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Full-Text Articles in Africana Studies
Amjambo Africa! (September 2022), Kathreen Harrison
Amjambo Africa! (September 2022), Kathreen Harrison
Amjambo Africa!
In this Issue
Moonglade............................. 4-5
Education............................. 6-10
In 7 languages
General Assistance ...........11-13
In 7 languages
Market Basket ...................14-15
All about the Workforce ........18
Community Happenings ......20
Amjambo Arts ........................21
Ugandan athletes ....................22
Rwandan hero .........................23
Health & Wellness.............24-31
In 7 languages
International & Maine updates .................... 33
New Voices feature........... 34-35
Financial literacy ....................35
Nonprofit updates ............36-37
Tips & Info.............................. 38
Amjambo Africa! (July 2022), Kathreen Harrison
Amjambo Africa! (July 2022), Kathreen Harrison
Amjambo Africa!
In this Issue
Amjambo Arts ......................2/3
Adama Delphine Fawundu Arisa White • Genius Black
Education ..................................4
Youth Fellowship Moonglade ................................ 5
4th of July • Hanji Chang
APIDA books for kids
Editorial & Letters.................... 6
Tips & info ...........................8-15
Fully translated
Useful info: Stimulus checks,
Resources, Marijuana, scams World Market Basket .............16
Farm market in Wales All about the workforce... 18/19
Licensing • Networking Community Happenings..20/21
News from Africa .......22/23/36
Congo Basin • Rwanda Ethiopia • DRC
Health & Wellness ............24-30
Lead poisoning - Fully Translated
Ask the Doctor • COVID Monkeypox • Suicide prevention
Community org. columns ....32
Financial …
Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., Alain Agnessan
Imaginaire De La Fin, Icônes, Esthétique. (Ir)Représenter La Post-Apocalypse Dans La Bande Dessinée Et Le Cinéma Du Génocide Tutsi., Alain Agnessan
Electronic Thesis and Dissertation Repository
Cette étude sur la bande dessinée et le cinéma du génocide tutsi s’écarte de l’analyse désormais canonique des politiques mémorielles et pratiques testimoniales pour en investir le parti pris post-apocalyptique . Elle s’agence en deux volets, ou, plutôt, en deux lieux de regard. Envisageant l’imaginaire de la fin qui s’est constitué autour du génocide tutsi, le premier volet de l’étude s’attelle à décrire une scène « cross-traumatic » ou transtraumatique, appelée génoscape, sur laquelle la pensée, les images et les discours critiques lient le destin éthique, esthétique et épistémique du génocide tutsi à celui de la Shoah. Cette démarche …
Du Témoin Et De L’Humain Chez Gilbert Gatore : Le Passé Devant Soi, Jean-Pierre Karegeye
Du Témoin Et De L’Humain Chez Gilbert Gatore : Le Passé Devant Soi, Jean-Pierre Karegeye
Présence Francophone: Revue internationale de langue et de littérature
This article revisits Gatore’s novel, The past ahead, in analyzing the idea of witnessing. Some critics estimate that the novel does not make a clear distinction between the perpetrator and the victim. While recognizing the danger, the article extends the debate on the notion of the human beyond the categories of “perpetrator” and “victim”. Without excusing acts of the former, the author of this article affirms that the perpetrator and the victim belong to the same humanity. While they remain extreme and inexcusable, crime against humanity and genocides are not a contingent acts, which opens a meditation on the fragility …
Matière Grise De Kivu Ruhorahoza : Un Nouveau Discours Filmique Pour Le Rwanda?, Charles J. Sugnet
Matière Grise De Kivu Ruhorahoza : Un Nouveau Discours Filmique Pour Le Rwanda?, Charles J. Sugnet
Présence Francophone: Revue internationale de langue et de littérature
Films like Hotel Rwanda, Sometimes in April, and Shooting Dogs have codified certain ways of representing the 1994 Rwandan genocide, with realist aesthetics, epic sweep, and aspirations to historical authenticity. A young Rwandan director, Kivu Ruhorahoza, has won two major prizes at the Tribeca Festival for his 2011 feature Grey Matter, a breakthrough film that is different from its predecessors in almost every respect. Ruhorahoza’s film is intimate, cosmopolitan, metaphorical, and avant-garde; it requires some effort to understand, yet it is extremely moving. On the 20th Anniversary of the genocide in Rwanda, it offers new ways of understanding the consequences …