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Articles 1 - 8 of 8

Full-Text Articles in American Studies

N.C. Wyeth, Howard Pyle, And The American Imagination: Medieval Myth In 19th- And 20th- Century Children’S Literature, Alyssa Kowalick Jan 2023

N.C. Wyeth, Howard Pyle, And The American Imagination: Medieval Myth In 19th- And 20th- Century Children’S Literature, Alyssa Kowalick

West Chester University Master’s Theses

This thesis attempts to elucidate how the illustrated images and text of the medieval myths of King Arthur and Robin Hood were translated from an English national epic to an American classic and used, I argue, to construct a new American identity. My analysis looks at both the written word and illustrated images in Howard Pyle’s The Story of King Arthur and His Knights and The Merry Adventures of Robin Hood, as well as The Boy’s King Arthur written by Sidney Lanier and illustrated by N.C. Wyeth, and Robin Hood written by Paul Creswick and illustrated by N.C. Wyeth. …


The Word According To Flannery O'Connor, Eamon Maher Jan 2023

The Word According To Flannery O'Connor, Eamon Maher

Articles

In her relatively short life (1925-1964), one that was greatly curtailed as a result of being diagnosed with lupus (a disease from which her father also died in 1952), Flannery O’Connor managed to leave behind a literary legacy that continues to fascinate scholars and general readers alike. This is all the more surprising when one considers that the work consists of just two novels, Wise Blood (1952) and The Violent Bear It Away (1960), along with 31 short stories.


Contesting Slavery In The Global Market: John Brown’S Slave Life In Georgia, Michael Drexler, Stephanie Scherer Jan 2019

Contesting Slavery In The Global Market: John Brown’S Slave Life In Georgia, Michael Drexler, Stephanie Scherer

Faculty Journal Articles

John Brown, author of Slave Life in Georgia, published in London in 1854, proffered a radical approach to ending slavery in the USA in step with Marxian economics. In this paper, we will explain how Brown’s representation of subjectivity may have caused critics to neglect it. Brown treats freedom as something foreign and external. He has to learn what freedom means, first through exposure to a model of liberal citizenship and then through the experience of several modulations of fugitive liberty. Brown’s social world is wholly determined by external forces. Whether slave or freeman, he faces ambiguous situations. Is …


Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure Jun 2018

Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure

Studies in 20th & 21st Century Literature

Review of Jarrod Hayes. Queer Roots for the Diaspora: Ghosts in the family tree. Ann Arbor: University of Michigan Press, 2016. 325 pp.


Representation Of The American South In Marvel Comics, 1963-2016, Katherine Gill Jan 2016

Representation Of The American South In Marvel Comics, 1963-2016, Katherine Gill

Electronic Theses and Dissertations

My work tracks the role of the American South and Southern characters in Marvel Comics, from 1963 to 2016. This thesis spring from a simple question: how stereotypical does this Northern industry portray the American South? To achieve this goal, I read a lot of comics, applying literary theory (such as Patricia Yeager and Tara McPherson) as well as American cultural studies (1980s televangelism and the history of human trafficking in America) to my findings. After reading multiple comic books from multiple sources, I settled on four different texts, each with a unique approach to portraying the South: the portrayal …


Southern Bestsellers In The Twenty-First Century, Jodie Free Jan 2014

Southern Bestsellers In The Twenty-First Century, Jodie Free

Electronic Theses and Dissertations

This thesis explores the concept of bestsellers in the twenty-first century, with a particular focus on six novels written by contemporary southern authors. These novels are analyzed through the lens of social consciousness, with attention to how they reflect current social issues, and how they engage with and subvert cultural and literary stereotypes. Bestsellers are books that are widely read, shared and discussed, often because they connect to concerns about identity; this study speculates on the influence of bestsellers on national and regional reader identity, specifically race, gender and class. Chapter I explores feminine roles in Lee Smith's The Last …


The Haitian Connection In Connie May Fowler’S Sugar Cage, Suzanne W. Jones Jan 2012

The Haitian Connection In Connie May Fowler’S Sugar Cage, Suzanne W. Jones

English Faculty Publications

In her first novel, Sugar Cage (1992), Connie May Fowler, a white Floridian with Cherokee ancestry and an early exposure to Voodoo, employs some of the narrative conventions of magical realism as a way around the impasse of Southern race relations in Florida in the 1960s. Her otherwise modernist narrative technique of nine first-person narrators emphasizes the isolation of her characters at the same time that the variety of viewpoints encourages readers to see both the interracial and international connections that elude or confuse her characters. The cultural and transnational complexities she explores, especially as regards the importation of African …


You Can't Go Home Again: James Baldwin And The South, Daryl Cumber Dance Jan 1988

You Can't Go Home Again: James Baldwin And The South, Daryl Cumber Dance

English Faculty Publications

James Baldwin, like innumerable other Black artists, has found that in his efforts to express the plight of the Black man in America, he has been forced to deal over and over again with that inescapable dilemma of the Black American - the lack of sense of a positive self-identity. Time after time in his writings he has shown an awareness of the fact that identity contains, as Erik Erikson so accurately indicates, "a complementarity of past and future both in the individual and in society." Baldwin wrote in "Many Thousands Gone," "We cannot escape our origins, however hard we …