American Studies Commons^™

Colonization Of The Philippines: An Analysis Of U.S. Justificatory Rhetoric, Johansen Christopher Pico

UNLV Theses, Dissertations, Professional Papers, and Capstones

The term “Filipino” offers more than a call to nationality; it also recalls the genesis of colonization in the Philippines. This thesis explores the colonial interventions of the United States in the Philippines at the turn of the 20th century, homing in on the Filipino education system as the United States’ primary method of colonizing the Filipino mind. Drawing from texts by Senator Alfred Beveridge, President William McKinley, the Philippine Commission, David Barrows, and Dr. Trinidad Pardo de Tavera, I offer an ideological criticism that demonstrates a cyclical nature between both justificatory rhetoric and ideology. Working with “ideological clusters,” this …

Walt Disney And The Propaganda Complex: Government Funded Animation And Hollywood Complicity During Wwii, Amanda Cunningham

Graduate Research Symposium (GCUA) (2010 - 2017)

Walt Disney’s work as an animator during World War II had a measurable impact on culture and in the development of government produced messages. It is important to examine this understudied area of Disney’s life and his studio’s efforts to produce wartime training and propaganda films during WWII. Government agencies, including the U.S. Treasury, contracted Disney to produce 32 animated shorts between 1941 and 1945 (Gabler, 2007).

Employing a semiotic approach of cinema, this study focuses on the cartoons The New Spirit (1942), Der Fuehrer’s Face (1943) and Education for Death: The Making of the Nazi (1943). While American wartime …

Long May She Reign: A Rhetorical Analysis Of Gender Expectations In Disney’S Tangled And Disney/Pixar’S Brave, Caitlin J. Saladino

Graduate Research Symposium (GCUA) (2010 - 2017)

This project addresses messages about gender expectations in Disney princess narratives. The two films included in my project are Tangled (2010) and Brave (2012), which feature the most recently inducted princesses to the marketed Disney Princess line (Rapunzel and Merida, respectively). Using genre as an organizing principle, I argue that Rapunzel and Merida are different from the past Disney princesses (Snow White, Cinderella, Ariel, Jasmine, etc.) because their narratives reflect new ideas about gender expectations in modern society. The central tension appearing in both films is the opposition between the image of woman as traditional, domestic, and dependent and woman …

An American Mess: How Colorblind Racism Prevents An Enlightened Conversation On Race In Television Media, Nathaniel Phillipps

McNair Poster Presentations

This project aims to demonstrate how the current racial ideology in America is portrayed through television media. It is primarily guided by the work of Eduardo Bonita-Silva and his masterful examination of post-civil rights racism in the United States in his book Racism Without Racists. From a firm understanding of the ideology of this new racism -- its frames, styles, and storylines -- the content of two televisions shows are analyzed to identify the racial ideology and the representations of people of color within.

Scandal (ABC) is progressive in the sense that it has a Black female lead, and two …

After The Fall: The Post-Apocalyptic Frontier In The Road And 28 Days Later, Jeffrey J. Lavigne

UNLV Theses, Dissertations, Professional Papers, and Capstones

Previous scholars have identified three scenes of the American frontier myth: the sea, the west, and space. This evolution of frontiers reflected key changes in the expression of America’s cultural identity. While Janice Hocker Rushing called space “the final frontier,” the prominent place in contemporary society held by zombies and other minions of the occult hint at the emergence of yet another scene of the American mythos: the post apocalypse. In contrast to previous frontiers, which are defined geographically, the post-apocalypse is much broader, for in the wake of a global cataclysm, everywhere is a potential frontier. This decentralization of …

The Promise Of Gangster Glamour: Sinatra, Vegas, And Alluring, Ethnicized, Excess, Laura Cook Kenna

Occasional Papers

Las Vegas has been linked with Frank Sinatra since the 1950s. The highly‐publicized performances of the Rat Pack (consisting of Sinatra, Dean Martin, Sammy Davis, Jr., Joey Bishop, and Peter Lawford) at the Sands crystallized the image of Las Vegas as a place that mingled economic mobility with excess. This excess was often associated with ethnicity and frequently linked to crime. It was, however, the excess that made Las Vegas and Sinatra glamorous to many audiences.

Solace In St. Louis: A Case Study In Heroic Cultural Nostalgia, Amanda J. Pinney

UNLV Theses, Dissertations, Professional Papers, and Capstones

This thesis examines the response of American popular culture to the terrorist attacks of September 11, 2001. By utilizing the September 17, 2001 pre-game ceremony, held at Busch Stadium as a case study example, larger generalizations are made about the role popular culture played in the days following the tragedy. In order to analyze this example, I have developed heroic cultural nostalgia, a framework that combines elements of myth, nostalgia and national identity. Heroic cultural nostalgia provides an explanation of how popular culture plays a role in crisis response. The framework highlights the role of individuals with heroic characteristics in …

Unlv Magazine, Erin O'Donnell, Gillian Silver, Lori Bachand, Regina Barcolas, Tony Allen, Gian Galassi, Suzan Dibella, Diane Russell, Doug Mcinnis, Cate Weeks, Jennifer Robison, Holly Ivy De Vore

UNLV Magazine

No abstract provided.