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Women in literature

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Full-Text Articles in Arts and Humanities

Sylvia Plath’S Fig Tree: Discourse Formation And The Production And Consumption Of Women’S Identity, Jane E. Dodge May 2024

Sylvia Plath’S Fig Tree: Discourse Formation And The Production And Consumption Of Women’S Identity, Jane E. Dodge

Honors Theses

Investigating the formation of women's identities within Sylvia Plath's work, this paper seeks to understand the position of women within society during Plath's lifetime and in the wake of her death. Comparing genres of both public, private, and semi-public writing, I hinge my argument on Plath's famous fig tree passage to understand three distinct feminine identities and the inherent consumption and production that accompanies women's identity formation.


The Weak, The Wicked, The Divine: A Collection Of Poems, Grace Hedin Jun 2022

The Weak, The Wicked, The Divine: A Collection Of Poems, Grace Hedin

University Honors Theses

The Weak, the Wicked, the Divine is a collection of thirteen original poems based on the female figures of the Iliad and the Odyssey with scholarly analysis. The Introduction gives background on Homer and his works as well as their impact on both modern day and myself. The second section contains both the original work of Grace Hedin and the author's scholarly analysis of both their own work and the figure the poem is based upon. The Conclusion will hold the final thoughts and dedications from the author. An audio reading of all poems is attached to this thesis, with …


Women's Timeless Fascination With True Crime And Horror, Sarah Victoria Di Carluccio May 2022

Women's Timeless Fascination With True Crime And Horror, Sarah Victoria Di Carluccio

Legacy Theses & Dissertations (2009 - 2024)

This thesis examines society’s interest in gothic literature, horror, and true crime. Beginning with the first gothic works, and ending with modern true crime media, a focus of this exploratory piece will be on women because women have always been, and remain, the primary consumers of the gothic, and of true crime. The question is: Why? To examine the possible reasons, I will be examining the success of original gothic writers, namely, Ann Radcliffe. Other authors who influenced the development of the Gothic genre will influence our modern understanding of these origins. I will examine Poe’s “The Mystery of Marie …


Modern-Day Fantasy: The Progressive Role Of The Active Female, Elizabeth Turello Apr 2021

Modern-Day Fantasy: The Progressive Role Of The Active Female, Elizabeth Turello

Sacred Heart University Scholar

Compared to other genres of literature, modern-day fantasy is often disregarded as Eurocentric and homogeneous. In this article, I argue such critiques fail to take stock of the influential and progressive role women have played within modern-day fantasy since its creation by J.R.R. Tolkien. This article primarily focuses on modern-day fantasy works from three decades that coincide with a wave of feminism, beginning with Tolkien’s The Lord of the Rings in the 1950s and continuing with J.K. Rowling’s early nineties and aughts Harry Potter series as well as Leigh Bardugo’s mid-2010’s duology, Six of Crows. This article discusses the direct …


A Soundless Feminine Representation: An Ecofeminist Reading Of "The Eolian Harp", Eve Echternach May 2020

A Soundless Feminine Representation: An Ecofeminist Reading Of "The Eolian Harp", Eve Echternach

University Honors Theses

Focusing on Samuel Taylor Coleridge's "The Eolian Harp," this essay centers on the erasure and replacement of women's voices through descriptions of the environment and the common themes between the two. In many works of poetry and writing, women are compared to the natural world and vice versa. Though Coleridge's "The Eolian Harp" is categorized as a conversation poem, the dialogue of his wife, Sara Fricker, and any other feminized figures are omitted. Within this poem, one can see the environment and women's cohabitation being used to flatten their character, remove agency, and to place the male figures in the …


The Method In The Madwoman : Functions Of Female Madness And Feminized Liminality In Jane Eyre, Wuthering Heights, And "The Yellow Wallpaper", Ivy Elizabeth Poitras Jan 2020

The Method In The Madwoman : Functions Of Female Madness And Feminized Liminality In Jane Eyre, Wuthering Heights, And "The Yellow Wallpaper", Ivy Elizabeth Poitras

Legacy Theses & Dissertations (2009 - 2024)

This critical thesis explores how three literary portrayals of “madness” in female characters of the mid-to-late 19th century written by women writers (Bertha Mason of Jane Eyre, Catherine Earnshaw of Wuthering Heights, and the Narrator of “The Yellow Wallpaper”) operate as instruments within their work to provide commentary on the anxieties, fears, and ideological stereotypes of women and femininity of the era, as well as contradictions and concepts pertaining to confinement, the female body, gendered Gothic tropes, and societal oppression. The significance of this analysis lies in the consistency and endurance of these issues as they withstand modern development, making …


A Woman Wielding Words: The Role Of The Woman-Poet And Woman-Prophet Fedelm In The Táin Bó Cúailnge, Laura Steblay Feb 2019

A Woman Wielding Words: The Role Of The Woman-Poet And Woman-Prophet Fedelm In The Táin Bó Cúailnge, Laura Steblay

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

The character Fedelm is the only woman described as a poet in the early Irish epic the Táin Bó Cúailnge, and her prophecy which tells of the boy-hero Cúchulainn commences the tale. This paper examines Fedelm’s presence in the tale as a prophetic force in her role as a woman-poet and woman-prophet, as a literary reflection of Cúchulainn’s mentor Scathach, and as a visual parallel to Cúchulainn himself. Ultimately, it is not only Fedelm’s prediction that establishes the legendary Cúchulainn’s place in the narrative, but her very presence as a character provides a literary embodiment of her prophecy.


The Fiction Of Women In Contemporary American Literature : The Borderlands Of Intersectional Feminism, Postcolonial American Studies, And Creative Writing, Skye Anicca Jan 2019

The Fiction Of Women In Contemporary American Literature : The Borderlands Of Intersectional Feminism, Postcolonial American Studies, And Creative Writing, Skye Anicca

Legacy Theses & Dissertations (2009 - 2024)

A collection of nine short stories entitled THE TROUBLE WITH BRIGHT GIRLS is unified by women’s diverse coming-of-age experiences in late twentieth century transnational America. The story collection relies on techniques that highlight dislocation—temporal skips and wide temporal frames, fragmented and recursive narratives, borrowed genres, absurd premise, anti-heroines and anti-epiphanies—which gesture toward collective human experiences while troubling notions of universal knowledge and values and resisting redemption or closure. The critical introduction situates the collection through the theoretical lens of intersectional feminism, informed by Gloria Anzaldúa’s concept of the borderlands, and in relation to field of multiethnic/transnational literature of the U.S. …


Female Insanity: The Portrayal Of A Murderess In Alias Grace, Maria Medlyn Jul 2017

Female Insanity: The Portrayal Of A Murderess In Alias Grace, Maria Medlyn

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

In this paper, I analyze Margaret Atwood’s biographical novel Alias Grace which is based on the life of Grace Marks, a servant who was convicted of murdering her employer and his housekeeper. I use feminist and psychological perspectives to recount Atwood’s interpretation of the 1800s social hierarchy and the use of labels in controlling individuals. First, I explain the severe oppression of women in the 19th century. For example, women in this era were financially controlled by men, held to high moral standards, expected to be chaste yet submissive, and restricted to domestic roles. Next, I describe the changing …


Female Insanity: The Portrayal Of A Murderess In Alias Grace, Maria Medlyn Apr 2017

Female Insanity: The Portrayal Of A Murderess In Alias Grace, Maria Medlyn

Honors Capstone Projects

In this paper, I analyze Margaret Atwood’s biographical novel Alias Grace which is based on the life of Grace Marks, a servant who was convicted of murdering her employer and his housekeeper. I use feminist and psychological perspectives to recount Atwood’s interpretation of the 1800s social hierarchy and the use of labels in controlling individuals. First, I explain the severe oppression of women in the 19th century. For example, women in this era were financially controlled by men, held to high moral standards, expected to be chaste yet submissive, and restricted to domestic roles. Next, I describe the changing …


Women In Warfare: Spanish Christian Soldiers As Rapists In Early Modern Romances, Stacey L. Parker Aronson Jan 2017

Women In Warfare: Spanish Christian Soldiers As Rapists In Early Modern Romances, Stacey L. Parker Aronson

Spanish Publications

The omnipresence of military conflict brings many hardships and dangers for women in Early Modern Europe. In the socio-historical reality of military skirmishes since time immemorial, the rape of the female (and male) occupants of conquered territory was as ubiquitous and as opportunistic an act as one could imagine by which to brutalize and demean the populace. I will analyze two romances—“Romance cuarto. De cómo don Rodrigo de Vivar mató á dos moros que forzaban una dama mora y la rescató” and “Soldados forzadores”—both of which describe the rape of women by Spanish Christian soldiers. While Spanish Christian soldiers might …


Spectacular Pregnancies / Monstrous Pregnancies As Represented In Three Pliegos Sueltos Poéticos, Stacey L. Parker Aronson Oct 2016

Spectacular Pregnancies / Monstrous Pregnancies As Represented In Three Pliegos Sueltos Poéticos, Stacey L. Parker Aronson

Spanish Publications

No abstract provided.


Cuerpos Para Tocar: El Uso De La Imagen En La Representación De La Corporalidad Femenina Y La Política En La Ficción De María Teresa Andruetto, Karina Elizabeth Vázquez Jan 2016

Cuerpos Para Tocar: El Uso De La Imagen En La Representación De La Corporalidad Femenina Y La Política En La Ficción De María Teresa Andruetto, Karina Elizabeth Vázquez

Latin American, Latino and Iberian Studies Faculty Publications

Es poco común comenzar un estudio de crítica literaria hacienda referencia a lo visual; incluso si la propuesta analítica tiene como eje la coalescencia entre texto e imagen. El texto literario se encuentra en diálogo con otros, y por eso, como principio que respeta el genera discursivo, así como la práctica crítica, desde el comienzo a las novelas cabe encuadrarlas en el conjunto de textos de su especie. No obstante, el diálogo entre palabras e imágenes es una constante, y trabajos notables, como Pliegues visuales: narrativa y fotografía en la novela latinoamericana contemporánea (2013), de Magdalena Perkowska, ofrecen un puntapié …


Who Is Ophelia? An Examination Of The Objectification And Subjectivity Of Shakespeare's Ophelia, Tynelle Ann Olivas May 2015

Who Is Ophelia? An Examination Of The Objectification And Subjectivity Of Shakespeare's Ophelia, Tynelle Ann Olivas

UNLV Theses, Dissertations, Professional Papers, and Capstones

William Shakespeare's Ophelia, from his tragedy play Hamlet, has predominately been perceived and depicted as an objectified female with very little purpose other than to support Hamlet's role as protagonist. I explore the ways in which Ophelia was objectified by her brother, father, and Hamlet. I also analyze how Ophelia not only exhibits subjectivity, that is the ability to think, act, and speak for herself, but plays the part of Shakespearean fool. In her interactions with Hamlet specifically, Ophelia addresses Hamlet first, raises questions of the prince, and conducts herself in a way that is not always in keeping with …


Beyond Marriage And Motherhood: The Motifs Involved In The Portrayal Of Women In Literature, Hannah Hunter Dec 2014

Beyond Marriage And Motherhood: The Motifs Involved In The Portrayal Of Women In Literature, Hannah Hunter

Honors Theses

When I was in elementary school most of the books that I voluntarily read featured female characters. Part of the reason was that it was expected of me and those books (about girls/women) were the ones recommended to me. Another part was that female characters were the ones I could most closely relate to. They gave me ideas about what it is to be a woman, and subtly led me to approach the question of what kind of woman I wanted to be. It took me years to really pick up on the stereotypes and recurring female characters, and it …


The Feminization Of The Literary Voice And The Rhetorical Tradition In The Lais Of Marie De France, The Mirror Of Simple Souls, And The Book Of The City Of Ladies, Elisa B. Filippone May 2014

The Feminization Of The Literary Voice And The Rhetorical Tradition In The Lais Of Marie De France, The Mirror Of Simple Souls, And The Book Of The City Of Ladies, Elisa B. Filippone

Theses and Dissertations - UTB/UTPA

This study demonstrates how The Lais of Marie de France (12th c.) by Marie de France, The Mirror of Simple Souls (14th c.) by Marguerite Porete, and Christine de Pizan’s The Book of City of Ladies (15th c.) serve as the three progressive steps in the transformation of the rhetorical theory and the feminine literary voice, redefining woman from the idea of inferior entity written by men over centuries into the concept of an intellectual and virtuous female human being. The development of a strong feminine literary voice starts as de France feminizes the masculine language she borrows from masculine …


Cooper And Crummell: Dialogics Of Race And Womanhood, Elizabeth J. West Mar 2014

Cooper And Crummell: Dialogics Of Race And Womanhood, Elizabeth J. West

Elizabeth J West

No abstract provided.


"A Strange Medley-Book": Lucy Larcom's An Idyl Of Work, Mary Loeffelholz Oct 2013

"A Strange Medley-Book": Lucy Larcom's An Idyl Of Work, Mary Loeffelholz

Mary Loeffelholz

No abstract provided.


Women's Issues In Nathaniel Hawthorne's The Scarlet Letter, Carolyn Maibor Apr 2013

Women's Issues In Nathaniel Hawthorne's The Scarlet Letter, Carolyn Maibor

Carolyn R Maibor

No abstract provided.


Labor Pains: Emerson, Hawthorne, And Alcott On Work And The Woman Question, Carolyn Maibor Apr 2013

Labor Pains: Emerson, Hawthorne, And Alcott On Work And The Woman Question, Carolyn Maibor

Carolyn R Maibor

This book explores the importance of work and its role in defining and developing the self. Maibor reveals how the writings of Emerson, Hawthorne, and Alcott delve into notions of equality through this emphasis on labor. In doing so she challenges the traditional view of Emerson as unconcerned with societal issues, and opens the work of Hawthorne and Alcott to new feminist readings.


The Loathly Lady From Archaic To Modern Tales, Kirsten M. Dresker Jan 2013

The Loathly Lady From Archaic To Modern Tales, Kirsten M. Dresker

EWU Masters Thesis Collection

No abstract provided.


A Secret Cunning In The Fens: Subversive Female Identity And The Plight Of Grendel's Mother, Candice Rae Sequine Roark Jan 2012

A Secret Cunning In The Fens: Subversive Female Identity And The Plight Of Grendel's Mother, Candice Rae Sequine Roark

Theses Digitization Project

Readings built upon the foundation of traditional gender studies and structural binaries have consistently influenced how scholars understand female identity in Early Medieval Germanic texts. This thesis endeavors to dismantle these traditional readings and consider ways in which female identity can be reexamined wihin a post-structural framework.


"'Ic Paet Secgan Maeg, Hwaet Ic Yrmpa Gebad'": Christian Scribes' Condemnation Of Blood Feud And Its Effect On Women In Anglo-Saxon Society, Tara Seate-Beck Apr 2011

"'Ic Paet Secgan Maeg, Hwaet Ic Yrmpa Gebad'": Christian Scribes' Condemnation Of Blood Feud And Its Effect On Women In Anglo-Saxon Society, Tara Seate-Beck

Theses & Honors Papers

In preserving The Wife 's Lament, Wulf and Eadwacer, and Beowulf's battle scene with Grendel's mother, Christian poets and scribes preserved much more than just the literature of Anglo-Saxon England. They recorded the feminine voice, a rare perspective emerging from a society founded principally on the fundamentals of warfare and male dominance. The women's songs stand as testaments to the strife and discord women suffered as a consequence of their husbands' participation in blood feud. Their stories are not merely recounted as third person narratives, as much of the other extant texts from the period are; in the elegies, these …


Diversification Through Discourse: A Bakhtinian View Of Homer Hickam's Red Helmet, Julia A. Wilson Jan 2011

Diversification Through Discourse: A Bakhtinian View Of Homer Hickam's Red Helmet, Julia A. Wilson

ETD Archive

Homer Hickam's 2007 book, Red Helmet tells the story of a New York business woman's (Song) transformation into a West Virginian coal miner. Red Helmet is a modern, commercial romance that fits into the category of Appalachian working-class literature. The introduction of this study details the characteristics of regional and Appalachian working-class literature and aligns the characteristics to the plot of Red Helmet. A discussion of Bakhtin's theories of heteroglossia, hybridization, language stratification, dialogism, and discourse laid the foundation for the analysis of Song's transformation from an outsider (a non-native of West Virginia) to an accepted and productive member of …


Gender, Genre And Slavery: The Other Rowson, Rowson's Others, Eileen Elrod Jan 2011

Gender, Genre And Slavery: The Other Rowson, Rowson's Others, Eileen Elrod

English

Readers familiar with Susanna Rowson as the author of Charlotte Temple (1791, 1794) do not think of her as an abolitionist. But in 1805 Rowson articulated an anti-slavery position in Universal Geography, a textbook addressed to schoolgirls such as those she herself taught at the Young Ladies Academy in Boston. Condemning those who viewed sugar and slavery as a winning equation that would make them rich, Rowson denounced the “purchase and sale of human beings,” and insisted that anyone “enlightened by reason and religion” would oppose the “horrid trade,” and see it as she did, as “a disgrace to humanity.”1 …


Gloria Anzaldua And Alanis Morisette: The Untangled Flavors Of Conocimiento, Audrey Nathalie Romero Jan 2011

Gloria Anzaldua And Alanis Morisette: The Untangled Flavors Of Conocimiento, Audrey Nathalie Romero

Theses Digitization Project

This paper explroes the notion that the human body plays a predominant role in the act of writing, and examines how Gloria Anzaldua's concept of writing from the body, which she calls conocimiento (Spanish term for consciousmess), is manifested in Alanis Morissette's lyrics.


Beyond Bigamy : Mary Elizabeth Braddon's Attempts To Challenge And Change Expectations Of The Middle Class Victorian Woman, Alisa M. Scapatici Jan 2011

Beyond Bigamy : Mary Elizabeth Braddon's Attempts To Challenge And Change Expectations Of The Middle Class Victorian Woman, Alisa M. Scapatici

Legacy Theses & Dissertations (2009 - 2024)

Abstract


Delta Woman With Faulkner And Hitchcock, Mi-Jeong Kim Jan 2011

Delta Woman With Faulkner And Hitchcock, Mi-Jeong Kim

Legacy Theses & Dissertations (2009 - 2024)

Lacan, as a post-structuralist, combined Saussure's linguistics with Freud's psychology and linked Derrida's notion of "the other" to his notion of "objet petit a" as the impossible object of the subject's phallic desire, in order to re-think the modern consciousness of "the self." In the Lacanian account, "the other" does not exist as the 'absolute' transcendental without involvement, but ex-sists as the traumatic and 'extimate' exteriority with-in "the self." The ex-centric other is epitomized by the iconic (inverted) triangular center of Lacan's Borromean Knot. As the immanent exteriority of both the subject and the Symbolic, the feminine (w)hole, resembling vaginal …


String Theory, Rachel A. Baird Jan 2010

String Theory, Rachel A. Baird

ETD Archive

DEE struggles to uphold her political ideals in the face of her very proper mother, THERESA, and her long-time, over-achieving friend, LEENA. She makes stands that shock and antagonize both women, including becoming a case worker for bad neighborhoods, and having lesbian romantic relationships rather than heterosexual ones. Her friend GABRIEL, a cynical gay man, is her one ally in these choices. When DEE falls in love with a man, however, these relationships are inverted, and GABRIEL feels betrayed by her cavalier attitude towards sexual orientation. GABRIEL stops speaking to DEE, and DEE and ALLEN get married. When ALLEN dies, …


Homelessness And Stranger-Ness As Critical Potentialities In Early British Novels, Bonghee Oh Jan 2010

Homelessness And Stranger-Ness As Critical Potentialities In Early British Novels, Bonghee Oh

Legacy Theses & Dissertations (2009 - 2024)

In its early stages, the British novel generally validates individuals' particularized views of the world, rather than collective ones, and it explores such views in the context of individual's experiences of feeling homeless and of being strangers both within and without the place of home. Broadly conceived, the issues of homelessness and stranger-ness are intimately tied to questions of category, especially regarding the relation between the individual and community, particularity and generality, and the innovative and the traditional in the novel's emergence as a distinct, modern species of writing. By examining the status of orphans and strangers--both in a literal …