Africana Studies Commons^™

Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea

Dissertations, Theses, and Capstone Projects

This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …

El Guerrero Obsidiana, Marvin P. Sarkar Bynoe

CMC Senior Theses

This work of creative writing explores the role of the maroons, or escaped Africans, in Caribbean plantation society. The novel pays homage the tradition of creole storytelling and asserts the importance of this practice in creating more complete historiographic narratives. Incorporating the themes of magic, rebellion, darkness/light, heroism, and brutality characteristic of Afro-latinx literature. The work attempts to continue the decolonizing work of disrupting the capitalist dichotomy between freedom and enslavement which threatens to erase the multiplicity of black existence in the colonial Caribbean.

African Heritage And The Caribbean-Brazilian Experience, Michelle D. Thompson

Open Educational Resources

This syllabus reflects having students do self-guided research over a semester that doesn't require textbooks.

Afro-Cuba Transnational: Recordings And The Mediation Of Afro-Cuban Traditional Music, Johnny Frias

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the way audio and video recordings and the internet have impacted, shaped, and helped create a transnational Afro-Cuban music scene. My focus will be on the most popular and widely-recorded genres of Afro-Cuban music—rumba and the religious repertoire of Santería, particularly batá drumming—both of which I also perform regularly with other Cuban musicians in Miami. Incorporating interviews, online ethnographic research, and participant-observation as a musician, my research has three main arguments.

First, recordings of Afro-Cuban music helped create a transnational Afro-Cuban music scene by increasing the popularity of these traditions outside of Cuba, including their amateur performance …