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Articles 1 - 3 of 3
Full-Text Articles in American Studies
Transnational Gestures: Rethinking Trauma In U.S. War Fiction, Ruth A.H. Lahti
Transnational Gestures: Rethinking Trauma In U.S. War Fiction, Ruth A.H. Lahti
Doctoral Dissertations
This dissertation addresses the need to "world" our literary histories of U.S. war fiction, arguing that a transnational approach to this genre remaps on an enlarged scale the ethical implications of 20th and 21st century war writing. This study turns to representations of the human body to differently apprehend the ethical struggles of war fiction, thereby rethinking psychological and nationalist models of war trauma and developing a new method of reading the literature of war. To lay the ground for this analysis, I argue that the dominance of trauma theory in critical work on U.S. war fiction privileges the "authentic" …
Interpreting, Stephanie Jo Kent
Interpreting, Stephanie Jo Kent
Doctoral Dissertations
What do community interpreting for the Deaf in western societies, conference interpreting for the European Parliament, and language brokering in international management have in common? Academic research and professional training have historically emphasized the linguistic and cognitive challenges of interpreting, neglecting or ignoring the social aspects that structure communication. All forms of interpreting are inherently social; they involve relationships among at least three people and two languages. The contexts explored here, American Sign Language/English interpreting and spoken language interpreting within the European Parliament, show that simultaneous interpreting involves attitudes, norms and values about intercultural communication that overemphasize information and discount …
The "Vast And Terrible" Trauma: American Literary Naturalism, Ethics, And Levinas, Tyler Joseph Efird
The "Vast And Terrible" Trauma: American Literary Naturalism, Ethics, And Levinas, Tyler Joseph Efird
Doctoral Dissertations
In an 1896 essay, Frank Norris wrote that the reading world should abandon those “teacup tragedies” to which it had grown accustomed and embrace a new literature that would depict a “vast and terrible drama.” Realism, Norris claimed, could not be used to achieve an earnest portrait of the conditions that mark individual lives under capitalism. Instead, the world needed a romantic wrestling with the forces of existential inscrutability. Also, the perceived need for literature to depict a clear ethical system needed revising from the perspective of American literary naturalism, a school long denigrated for apparent moral vacuity. Through excruciating …