American Studies Commons^™

Hollywood Imagines Revolutionary Haiti: The Forgotten Film Lydia Bailey (1952), Judith E. Smith

American Studies Faculty Publication Series

This essay explores the history of Lydia Bailey, the only US studio-made film to depict the Haitian Revolutionary period. It asks why, in the late 1940s and early 1950s, such an unlikely project might have seemed commercially promising enough to justify a significant production budget. The essay draws on private studio memos as well as public press discussions to shed light on the high stakes in debates over racial representation and colonialism/decolonization in the late 1940s and early 1950s, and to illuminate everyday assumptions of white supremacy as these shaped the making of the film and its promotion. Production files …

Maroon Colonies And New Orleans Neutral Grounds: From A Protosuburban Past To A Postsuburban Future, Lynnell L. Thomas

American Studies Faculty Publication Series

This essay examines New Orleans maroon colonies as a precursor to the postsuburban constellations that shape the contemporary urban landscape. These communities served as the original neutral grounds where Africans, Afro-Creoles, and Native Americans created spaces beyond the purview of slave owners and government authorities. These protosuburban enclaves anticipated the vibrancy and prolificacy of the “global urban periphery” that Roger Keil describes in his research. They also inform twentieth- and twenty-first-century efforts by black New Orleanians to carve out their own urban neutral grounds: spaces resistant to the hegemonic forces of neoliberalism and neo-Bourbonism, as manifested in the traditions of …

“It Is Time For Artists To Be Heard”: Artists And Writers For Freedom, 1963–1964, Judith E. Smith

American Studies Faculty Publication Series

In The Black Arts Movement: Literary Nationalism in the 1960s and 1970s, James Smethurst writes that “Black arts cultural nationalism draws on a long history.” He describes the cultural nationalist stance we associate with Black Arts as involving a concept of liberation and self-determination that entails some notion of the development or recovery of a “true” national culture,” conveying “an already existing folk or popular culture,” often relying on recognizable African elements. Black arts cultural nationalism expressed the linkages between Black Arts and Black Power even before they were specifically named and identified. In particular, Black arts cultural nationalism …

The Rape Of Recy Taylor [Film Review], Judith E. Smith

American Studies Faculty Publication Series

Nancy Buirksi’s documentary The Rape of Recy Taylor centers on a brutal sexual assault in Abbeville, Alabama in 1944. A 24-year-old African American wife and mother, coming home from a sanctified church service with a friend and her son, was forced into a car at gunpoint, and gang raped by six young white men. The beating heart of the film is the on-screen testimony of Taylor’s younger brother, Robert Corbitt, and her younger sister, Alma Daniels, who convey the unspeakably cruel and vicious character of the attack: Corbitt repeats the perpetrators’ directions to Recy: “They said they wanted her to …

The Making Of A Raisin In The Sun, Judith E. Smith

American Studies Faculty Publication Series

Lorraine Hansberry’s play A Raisin in the Sun premiered on the Broadway stage in January 1959 just as the edifice of national segregation was cracking open. Response to the momentous 1954 Supreme Court decision in Brown v. Bd. of Education included both the important early challenges to long-accepted practices of white supremacy and the intensified mobilization of widespread white defiance to the ruling. Black Bus boycotters in Montgomery, Alabama, and their young minister leader, Martin Luther King, Jr., and Black high school students attempting to attend Little Rock’s Central High and their families faced organized harassment and dangerous forms …

Neutral Ground Or Battleground? Hidden History, Tourism, And Spatial (In)Justice In The New Orleans French Quarter, Lynnell L. Thomas

American Studies Faculty Publication Series

In 2017, the city of New Orleans removed four monuments that paid homage to the city’s Confederate past. The removal came after contentious public debate and decades of intermittent grassroots protests. Despite the public process, details about the removal were closely guarded in the wake of death threats, vandalism, lawsuits, and organized resistance by monument supporters. Workers hired to dismantle the monuments did so surreptitiously under the cloak of darkness, protected by a heavy police presence, with their faces covered to conceal their identities. The divisiveness of this debate and the removal lay bare the contestation over public space, historical …

Finding A New Home In Harlem: Alice Childress And The Committee For The Negro In The Arts, Judith E. Smith

American Studies Faculty Publication Series

Alice Childress’s performing career in the 1940s was primarily associated with the American Negro Theater, a collectively run professional theater company with a mission to nurture black talent and create compelling theater for Harlem audiences; as Childress would later comment, “We thought we were Harlem’s theater.” ANT made use of all available resources to accomplish this mission; producing plays written by black and white playwrights, hiring white teachers, and accepting white actors and technicians committed to its goals.

Civil Rights Gone Wrong: Racial Nostalgia, Historical Memory, And The Boston Busing Crisis In Contemporary Children’S Literature, Lynnell L. Thomas

American Studies Faculty Publication Series

On May 14, 2014, three white Boston city councilors refused to vote to approve a resolution honoring the sixtieth anniversary of Brown v. the Board of Education because, as one remarked, “I didn’t want to get into a debate regarding forced busing in Boston.” Against the recent national proliferation of celebrations of civil rights milestones and legislation, the controversy surrounding the fortieth anniversary of the court decision that mandated busing to desegregate Boston public schools speaks volumes about the historical memory of Boston’s civil rights movement. Two highly acclaimed contemporary works of children’s literature set during or inspired by Boston’s …

“Calypso”—Harry Belafonte (1956), Judith E. Smith

American Studies Faculty Publication Series

Harry Belafonte, the Harlem-born son of poor undocumented Jamaican immigrants, an untrained singer whose heart was set on becoming an actor, made music history with “Harry Belafonte: Calypso.” This record was the very first by a solo performer to sell a million copies, holding the top spot on “Billboard’s” pop album charts for an unprecedented 31 weeks (in addition, 58 weeks in the top ten, 99 weeks among the top 100). The higher-ups at RCA had doubted the commercial potential of a thematically unified recording of “island and Calypso songs,” but the “Calypso” record, released at the end of May …

Archaeological Investigation Of The Drive Circle And West Hyphen At Gore Place Waltham, Massachusetts, Christa M. Beranek, Alexandra Crowder

Andrew Fiske Memorial Center for Archaeological Research Publications

In July of 2015, the Fiske Center for Archaeological Research at UMass Boston conducted test excavations at Gore Place, the 1806 mansion house of Christopher and Rebecca Gore in Waltham, Massachusetts, to answer questions about changes in the landscape on the north side of the house. The excavations focused on areas of interest within the drive circle and against the west hyphen of the house. The project was carried out under State Archaeologist Permit #3559. The main results in the oval were the discovery of a Gore-period driveway under the grassy oval, indicating that the driveway was broader in front …

Unhealed Cultural Memories: Styron’S Nat Turner, Shaun O'Connell

New England Journal of Public Policy

William Styron’s The Confessions of Nat Turner, a novel about the leader of a slave rebellion in Virginia in 1831, was highly praised after its publication in 1967. Then African American essayists in William Styron’s Nat Turner: Ten Black Writers Respond took issue with the novel and rejected Styron’s asserted right to reimagine Nat Turner’s life and to assume his voice, claiming their rights of racial heritage and historical accuracy to castigate Styron for his offensive presumption. That distant argument of unshared assumptions and crossed purposes between high-minded and hypersensitive artists and intellectuals of another day may throw refracted …

Literary Radicals In Radio’S Public Sphere, Judith E. Smith

American Studies Faculty Publication Series

Radio was THE emerging medium in the middle decades of the twentieth century, and radio historians have helped us understand some of the myriad ways it influenced the public sphere and created new forms of cultural consciousness and multivocal formulations of national community. Michele Hilmes has argued that radio was “significantly different from any preceding or subsequent medium in its ability to transcend spatial boundaries, blur the private and public spheres, and escape visual determinations while still retaining the strong element of ‘realism’ that sound—rather than written words--supplies.” Jason Loviglio has analyzed the techniques and implications of radio’s creation of …

Imagining Boston: The City As Image And Experience (1986), Shaun O’Connell

New England Journal of Public Policy

I want to discuss community and imagery, social division and literary unity, Boston poetry and prose. In most issues of NEJPP I will focus upon those recent books that fire our imaginations and help us shape our sense of local and regional place. In this issue, however, I want to look back at the tradition of imagery that resonates in Boston's history. Old ideas of Boston are quickly being buried under layers of architectural and cultural renewal. While the suburbs become more urbanized and the commuter roads more clogged, downtown Boston is in the midst of the greatest building boom …

Boston And New York: The City Upon A Hill And Gotham (2006), Shaun O’Connell

New England Journal of Public Policy

This article is about the author's experience with visiting New York during it's rebirth after 9/11. He speaks about the history of both cities and how they have each grown into their own to become places of future enterprise and cultural cohesiveness.

Reprinted from New England Journal of Public Policy 21, no. 1 (2006), article 9.

New Orleans Revisited: Notes Of A Native Daughter, Lynnell L. Thomas

American Studies Faculty Publication Series

“Best Culinary Destination.” “Best City for Night Owls.” “Best NFL City to Party In.“ “Best City for Girlfriend Getaways.” “Top National Halloween Destination.” “Best Destination in the US and World for Nightlife.” “America's Favorite City.” And on. And on. The list of tourist destination rankings and accolades have mounted in the 10 years since Hurricane Katrina threatened to decimate New Orleans's tourism industry and, quite possibly—as some predicted and others hoped for—New Orleans itself. Things are different now. Recently, the New York Times proclaimed that New Orleans was “resilient and renewed, a decade after Katrina.” Listing New Orleans as one …

: : Poof : :, Caleb Nelson

Graduate Masters Theses

Storytellers have an interdependent relationship with their narratives. If you have ever told a lie, you understand. Stories take on a life of their own, as you consider the potential ramifications of each contingent piece. Definite sets of things happen as results of specific other things. If you throw an ax at me, only a few things can immediately happen, and our relationship will be forever changed. Events evolve. When we create or discover a narrative, we live by its logic. Upon consideration, a moment compels a series of moments modulated by a voice, a single perspective, a personal narrative, …

Bessie [Film Review], Judith E. Smith

American Studies Faculty Publication Series

Bessie opens with an arresting shot of Queen Latifah as singer Bessie Smith, dressed in the white costume familiarized by a widely reproduced photograph, with blue tones emphasizing both interiority (her eyes are closed, and the music viewers hear is playing in her head), and the blues genre associated with her. When the shift to every day colors returns viewers to the movie’s present (1927), an unsmiling Bessie walks through an adoring backstage crowd, press cameras flashing, into a waiting car. Rachel Portman’s score suggests foreboding; the next long shot shows Bessie framed in a doorway as she calls out …

Ruby Dee, 1922-2014, Judith E. Smith

American Studies Faculty Publication Series

Ruby Dee was a marvelously expressive actor, and a lifelong risk-taking radical committed to challenging racial and economic inequality. She made history as part of an extraordinary group of Black Arts radicals — including Paul Robeson, Lorraine Hansberry, Harry Belafonte, John O. Killens and Julian Mayfield, as well as her husband Ossie Davis — who actively protested white supremacy and thought deeply about the political implications of conventional racial representations, creating new stories and introducing new Black characters to convey deep truths about Black life.

In small parts and choice roles, Dee’s presence lit up stage and screen. In her …

Can Women Have It All?: Hesitant Feminism In American Women's Popular Writing, Anne Aramand

Graduate Masters Theses

Twilight by Stephenie Meyer and The Hunger Games by Suzanne Collins are two of the bestselling series of our generation. These series are meeting widespread popularity just as the contemporary feminist debate of: "Can women have it all?" is occurring around the country. Although Twilight and The Hunger Games are not considered overtly feminist texts, they have emerged in a time when women are reexamining the possibility of empowering themselves both in the public and the domestic sphere. Meyer and Collins have introduced female protagonists that deal with precisely this issue.

First, I will be outlining why cultural studies are …

Urban Culture, Judith E. Smith

American Studies Faculty Publication Series

Encyclopedia entry on "Urban Culture" submitted for inclusion in the Oxford Encyclopedia of American Cultural and Intellectual History, ed. by Joan Shelly Rubin (NY: Oxford University Press, 2013) 516-522.

Makers: Women Who Make America [Film Review], Judith E. Smith

American Studies Faculty Publication Series

The three-hour documentary MAKERS: WOMEN WHO MADE AMERICA, promises to tell “how women have helped shape America over the last fifty years…in pursuit of their rights to a full and fair share of political power, economic opportunity, and personal autonomy.” However, rather than provide a historical analysis of the reemergence of feminism as produced by social movements and social change, MAKERS, according to the film’s press release, focuses on “unforgettable moments in history” told through stories of “exceptional women whose pioneering contributions continue to shape the world in which we live… stories of women who led the fight, those who …

'People Want To See What Happened': Treme, Televisual Tourism, And The Racial Remapping Of Post-Katrina New Orleans, Lynnell L. Thomas

American Studies Faculty Publication Series

Occupying the space between cultural reproduction and theatrical production, the HBO series Treme offers an important vantage point from which to analyze the intersection of race, class, culture, and media representation animating New Orleans’s post-Katrina tourist identity. Treme illustrates the tension between the welcome recognition and celebration of New Orleans black expressive culture and its spectacularization and commodification. The resuscitation of tourist tropes and an emphasis on jazz and heritage music in the series often render the city’s history of racial conflict and injustice invisible or subordinate to new narratives of cross-racial unity among Katrina survivors and paternalistic actions by …

Civil Rights, Labor, And Sexual Politics On Screen In Nothing But A Man (1964), Judith E. Smith

American Studies Faculty Publication Series

The independently made 1964 film Nothing But a Man is one of a handful of films whose production coincided with the civil rights insurgency and benefited from input from activists. Commonly listed in 1970s surveys of black film, the film lacks sustained critical attention in film studies or in-depth historical analysis given its significance as a landmark text of the 1960s. Documentary-like, but not a documentary, it offers a complex representation of black life, but it was scripted, directed, and filmed by two white men, Michael Roemer and Robert Young.

This essay argues that the film’s unusual attention to labor …

Urban Consumption In Late 19th-Century Dorchester, Jennifer Poulsen

Anthropology, Historical Archaeology Masters Theses Collection

This thesis examines the bottles recovered from an 1895 fill deposit at the Blake House site in Dorchester, MA, to determine what inconspicuous consumption reveals about the anonymous consumers of Dorchester in the late 19th century. The assemblage is composed of 1,892 pieces of bottle glass, representing food, alcohol, medicine, and household products, 73 with original paper labels. The analysis presented here demonstrates the consumers were from several households and included men, women and children from immigrant populations. Despite evidence for intensive recycling of bottles, indicating that these individuals were under economic stress, they had some amount of discretionary money …

"Keep The Inmost Me Behind Its Veil:" Nathaniel Hawthorne's Manipulation Of Boundaries As Lessons In Craft, Molly Mary Mclaughlin

Graduate Masters Theses

In a letter written after her husband's death, Sophia Peabody Hawthorne spoke of a veil Nathaniel Hawthorne had drawn around himself during his life. This complicated metaphor is an echo from Hawthorne's work and life, where the construction of boundaries that are solid but not opaque, allow the writer to conceal and draw attention to the cart of concealment without revealing what, if anything, is hidden. That Hawthorne carefully considered what he would and would not reveal is clear in many of his works, and in pieces like "The Minister's Black Veil," where the act of concealment draws rather than …

The Failure Of The Free World: Anarchy In Uncle Tom’S Cabin, Andy Cerrone

Interdisciplinary Perspectives: a Graduate Student Research Showcase

Harriett Beecher Stowe is often identified as an advocate for Christianity, woman's suffrage, autonomy, and the abolishment of slavery. However, inviting the reader to view her work through an anarchist lens, her magnum opus—Uncle Tom’s Cabin— offers the reader the opportunity to reconstruct her politics with immense implication. Critics regard Stowe's "Uncle Tom's Cabin" as a sermon devised with the intention to inflate the nation with the righteous spirit of God, offering to the reader the opportunity to partake in the message of her religious vision. While Stowe's absolute faith in her Christian profile of God is present, she invariably …

Ovid, Christians, And Celts In The Epilogue Of Charles Frazier's Cold Mountain, Emily A. Mcdermott

Classics Faculty Publication Series

CHARLES FRAZIER HAS CAREFULLY SITUATED HIS NOVEL ABOUT AN American Civil War deserter within Greek and Latin classical literary traditions. Since its publication, Cold Mountain has all but universally been hailed as an “odyssey” by readers, critics, and scholars, in recognition of its structure as an adventure-laden homeward journey, with the end goal of reuniting two lovers; it is rich with Homeric allusions (even to the point of quotation) and typologies of both character and scene (Chitwood; McDermott, “Frazier Polymêtis.”; Vandiver). In the first chapter, the author further introduces two fragments of the pre-Socratic philosopher, Heraclitus (18), a thinker whose …

‘The Metal Face Of The Age’: Hesiod, Virgil, And The Iron Age On Cold Mountain, Emily A. Mcdermott

Classics Faculty Publication Series

A prominent theme in Charles Frazier’s Cold Mountain is that redemption from the brutality of war may be achieved by retreat from the “metal face” of the contemporary age and return to a healing agricultural work ethic. In this context, the author makes recurrent reference to the classical topic of the “Golden Age,” a lost paradise on earth. He introduces this topic first as it appeared in Hesiod’s Works and Days, expressive of a profoundly pessimistic view that human history has been one long deterioration. As his protagonist’s physical and psychic homeward journey nears completion, though, he invokes the more …

Amelia [Film Review], Judith E. Smith

American Studies Faculty Publication Series

What is the cultural terrain staked out by Amelia, the recent Hollywood-distributed biopic about intrepid flyer Amelia Earhart? The quick shots that precede the opening credits direct attention to the particular themes that Producer Ted Waitt, director Mira Nair, and screenwriters Ron Bass and Anna Hamilton Phelan have emphasized in their 2009 feature about the flyer. Her airplane taking off into the dark gestures to the mystery of her last flight and disappearance without a trace. Her celebrity status is indicated by cheering crowds, radio interviews, and photographs, fusing seamlessly with her status as an object of heterosexual adoration once …

Judy Holliday's Urban Working Girl Characters In 1950s Hollywood Film, Judith E. Smith

American Studies Faculty Publication Series

A Jewish-created urban and cosmopolitan working girl feminism persisted in the 1950s as a cultural alternative to the suburban, domestic consumerism critiqued so eloquently by Betty Friedan in The Feminine Mystique. The film persona of Jewish, Academy Award-winning actress Judy Holliday embodied this working girl feminism. Audiences viewed her portrayals of popular front working girl heroines in three films written by the Jewish writer and director Garson Kanin, sometimes in association with his wife, the actress Ruth Gordon, and directed by the Jewish director George Cukor in the early 1950s: Born Yesterday (1950), The Marrying Kind (1952), and It …