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Articles 1 - 10 of 10
Full-Text Articles in American Studies
Keep Claiming Space!, Koritha Mitchell
Keep Claiming Space!, Koritha Mitchell
Koritha Mitchell
Substantial foreword to the "Hands Up. Don't Shoot!" special issue of CLAJ.
Love In Action: Noting Similarities Between Lynching Then & Anti-Lgbt Violence Now, Koritha Mitchell
Love In Action: Noting Similarities Between Lynching Then & Anti-Lgbt Violence Now, Koritha Mitchell
Koritha Mitchell
The more I learn about the violence currently plaguing LGBT communities, the more it reminds me of the brutal practice of lynching, which has been the focus my research for the past 15 years. Ultimately, both forms of violence are designed to deny targeted groups recognition as citizens. Relying on my expertise regarding racial violence as well as the data on anti-LGBT attacks collected by the National Coalition of Anti-Violence Programs (NCAVP), this essay notes similarities between lynching at the last turn of the century and anti-LGBT violence today. The piece identifies five parallels: 1) the mundane quality of the …
Belief And Performance, Morrison And Me, Koritha Mitchell
Belief And Performance, Morrison And Me, Koritha Mitchell
Koritha Mitchell
A chapter discussing the lessons I learned from Toni Morrison's THE BLUEST EYE that continue to guide me. The insights gained from that novel have informed my intellectual work and my ability to navigate the U.S. academy.
Queer Love And Urban Intimacies In Martial Law Manila, Robert Diaz
Queer Love And Urban Intimacies In Martial Law Manila, Robert Diaz
Robert Diaz
This article examines certain representations of Metropolitan Manila and the city’s queer intimacies during Martial Law. In particular, it analyzes Ishmael Bernal’s film Manila By Night (1980) and Jessica Hagedorn’s novel Dogeaters (1990). Released during a time when the Marcoses secured rule through an over-production of their “love team,” and by IMF supported justifications for molding a “beautiful and efficient” Manila, Manila By Night challenges disciplinary plans for the city and its populace through the presence of queer characters that unabashedly love the dirty, dysfunctional and impoverished city. In a similar vein, Dogeaters incorporates characters that practice queer love as …
James Baldwin, Performance Theorist, Sings The Blues For Mister Charlie, Koritha Mitchell
James Baldwin, Performance Theorist, Sings The Blues For Mister Charlie, Koritha Mitchell
Koritha Mitchell
James Baldwin worked tirelessly to expose the myths that allowed Americans to delude themselves. Scholars have long recognized this as the driving force of his fiction and non-fiction, but this mission was also very much linked to Baldwin's conception of theater. This essay culls Baldwin's theater theory from his non-fiction, especially his seldom-discussed The Devil Finds Work (1976). Baldwin believed that theater could "re-create" people by helping us to re-discover our human connection, and he believed that stage actors could show the way. Baldwin's respect for stage actors develops over time, however. He reaches his conclusions only after realizing—in hindsight—how …
Sisters In Motherhood(?): The Politics Of Race And Gender In Lynching Drama, Koritha Mitchell
Sisters In Motherhood(?): The Politics Of Race And Gender In Lynching Drama, Koritha Mitchell
Koritha Mitchell
Chapter analyzing May Miller's Nails and Thorns, a lynching play not discussed in my book LIVING WITH LYNCHING.
Performance Review Of By Hands Unknown, Koritha Mitchell
Performance Review Of By Hands Unknown, Koritha Mitchell
Koritha Mitchell
Performance Review of BY HANDS UNKNOWN, theatrical presentation composed of 7 one-act lynching plays from the 1920s and 1930s.
Mamie Bradley's Unbearable Burden: Sexual And Aesthetic Politics In Bebe Moore Campbell's Your Blues Ain't Like Mine, Koritha Mitchell
Mamie Bradley's Unbearable Burden: Sexual And Aesthetic Politics In Bebe Moore Campbell's Your Blues Ain't Like Mine, Koritha Mitchell
Koritha Mitchell
This essay offers a reading of Bebe Moore Campbell's 1992 novel Your Blues Ain't Like Mine, which re-imagines the 1955 murder of Emmett Till and its aftermath. I argue that the novel is a tribute to Till and his mother, Mamie Bradley, but that it also illustrates the agony of being the survivor whose pain occasions such tributes. Through Delotha Todd, the character loosely based on Bradley, Campbell imagines the mother's burden to have been especially unbearable because so many strangers, including Campbell herself, claimed to share it. In the process of acknowledging the many facets Delotha's pain, Campbell …
(Anti-)Lynching Plays: Angelina Weld Grimké, Alice Dunbar-Nelson, And The Evolution Of African American Drama, Koritha Mitchell
(Anti-)Lynching Plays: Angelina Weld Grimké, Alice Dunbar-Nelson, And The Evolution Of African American Drama, Koritha Mitchell
Koritha Mitchell
My initial articulation of the history of black-authored lynching plays and their tendency to avoid portraying physical violence.
Relativism, Reflective Equilibrium, And Justice, Justin Schwartz
Relativism, Reflective Equilibrium, And Justice, Justin Schwartz
Justin Schwartz
THIS PAPER IS THE CO-WINNER OF THE FRED BERGER PRIZE IN PHILOSOPHY OF LAW FOR THE 1999 AMERICAN PHILOSOPHICAL ASSOCIATION FOR THE BEST PUBLISHED PAPER IN THE PREVIOUS TWO YEARS.
The conflict between liberal legal theory and critical legal studies (CLS) is often framed as a matter of whether there is a theory of justice that the law should embody which all rational people could or must accept. In a divided society, the CLS critique of this view is overwhelming: there is no such justice that can command universal assent. But the liberal critique of CLS, that it degenerates into …