American Studies Commons^™

Back To The Future: Student Time Period Analyses, Jordan Barge, Sarah Ebert, Anna Gaskin, Renay Gladish, Quinn Hamilton, Morgan Hanson, Hannah Markham, Mark Mclean, Callie Smith, Bertha Vega, Shelby Watkins, Jamie Weihe, Jillian Whitney

Student Publications

This newsletter began with the Fall 2015 Honors English class. These students were challenged to initiate research over a topic they thought was interesting and show how it related to our campus, Stephen F. Austin State University. It is our hope that this cumulative research will help readers look at SFA a little differently.

Boston And New York: The City Upon A Hill And Gotham (2006), Shaun O’Connell

New England Journal of Public Policy

This article is about the author's experience with visiting New York during it's rebirth after 9/11. He speaks about the history of both cities and how they have each grown into their own to become places of future enterprise and cultural cohesiveness.

Reprinted from New England Journal of Public Policy 21, no. 1 (2006), article 9.

‘Reclamation Road’: A Microhistory Of Massacre Memory In Clear Lake, California, Jeremiah J. Garsha

Genocide Studies and Prevention: An International Journal

This article is a microhistory of not only the massacre of the indigenous Pomo people in Clear Lake, California, but also the memorialization of this event. It is an examination of two plaques marking the site of the Bloody Island massacre, exploring how memorial representations produce and silence historical memory of genocide under emerging and shifting historical narratives. A 1942 plaque is contextualized to show the co-option of the Pomo and massacre memory by an Anglo-American organization dedicated to settler memory. A 2005 plaque is read as a decentering of this narrative, guiding the viewer through a new hierarchy of …

Sketches At Home And Abroad: A Critical Edition Of Selections From The Writings Of Nathaniel Parker Willis, Jon Miller, Nathaniel Parker Willis

Jon Miller

Critics and general readers highly regarded the poetry and prose of Nathaniel Parker Willis (18061867) during the "American Renaissance" of creative literature in the decades before the Civil War. As an editor and frequent contributor to one of the young nation's most successful and elegant literary magazines, The New-York Mirror, Willis achieved an international reputation for his witty and worldly tales and letters. This new edition collects outstanding examples of Willis's short fiction written at the peak of his abilities. These tales of adventure embellish and improve Willis's own experience as a bachelor adventurer during the 1830s, relating, for example, …

Law Library Blog (July 2015): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.

"Era(C)Ing The South: Modern Popular Culture Depictions Of Southern History", Bryan Jack

SIUE Faculty Research, Scholarship, and Creative Activity

There has been significant research on various interpretations of the American South, and the relationship between Southern and American identity. However, there has been little investigation into how modern popular culture depicts and constructs the Southern past and how this shapes Southern identity. This article interrogates the relationship between modern films, race, and Southern history to ask, has the challenge to codified Jim Crow segregation changed filmic portrayals of Southern history? How do these portrayals affect both Southern and American identity? Using race as a lens, the article argues that the end of the Civil Rights Movement has created a …

The Shanachie, Volume 27, Number 1, Connecticut Irish-American Historical Society

The Shanachie (CTIAHS)

This issue is titled "A Treasure Trove of Connecticut Irish History from the 1870s ." A rich vein of grassroots historical information about Connecticut’s Irish people in the 1870s can be found in the archives of a weekly newspaper — The Irish-American — that was published in New York City from 1849 until 1915.

Feature Films As History, Bryan Jack

SIUE Faculty Research, Scholarship, and Creative Activity

No abstract provided.