American Studies Commons^™

Tiny Animals Made To Do Unnatural Things, Ashley Mary Siebels

UNLV Theses, Dissertations, Professional Papers, and Capstones

The stories in this collection revolve around a central theme which is expressed by my titleTiny Animals Made To Do Unnatural Things. All my characters feel guilt about decisions and experiences that haunt their past. In the present, they have come to a crossroads and are trying to decipher between what they were made to do as in vocation and evolution and what they are being made to do by the authorial pressures that loom over them (e.g. bosses, parents, loan officers, prison guards.)

In this way, my thesis pivots on the word made. Made (or to make) has many …

James Jones's Codes Of Conduct, Matthew Samuel Ross

UNLV Theses, Dissertations, Professional Papers, and Capstones

Though his work was celebrated by his contemporaries and remains highly lauded by scholars of war fiction, James Jones's novels are already at risk of falling outside the mainstream canon of 20th Century American literature. My dissertation project proposes an intensive examination of James Jones' three volume war trilogy, From Here to Eternity, The Thin Red Line, and Whistle, collectively considered by eminent critic Paul Fussell to be the finest work to emerge from the Second World War. Jones' trilogy is a mainstay within the overall genre of war fiction, yet it has been afforded relatively little critical attention by …

About A Yellow Ball, Shannon Alice Salter

UNLV Theses, Dissertations, Professional Papers, and Capstones

These are poems made from many things: color, eggs, oranges, many kinds of seeds, leaves, wind, California, the desert, birds. They are things alive in the world and alive in my heart. I cannot take them out of the world, but from my heart I can have whatever appears on its surface. The language of steam.

They are poems that like to be at home.

California is my home and so is the Mojave (and so is every desert). I live in a valley about four hundred miles from the Pacific Ocean, in the city of Las Vegas. What better …

From Martyrs To Mothers To Chick In Choos: The Medieval Female Body And American Women's Popular Literature, Gina M. Sully

UNLV Theses, Dissertations, Professional Papers, and Capstones

Placing the generic conventions of medieval hagiography, Nina Baym's insights about nineteenth-century American sentimental fiction's overplot, and contemporary American women's popular literature into tension illuminates some important commonalities. First, biographers of the medieval virgin saints and authors of contemporary American women's popular literature deploy the same overplot that Baym identifies as characteristic of American women's nineteenth-century popular fiction. Second, in order to define feminine virtue and establish the virtue of their protagonists, nineteenth-century and post-millennial American women writers rework the contrastive tropes by which hagiographers establish their heroines' virtue. Third, struggles for ascendance in the domestic realm gesture toward its …

Monsters In Our Midst: An Examination Of Human Monstrosity In Fiction And Film Of The United States, Michelle Kay Hansen

UNLV Theses, Dissertations, Professional Papers, and Capstones

The chapters within this dissertation concentrate on textual analysis of literature and film in which monsters appear in various forms, and particularly how those monsters still coincide with Noel Carroll's definition of "art-horror" in his book Philosophy of Horror, while proving that Carroll's definition of monster - and any others who may attempt to limit the definition of monstrosity - is incomplete and much too restrictive. I will be concentrating on monstrosity as it appears in gothic and horror fiction, film, and other elements of popular culture in order to explore the concept of "the monstrous" on multiple levels.

The …

Love Is Just A Word For The Last Body I'D Like To Keep Vigil Over, Robert Jagger

UNLV Theses, Dissertations, Professional Papers, and Capstones

Love is Just a Word for the Last Body I'd Like to Keep Vigil Over is a collection of poetry that was composed during my time spent at UNLV. Comprised mostly of prose poems, it was heavily influenced by the works of Richard Hugo, Robert Coover, Joshua Marie Wilkinson and several French poets who are often categorized as being members of either the Symbolist or Decadent movement. At its best, the collection attempts to invoke a sense of Joseph Cornell's boxes--odd juxtapositions of everyday items and language that create new and uncertain circumstances. Unlike Cornell's boxes, however, the poems aren't …