Arts and Humanities Commons^™

Six Leadership Lessons From Photography, Brenda L. Boyd

Brenda Boyd, PhD

"I learned that the photographers who captured unforgettable images all had some things in common: they seemed to know themselves and people; they had vision, passion, and timing; they had an innate ability to communicate effectively; they took risks; and they learned from their mistakes. I also came to realize that as a result of their unique presence—and often their sacrifice—they made a significant and lasting contribution to our world."

Graduate Exhibit: My Favorite Day_Mockup.Jpg, Chuck Davis

Chuck Davis

Graduate Exhibit: Practicing For The Next Garage Party_Chuck Davis 2018.Jpg, Chuck Davis

Chuck Davis

Graduate Exhibit: Living In A Sundown Town_Chuck Davis 2018.Jpg, Chuck Davis

Chuck Davis

Graduate Exhibit: Million Dollar Views_Chuck Davis 2018.Jpg, Chuck Davis

Chuck Davis

Graduate Exhibit: Practicing For The Next Garage Party_Chuck Davis 2018.Jpg, Chuck Davis

Chuck Davis

The Origins Of The Modern Mugshot, Tsion Chudnovsky

Tsion Chudnovsky, JD

11_18_2018 The Nexus Of Northwest Arkansas - Thesis By Chuck Davis.Pdf, Chuck Davis

Chuck Davis

Fashion Photography Archive, Jan Comfort

Jan Comfort

No abstract provided.

The Woman Who Walks Through Photographs, Sharon Sliwinski

Sharon Sliwinski

From Here To There, Dana Statton

Dana Statton Thompson

The photographs in the series From Here to There are not a description of a place; instead, the images are about engaging in a particular type of looking. Elements of “here” and “time” are included in the work; by photographing a moment that will never exist again, transitory objects are imbued with importance. A tree branch drifts, a puddle evaporates, and light shifts, slowly, but immediately. In the midst of this change, my photographs represent specific moments. Integral to the work is the act of finding the photograph, as is the act of framing, taking, and making the photograph. Each …

The 'Anti-Photographic' Photography Of Pablo Picasso And Its Influence On The Development Now Known As Cubism, Dana Statton

Dana Statton Thompson

By examining the relationship between photography and painting at the turn of the nineteenth century, it becomes clear that the two mediums have more in common than art historians acknowledge. The two share obvious formal qualities such as form, perspective, depth, and spatial relationships. These formal qualities make it easier to see the potential overlap between the two mediums, as Picasso did during the summer of 1909. Although Picasso is not well known for his photography, the large collection of photographic imagery found in his estate now makes it possible to firmly establish the place of photography within his oeuvre. …

A Study In Green, Tara Thompson

Tara Thompson

Mother And Daughter, Tara Thompson

Tara Thompson

Creativity And Color (Double Blind Peer Review), Antonio Scontrino

Antonio Scontrino

Guest Opinion: Preserving Local History, Patricia J. Fanning

Patricia J. Fanning

No abstract provided.

Screenshots As Virtual Photography: Cybernetics, Remediation, And Affect, Christopher Moore

Christopher L Moore Dr

Screenshots are a ubiquitous form of visual communication online and off. They are common across the Web, in print and televisual media, where such images are required to provide evidence of screen activity. Critical analysis of screenshots as digital tools and media objects has rarely been attempted in media studies and the digital humanities, but these disciplines offer powerful and complimentary means for examing the assumptions embedded in their form and function. In this chapter I couple the investigation of screenshots as a convergence of old and new media technologies with the emerging processes for data analysis and network visualization.

Creating The Back Ward: The Triumph Of Custodialism And The Uses Of Therapeutic Failure In Nineteenth Century Idiot Asylums, Philip M. Ferguson

Philip M. Ferguson

"My focus in this chapter is on the origin of the back ward rather than its demise. Where did the “back wards” that [Burton] Blatt and [Senator Robert] Kennedy witnessed come from in the first place? What 3 exactly were those “antecedents of the problems observed” that Blatt cited? This chapter reviews that history and argues that, in fact, there is a specific narrative to the evolution of the institutional “back ward” as an identifiable place where people with the most significant intellectual disabilities were to be incarcerated and largely forgotten."

"Quotation, Simile, Photograph: Margaret Fuller On The French In Algiers, Christina Zwarg

Christina L Zwarg Professor

Quotation, Simile, Photograph: Margaret Fuller on The French in Algiers In this essay I focus on an obscure New-York Daily Tribune column written by Margaret Fuller and published roughly two weeks before her well-known review of Frederick Douglass. Fuller’s review of Lucy Duff-Gordon’s translation shows not only her range in topic (in this case, a consideration of French colonial practice) but also how she writes through the moment when Walter Benjamin’s famous “aura” was losing ground against modern modes of production. The extended quotations juxtaposed in Fuller’s review have about them a visual or dramatic quality, as if Fuller reaches …

The Face Of Our Wartime, Sharon Sliwinski

Sharon Sliwinski

Inventing Human Dignity, Sharon Sliwinski

Sharon Sliwinski

Sunset Beach, Nc Photograph, Joe Hiltabidel

Joe Hiltabidel

This photograph was taken on Sunset Beach in the town of Sunset Beach, NC, in 2014. Tonemapping was used to adjust colors.

Paris Mountain @ Sunset, Joe Hiltabidel

Joe Hiltabidel

This photograph was taken atop Paris Mountain in Greenville, SC, in 2014.

Paintings And Photographs, Introduction To "William Wegman", Curtis Carter

Curtis Carter

No abstract provided.

The Young White Faces Of Slavery, Mary Niall Mitchell

Mary Niall Mitchell

No abstract provided.

Graduate Exhibit: Displaced Worker - Sams Club_Chuck Davis 2018.Jpg, Chuck Davis

Chuck Davis

"Question Of Monuments": Emerson, Dickinson, And American Renaissance Portraiture, Mary Loeffelholz

Mary Loeffelholz

No abstract provided.

The Storyteller: Observations On Murtada Bulbul’S ‘Swineherders’, Sharon Sliwinski

Sharon Sliwinski

New York Transfixed: Notes On The Expression Of Fear, Sharon Sliwinski

Sharon Sliwinski

A Painful Labor: Photography And Responsibility, Sharon Sliwinski

Sharon Sliwinski