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Full-Text Articles in American Studies
On The Verge Of Change: Eudora Welty's Delta Wedding, Mallary Taylor
On The Verge Of Change: Eudora Welty's Delta Wedding, Mallary Taylor
Electronic Theses and Dissertations
This thesis discusses the effects of war on the southern plantation lifestyle depicted in Eudora Welty's Delta Wedding. This thesis focuses on the female characters who adapt to the absence of the husbands during wartime. Wars are the catalyst for societal change in the novel, and the women must adapt to the new social changes that are encroaching upon the plantation. The chapters explore each individual reaction of female characters in the novel. The female characters in Delta Wedding represent varying wars of reacting to shifting social norms brought about by war.
Warren, Robert Penn Oral History Collection, 1977-1982 (Mss 383), Manuscripts & Folklife Archives
Warren, Robert Penn Oral History Collection, 1977-1982 (Mss 383), Manuscripts & Folklife Archives
MSS Finding Aids
Finding aid only for Manuscripts Collection 383. Transcripts, notes, and cassette tapes for interviews conducted by Dr. Wilford Fridy with individuals who knew or knew about John Wesley Venable, Jr., the person on whom Robert Penn Warren based the character Bolton Lovehart in his novella "Circus in the Attic." Interviews mention other people and places that Warren knew in Todd County, Kentucky. Also includes tapes of Robert Penn Warren giving a speech, reading some of his work, and an interview with Warren.
One Time, One Place? Richard Wright And Eudora Welty's Shared Visual Politics In The Depression Era, Mallory Blasingame
One Time, One Place? Richard Wright And Eudora Welty's Shared Visual Politics In The Depression Era, Mallory Blasingame
Electronic Theses and Dissertations
This thesis questions the absence of critical comparative studies of Mississippi-born authors Richard Wright and Eudora Welty. It argues that, though the authors' writing has traditionally been understood as residing on opposite sides of the political spectrum, they share a political vision of the rural South and urban North in the Depression era that is established in their documentary works—Wright's 12 Million Black Voices (1941) and Welty's One Time, One Place (1971)—and extends into such fictional works as Wright's "Big Boy Leaves Home" (1936) and Native Son (1941) and Welty's "Moon Lake" (1949) and "Flowers for Marjorie" (1941). In chapter …