Graduate Exhibit: My Favorite Day_Mockup.Jpg, Chuck Davis
Jan 2019
Graduate Exhibit: My Favorite Day_Mockup.Jpg, Chuck Davis
Chuck Davis
My Favorite Day (2018)
The Nexus of Northwest Arkansas
Dye Sublimation on Aluminum 40x40 inches
Exhibit - Rewilding the Grid
Raizes Gallery, Lunder Art Center.
1801 Massachusetts Avenue
Cambridge MA 02140
January 5-14, 2018
Curator: Andrew Mroczek
Graduate Exhibit: Practicing For The Next Garage Party_Chuck Davis 2018.Jpg, Chuck Davis
Jan 2019
Graduate Exhibit: Practicing For The Next Garage Party_Chuck Davis 2018.Jpg, Chuck Davis
Chuck Davis
Practicing for the Next Garage Party (2018)
The Nexus of Northwest Arkansas
Dye Sublimation on Aluminum 40x40 inches
Exhibit - Rewilding the Grid
Raizes Gallery, Lunder Art Center.
1801 Massachusetts Avenue
Cambridge MA 02140
January 5-14, 2018
Curator: Andrew Mroczek
Graduate Exhibit: Living In A Sundown Town_Chuck Davis 2018.Jpg, Chuck Davis
Jan 2019
Graduate Exhibit: Living In A Sundown Town_Chuck Davis 2018.Jpg, Chuck Davis
Chuck Davis
Living in a Sundown Town (2018)
The Nexus of Northwest Arkansas
Dye Sublimation on Aluminum 40x40 inches
Exhibit - Rewilding the Grid
Raizes Gallery, Lunder Art Center.
1801 Massachusetts Avenue
Cambridge MA 02140
January 5-14, 2018
Curator: Andrew Mroczek
Graduate Exhibit: Million Dollar Views_Chuck Davis 2018.Jpg, Chuck Davis
Jan 2019
Graduate Exhibit: Million Dollar Views_Chuck Davis 2018.Jpg, Chuck Davis
Chuck Davis
Million Dollar Views (2018)
The Nexus of Northwest Arkansas
Dye Sublimation on Aluminum 40x40 inches
Exhibit - Rewilding the Grid
Raizes Gallery, Lunder Art Center.
1801 Massachusetts Avenue
Cambridge MA 02140
January 5-14, 2018
Curator: Andrew Mroczek
Graduate Exhibit: Practicing For The Next Garage Party_Chuck Davis 2018.Jpg, Chuck Davis
Jan 2019
Graduate Exhibit: Practicing For The Next Garage Party_Chuck Davis 2018.Jpg, Chuck Davis
Chuck Davis
Practicing for the Next Garage Party (2018)
The Nexus of Northwest Arkansas
Dye Sublimation on Aluminum 40x40 inches
Exhibit - Rewilding the Grid
Raizes Gallery, Lunder Art Center.
1801 Massachusetts Avenue
Cambridge MA 02140
January 5-14, 2018
Curator: Andrew Mroczek
The Origins Of The Modern Mugshot, Tsion Chudnovsky
Dec 2018
The Origins Of The Modern Mugshot, Tsion Chudnovsky
Tsion Chudnovsky, JD
Research exploring the origins of the current
mugshot process in the 1800's. The article reviews the role of French criminologist Alphonse Bertillon in standardizing the mugshot process in 1888. In addition to historic mugshots, the article chronicles many of the best
celebrity mugshots in history.
© 2019 Chudnovsky Law
11_18_2018 The Nexus Of Northwest Arkansas - Thesis By Chuck Davis.Pdf, Chuck Davis
Nov 2018
11_18_2018 The Nexus Of Northwest Arkansas - Thesis By Chuck Davis.Pdf, Chuck Davis
Chuck Davis
My photographs are about power and place. Situated by context to a bygone era, Northwest Arkansas is now the illogical home of the world’s largest company. Attendant economic and sociological forces are changing this rural area rapidly, as I examine effects upon the region and its residents – historical, contemporary, and transient.
With a narrative, neo-journalistic voice, I seek to convey new complexities to the state of Arkansas and specifically its northwest region. Postcards and placards react and reverse the popular shibboleth of a slow, rural sociotype – the Southern man, woman and family – which is at odds with …
Fashion Photography Archive, Jan Comfort
Dec 2017
Fashion Photography Archive, Jan Comfort
Jan Comfort
No abstract provided.
A Study In Green, Tara Thompson
Dec 2016
A Study In Green, Tara Thompson
Tara Thompson
Taken at Zilker Gardens in Austin, TX, 2013
Mother And Daughter, Tara Thompson
Dec 2016
Mother And Daughter, Tara Thompson
Tara Thompson
photograph taken on my property with Canon EOS and telephoto lens
The Face Of Our Wartime, Sharon Sliwinski
Dec 2014
The Face Of Our Wartime, Sharon Sliwinski
Sharon Sliwinski
This paper considers a turn toward portraiture amongst contemporary photojournalists who have covered the War on Terror. A series of wartime faces is examined in order to consider the way prolonged conflict flattens our visual landscape.
Inventing Human Dignity, Sharon Sliwinski
Dec 2014
Inventing Human Dignity, Sharon Sliwinski
Sharon Sliwinski
Are human beings endowed with an inviolable dignity? Or is dignity something that is lost and won? One of the most significant assertions made in the 1948 Universal Declaration of Human Rights (UDHR) is the statement that every individual possesses an inalienable dignity simply by virtue of belonging to the “human family.” This chapter aims to make a modest contribution to the emerging scholarship on the history and meaning of dignity as it pertains to universal human rights. My goal is to trace how this particular quality came to be affixed to the human …
Sunset Beach, Nc Photograph, Joe Hiltabidel
Oct 2014
Sunset Beach, Nc Photograph, Joe Hiltabidel
Joe Hiltabidel
This photograph was taken on Sunset Beach in the town of Sunset Beach, NC, in 2014. Tonemapping was used to adjust colors.
Paris Mountain @ Sunset, Joe Hiltabidel
Oct 2014
Paris Mountain @ Sunset, Joe Hiltabidel
Joe Hiltabidel
This photograph was taken atop Paris Mountain in Greenville, SC, in 2014.
The Young White Faces Of Slavery, Mary Niall Mitchell
Jan 2014
The Young White Faces Of Slavery, Mary Niall Mitchell
Mary Niall Mitchell
No abstract provided.
Graduate Exhibit: Displaced Worker - Sams Club_Chuck Davis 2018.Jpg, Chuck Davis
Jan 2014
Graduate Exhibit: Displaced Worker - Sams Club_Chuck Davis 2018.Jpg, Chuck Davis
Chuck Davis
Displaced Worker - Sam's Club (2018)
The Nexus of Northwest Arkansas
Dye Sublimation on Aluminum 40x40 inches
Exhibit - Rewilding the Grid
Raizes Gallery, Lunder Art Center.
1801 Massachusetts Avenue
Cambridge MA 02140
January 5-14, 2018
Curator: Andrew Mroczek
The Storyteller: Observations On Murtada Bulbul’S ‘Swineherders’, Sharon Sliwinski
Dec 2012
The Storyteller: Observations On Murtada Bulbul’S ‘Swineherders’, Sharon Sliwinski
Sharon Sliwinski
This review engages Murtada Bulbul's series of photographs of Bangladeshi swineherders (published in this issue), casting the photographer's treatment as that of a storyteller. On one hand, this treatment suggests the importance of visual-cultural forms for the very legibility of human rights. On the other hand, Bulbul's pictures can teach us something about what it means to live a "bare life," that is, to live at the edges of the human community.
New York Transfixed: Notes On The Expression Of Fear, Sharon Sliwinski
Dec 2012
New York Transfixed: Notes On The Expression Of Fear, Sharon Sliwinski
Sharon Sliwinski
What does fear look like? What can photography reveal of the unconscious dimensions of terror? Working with the largest photographic archive devoted to the 9/11 terrorist attacks on New York City, this chapter studies the visual inscription of terror in the bodily gestures of eyewitness, gestures that were captured by citizen photographers.
A Painful Labor: Photography And Responsibility, Sharon Sliwinski
Dec 2011
A Painful Labor: Photography And Responsibility, Sharon Sliwinski
Sharon Sliwinski
This paper considers the tension between photography and responsibility despite the avalanche of objections regarding documentary’s false promise to awaken social conscience. By examining the encounter with images of suffering through a psychoanalytic register, the paper tries to articulate what Barthes describes as the ‘painful labour’ of responding to the photographic other – an encounter that illuminates the limit of the spectator’s ability to respond. Photographs provide an occasion to register this limit, which, I argue, opens up the spectator’s traditional notions of responsibility from a set of moral duties towards a questioning of the ethical relation.
River Rising, May 2011. A Photo Essay. Part Il, Doreen Piano
Dec 2010
River Rising, May 2011. A Photo Essay. Part Il, Doreen Piano
Doreen M Piano
In May 2011, the Mississippi River rose to unprecedented heights, threatening a worst-case scenario of massive flooding throughout metropolitan New Orleans and other outlying regions.Two spillways north of the city opened in May 2011 diverting waters into Lake Ponchartrain and the Atchafalaya Basin, but the river still ran high through June.
River Rising, May 2011. A Photo Essay. Part I., Doreen Piano
Dec 2010
River Rising, May 2011. A Photo Essay. Part I., Doreen Piano
Doreen M Piano
In May 2011, the Mississippi River rose to unprecedented heights, threatening a worst-case scenario of massive flooding throughout metropolitan New Orleans and other outlying regions
Air War And Dream: Photographing The London Blitz, Sharon Sliwinski
Dec 2010
Air War And Dream: Photographing The London Blitz, Sharon Sliwinski
Sharon Sliwinski
This paper treats Lee Miller's photographs of the London Blitz as a species of dream, which is to say, the Surrealist's images are regarded as a special form of thinking in which the conflicts and horrors of the times are represented in an effort to discharge their destructive force. This treatment calls upon Freud's discussion of dream-work, but also upon Didier Anzieu and Wilfred Bion's later writings, which consider the defensive and protective qualities of oneiric life. Miller's photography, like dream, provides a glimpse into the interior dimension of human existence. The essay argues that this interior dimension provides protection …
Icarus Returned: The Falling Man And The Survival Of Antiquity, Sharon Sliwinski
Dec 2010
Icarus Returned: The Falling Man And The Survival Of Antiquity, Sharon Sliwinski
Sharon Sliwinski
This chapter examines the so-called "Falling Man" photograph: Richard Drew's infamous image of an anonymous man in free fall, following his jump from the World Trade Center on September 11, 2001. Using Aby Warburg's iconographical method, I read this figure as a latter-day Icarus, putting Drew's photograph in dialogue with other representations of Icarus as a way to explore the image's unconscious force.
The Childhood Of Human Rights: The Kodak On The Congo, Sharon Sliwinski
Dec 2009
The Childhood Of Human Rights: The Kodak On The Congo, Sharon Sliwinski
Sharon Sliwinski
This chapter examines the Congo reform movement’s use of atrocity photographs in their human rights campaign (c. 1904–13) against Belgian King Leopold, colonial ruler of the Congo Free State. This material analysis shows that human rights are conceived by spectators who, with the aid of the photographic apparatus, are compelled to judge that crimes against humanity are occurring to others. The article also tracks how this judgement has been haunted by the potent wish to undo the suffering witnessed.
“Transnational Conversations In Migration, Queer, And Transgender Studies: Multimedia Storyspaces.”, Gema Pérez-Sánchez
Dec 2009
“Transnational Conversations In Migration, Queer, And Transgender Studies: Multimedia Storyspaces.”, Gema Pérez-Sánchez
Gema Pérez-Sánchez
En 2005 se aprobó en España la Ley 13/2005, de 1 de Julio, por la que se modifica el Código Civil en material de derecho a contraer matrimonio, dando pie al matrimonio legal entre personas del mismo sexo. Dos años más tarde se aprueba la Ley 3/2007, de 15 de marzo, reguladora de la rectificación registral de la mención relativa al sexo de las personas, la cual permite el cambio de sexo en el registro civil sin necesidad de someterse a una operación de reasignación de género. A pesar del indudable progresismo y de la gran importancia de estas leyes …
Visual Testimony: Lee Miller’S Dachau, Sharon Sliwinski
Dec 2009
Visual Testimony: Lee Miller’S Dachau, Sharon Sliwinski
Sharon Sliwinski
This essay examines images of the liberation of Dachau concentration camp taken by American war correspondent and photographer Lee Miller. Miller’s work is mobilized as an optic through which to grasp the shock of confronting the Nazi camps. Her images are read as a form of visual testimony. That is, although they fail to provide a transparent view of what occurred in the Nazi lagers, they are nevertheless inscribed with all that the photographer did not know of the events to which she bore witness. The nature of this strange unintelligibility is what the author pursues: the visual inscription of …
Photographic Ambivalence And Historical Consciousness, Michael S. Roth
Nov 2009
Photographic Ambivalence And Historical Consciousness, Michael S. Roth
Michael S Roth
This essay focuses on three topics that arose at the Photography and Historical Interpretation conference: photography’s incapacity to conceive duration; photography and the “rim of ontological uncertainty;” photography’s “anthropological revolution.” In the late nineteenth century, blindness to duration was conceptualized as the cost of photographic precision. Since the late twentieth century, blindness to our own desires, or inauthenticity, has been underlined as the price of photographic ubiquity. These forms of blindness, however, are not so much disabilities to be overcome as they are aspects of modern consciousness to be acknowledged. The engagement with photography’s impact on historical consciousness gives rise …
On Photographic Violence, Sharon Sliwinski
Dec 2008
On Photographic Violence, Sharon Sliwinski
Sharon Sliwinski
This paper explores the significance of photographic violence in relation to a single defaced image found during the Bosnian War. The single example of pictorial violence opens a set of questions interrogating the nature of human aggression: What is the status of violence carried out in effigy? Can this particular example of defacement open understanding into the other forms of violence that took place during the dissolution of the former Yugoslavia? How does the image come to be marked by affect but also serve as the medium of its transmission? And finally, why does photography lend itself so easily to …
Through An Uncommon Lens : The Life And Photography Of F. Holland Day, Patricia Fanning
Dec 2007
Through An Uncommon Lens : The Life And Photography Of F. Holland Day, Patricia Fanning
Patricia J. Fanning
Based in the Boston area, F. Holland Day (1864-1933) was a central figure in artistic circles on both sides of the Atlantic. Publisher of Oscar Wilde and Stephen Crane, mentor to a young Kahlil Gibran, adviser and friend to photographers Alvin Langdon Coburn and Edward Steichen, Day lived a life devoted to art and beauty. At the turn of the twentieth century, his reputation rivaled that of Alfred Stieglitz.
A pioneer in the field of pictorial photography, Day was also an influential book publisher in the Arts and Crafts tradition. He cofounded the publishing company of Copeland and Day, which …
New York Transfixed: Notes On The Expression Of Fear, Sharon Sliwinski
Dec 2007
New York Transfixed: Notes On The Expression Of Fear, Sharon Sliwinski
Sharon Sliwinski
What does fear look like? What can photography reveal of the unconscious dimensions of terror? Working with the largest photographic archive devoted to the 9/11 terrorist attacks on New York City, this article studies the visual inscription of terror in the bodily gestures of eyewitness, gestures that were captured by citizen photographers.
