American Studies Commons^™

Charles Gibson And Indian Territory's Periodical Press, Tereza M. Szeghi

Biennial Conference: The Social Practice of Human Rights

I argue that Charles Gibson (Creek writer and journalist) offers an important but woefully understudied voice of resistance to the changes imposed upon the tribes of Indian Territory around the turn of the 20th century (such as forced allotment of tribal lands, dissolution of tribal governments, and Oklahoma statehood). In his regular column, “Rifle Shots,” Gibson offered a dynamic space in which to process and comment upon these changes. More specifically, while Gibson was quite outspoken in his critiques of the ways in which U.S. policies threatened Creeks’ sovereignty, culture, and well-being, his column also frequently contained reworkings of traditional …

Decolonize Msu, Rev. John Norwood, Turtle Clan Chief Vincent Mann, Dr. Lisa Brooks

Decolonize MSU

During Native American Heritage Month, a campus-wide conversation was held about Montclair State University's Native Land Acknowledgement, which publicly acknowledges that MSU occupies the traditional territory of the Lenni-Lenape People. It also commits our University to be the urgent, difficult work of decolonization.

Focus on Education: This panel discussion includes a reflection on how K-12 schools and teachers can do more to support Indigenous students and communities, decolonize the curriculum, and teach about Native American history and culture in meaningful, relevant, and effective ways.

Invited Guests: Dr. Rev. John Norwood (Nanticoke Lenni-Lenape, NJ) Turtle Clan Chief Vincent Mann (Ramapough, NJ) …

Interracial Relations: History And Cultural Identity In The Invention Of Wings, Taylor Hopkins

Undergraduate Research and Scholarship Symposium

The historical fiction novel The Invention of Wings by Sue Monk Kidd displays a notable relationship between feminist and racial ideals during the nineteenth century. The story is based on the historical figure, Sarah Grimké, an American abolitionist and advocate for women’s rights. Over the course of thirty-five years, the narration alternates between the two main characters: Sarah Grimké and Hetty Handful Grimké, a young slave on the Grimké plantation. The interactions between the two begin when Hetty is presented to Sarah as a personal waiting maid for Sarah’s eleventh birthday. As the story continues, the dynamics between the two …

In With A Runny Nose, Out In A Body Bag: Why Is It So Difficult For Black Women To Leave The Hospital Alive?, Chelsea Carter

Scholars Week

In the Black community, there is an unspoken understanding about Black people going to the doctor with a runny nose, and leaving in a body bag. A recent article published by The Oprah Magazine demonstrates that racism is rampant in the United States healthcare system, and it is taking the lives of Black women at an alarmingly disproportionate rate (Stallings, 2018). When seeking medical treatment, many Black women are at the mercy of doctors who possess an implicit bias against Black women. Simply put, implicit bias describes the phenomenon in which people behave and treat others based on negative preconceptions …

Over The Edge: Suburban Planned Communities, The Second Frontier, And The Rise Of 80s High School Films, Daniel Mcclure

Far West Popular Culture Association Annual Conference

While many 1980s youth-oriented films often sold various images of consumption, Over the Edge was one of the early prototypes of the genre, offering a more sober—a more 70s—outlook on youth attempting to find meaning and identity in a corporate-driven, materialistic space called American suburbia. Both a setting for paradise as well as an existential hell for the youth growing up amidst it, the film mobilizes the West and its frontier-like majesty haunting the characters’ space in the planned development of New Granada—a place where families are safe and entrepreneurs can thrive. Specters of the West haunt the film—from the …

Stuart Hall & Theory Of Representation In The Media: Exploring Get Out And Candyman, Lashanna Bryant

Capstone Showcase

Media representation has aided in creating a toxic manifestation of what it means to be Black in America. More specifically, the exploration of Black characters in horror films has opened many doors to hidden racism, discrimination, and oversimplification of their culture and their value in society. In looking into the films Candyman and Get Out there is a clear progression throughout the early 1990s to the mid 2010s that detail a very rapid change from taking a Black character from a background role to the main character.