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Full-Text Articles in American Studies

"Keep The Inmost Me Behind Its Veil:" Nathaniel Hawthorne's Manipulation Of Boundaries As Lessons In Craft, Molly Mary Mclaughlin Jun 2011

"Keep The Inmost Me Behind Its Veil:" Nathaniel Hawthorne's Manipulation Of Boundaries As Lessons In Craft, Molly Mary Mclaughlin

Graduate Masters Theses

In a letter written after her husband's death, Sophia Peabody Hawthorne spoke of a veil Nathaniel Hawthorne had drawn around himself during his life. This complicated metaphor is an echo from Hawthorne's work and life, where the construction of boundaries that are solid but not opaque, allow the writer to conceal and draw attention to the cart of concealment without revealing what, if anything, is hidden. That Hawthorne carefully considered what he would and would not reveal is clear in many of his works, and in pieces like "The Minister's Black Veil," where the act of concealment draws rather than …


The Failure Of The Free World: Anarchy In Uncle Tom’S Cabin, Andy Cerrone Apr 2011

The Failure Of The Free World: Anarchy In Uncle Tom’S Cabin, Andy Cerrone

Interdisciplinary Perspectives: a Graduate Student Research Showcase

Harriett Beecher Stowe is often identified as an advocate for Christianity, woman's suffrage, autonomy, and the abolishment of slavery. However, inviting the reader to view her work through an anarchist lens, her magnum opus—Uncle Tom’s Cabin— offers the reader the opportunity to reconstruct her politics with immense implication. Critics regard Stowe's "Uncle Tom's Cabin" as a sermon devised with the intention to inflate the nation with the righteous spirit of God, offering to the reader the opportunity to partake in the message of her religious vision. While Stowe's absolute faith in her Christian profile of God is present, she invariably …


Ovid, Christians, And Celts In The Epilogue Of Charles Frazier's Cold Mountain, Emily A. Mcdermott Apr 2011

Ovid, Christians, And Celts In The Epilogue Of Charles Frazier's Cold Mountain, Emily A. Mcdermott

Classics Faculty Publication Series

CHARLES FRAZIER HAS CAREFULLY SITUATED HIS NOVEL ABOUT AN American Civil War deserter within Greek and Latin classical literary traditions. Since its publication, Cold Mountain has all but universally been hailed as an “odyssey” by readers, critics, and scholars, in recognition of its structure as an adventure-laden homeward journey, with the end goal of reuniting two lovers; it is rich with Homeric allusions (even to the point of quotation) and typologies of both character and scene (Chitwood; McDermott, “Frazier Polymêtis.”; Vandiver). In the first chapter, the author further introduces two fragments of the pre-Socratic philosopher, Heraclitus (18), a thinker whose …