American Studies Commons^™

Self-Advocacy Of Women In Sexualized Labor, 1880-1980s, Kim Marie Matthews

Department of History: Dissertations, Theses, and Student Research

The purpose of this study is to centralize, into women's history, the marginalized historical voices of women activists working in sexualized labor (and/or those using sexualized economic strategies). This thesis situates the work of Josie Washburn, a former madam who turned self advocate in 1907, squarely within the Progressive Era debate on prostitution, By centralizing women's voices of sexualized lahor, it provides a means to track the long-term evolution of the intersections between women's sexualized labor choices, traditional labor choices, self-advocacy, popular media, and social/political movements on behalf of women. This study asserts that a majority Progressive Era working women …

Silent Subversions, Derek Dubois

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Explores the concept of spectatorship in relation to gender in the earliest period of film history in the United States known as the silent era. Argues that a new mode of spectatorship emerges for women during the 1920s, which employs to advantage the extra-diegetic components of spectacle in theater design, new customized genres for female filmgoers, fandom, and exotic male film stars, such as Rudolph Valentino. Focuses primarily on feminist film theory and on cultural studies as methodological models.

American Treasures (Exhibit Guide), Osher Map Library And Smith Center For Cartographic Education

Osher Map Library Miscellaneous Publications

American Treasures (Exhibit Guide). October 18, 2009 to August 21, 2010

Maps offer such compelling insights into the past that anyone, regardless of age or educational level, can enjoy and learn from them. To celebrate OML's renovation and expansion, this exhibition explores the library’s rich and varied collections and its mission to preserve those collections and make them accessible.

Curated by Matthew Edney.

'Roots Run Deep Here': The Construction Of Black New Orleans In Post-Katrina Tourism Narratives, Lynnell L. Thomas

American Studies Faculty Publication Series

This article explores the emergent post-Katrina tourism narrative and its ambivalent racialization of the city. Tourism officials are compelled to acknowledge a New Orleans outside the traditional tourist boundaries – primarily black, often poor, and still largely neglected by the city and national governments. On the other hand, tourism promoters do not relinquish (and do not allow tourists to relinquish) the myths of racial exoticism and white supremacist desire for a construction of blacks as artistically talented but socially inferior.

“'Roots Run Deep Here': The Construction Of Black New Orleans In Post-Katrina Tourism Narratives", Lynnell L. Thomas

Lynnell Thomas

This article explores the emergent post-Katrina tourism narrative and its ambivalent racialization of the city. Tourism officials are compelled to acknowledge a New Orleans outside the traditional tourist boundaries – primarily black, often poor, and still largely neglected by the city and national governments. On the other hand, tourism promoters do not relinquish (and do not allow tourists to relinquish) the myths of racial exoticism and white supremacist desire for a construction of blacks as artistically talented but socially inferior.

American Studies, Cultural History, And The Critique Of Culture, Richard S. Lowry

Arts & Sciences Articles

For several decades historians have expressed reservations about how scholars of American studies have embraced theory and its jargons. The program for a recent American studies convention seems to confirm the field’s turn from history and its embrace of the paradigms and practices of cultural studies. The nature of this gap is complicated by comparing scholarly work published since 2000 on the Gilded Age and Progressive Era in the respective flagship journals of each field. Scholars in both fields are committed to the study of culture, but they differ in how they understand historical agency and subjectivity. A historical overview …

Jienan Yuan (Chien Yuan) Interview, Lauren Smith

Asian American Art Oral History Project

2009 interview with record producer and composer Chien Yuan by Lauren Smith

Anita Chang Interview, Lauren Smith

Asian American Art Oral History Project

2009 interview with filmmaker Anita Chang by Lauren Smith. For more information on the artist visit: http://anitachangworks.com/

Flo Oy Wong Interview, Angelika Piwowarczyk

Asian American Art Oral History Project

2009 interview with Chinese American multimedia artist Flo Oy Wong by Angelika Piwowarczyk

http://www.flo-oy-wongartist.com/

Danny Pudi Interview, Shariq Jefferi

Asian American Art Oral History Project

2009 interview with comedian Danny Pudi by Shariq Jefferi

Cynthia Tom Interview, Lauren Swift

Asian American Art Oral History Project

2009 interview with painter and president of the Asian American Women Artists Association Cynthia Tom by Lauren Swift

Chris Naka Interview, Cheryl Franzen

Asian American Art Oral History Project

2009 interview with new media and video artist Chris Naka by Cheryl Franzen

Vincent Chung Interview, Pete Koszulinski

Asian American Art Oral History Project

2009 interview with the Foundation for Asian American Independent Media's graphic designer Vincent Chung by Pete Koszulinski

Larry Lee Interview, Ami Shah

Asian American Art Oral History Project

2009 interview with installation artist and curator Larry Lee by Ami Shah

Larry Lee website

View Larry's work in the AAOH project gallery

Vincent Pham Interview, Devin Meyer

Asian American Art Oral History Project

2009 interview with Vincent Pham a Doctoral Student at the University of Illinois, Urbana-Champaign and co-author of Asian Americans and the Media (Polity, 2008).

Gordon Cc Liao Interview, Elise Osenbaugh

Asian American Art Oral History Project

2009 interview with poet Gordon CC Liao

Yasufumi Nakamori Interview About Ysuhiro Ishimoto, Katherine Cloutier

Asian American Art Oral History Project

2009 interview with Yasufumi Nakamori, friend of photographer Yasuhiro Ishimoto

Aa Ms 04 Eastern Real Estate Archives Finding Aid, Patrick J. Mooney

Search the Manuscript Collection (Finding Aids)

Description:

The Eastern Real Estate Company was an association of African-Americans who bought and sold real estate in the Portland area from 1912-2001. The records in the Archives include articles of association, minutes, financial records, stock records, listings of stockholders, tax records, bank books and legal documents.

Date Range:

1912-2001

Size of Collection:

1 ft.

Hiding Hiroshima, Adam T. Fernandes

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Explores the representation of nuclear weapons in Japanese anime and US live action cinema in the 1980's, using methods from cultural studies. Examines, specifically, the silences and contradictions of the selected films to reveal the cultural ideologies of Japan and the United States during the time in which the films were produced. Analyzes the Japanese animated films, Barefoot Gen, Barefoot Gen 2, and Grave of the Fireflies, and the American live action films, The Day After, Testament, and Miracle Mile.

Aa Ms 03 Harold E. Richardson Papers Finding Aid, Susie R. Bock

Search the Manuscript Collection (Finding Aids)

Description:

Harold E. Richardson (1922-1993) was born in Portland and attended West School and Portland High School. Richardson was elected to the Portland Water District Board in 1963. He served on the Board until at least 1987, including a stint as president in the late 60s. He was very active in the Portland community: his contributions include service on the Maine State Law Enforcement Planning and Assistance Agency and membership in the Mt. Lebanon Masonic Lodge and Deering Lions Club, among many others. The Papers contain his scrapbook, documenting his many contributions to the Portland community, including serving on the …

Not Since The 1930s: The Documentary Impulse Post-Katrina, Michael Mizell-Nelson

Michael Mizell-Nelson

No abstract provided.