenth century were diagnosed as mentally ill because they did not partake in social gender norms, deviating by doing something …

Shadows In Spandex: A Look Into Anti-Black Racism And The Positionality Of Sidekicks Within The Marvel Cinematic Universe And Comics, Kayla Wilson

Theses and Dissertations

The Marvel Cinematic Universe and its collection of films have represented a large number of superheroes and sidekicks. Taking a closer look into the character dynamics reveals that the majority of the Black characters have been forced into the restrictive ‘sidekick’ trope that stunts all development and keeps them positioned below their white hero counterparts. Sidekick characters James Rhodes, Sam Wilson and Maria Rambeau all work in the same function as side players who ensure their starring role heroes can save the day, even if it costs them their bodies, ideals and backstories. This repeated violence helps perpetuate the anti-black …