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Articles 1 - 30 of 49

Full-Text Articles in Arts and Humanities

Such News Of The Land: U.S. Women Nature Writers, Thomas S. Edwards, Elizabeth A. Dewolfe Aug 2019

Such News Of The Land: U.S. Women Nature Writers, Thomas S. Edwards, Elizabeth A. Dewolfe

History Faculty Books

This pathbreaking collection, which contains 19 essays from scholars in a variety of fields, illuminates the work of two centuries of American women nature writers. Some discuss traditional nature writers such as Susan Fenimore Cooper, Mary Austin, Gene Stratton Porter, and Annie Dillard. Others examine the work of Zora Neale Hurston, Gloria Anzaldua, and Leslie Marmon Silko, writers not often associated with this genre. Essays on germinal texts such as Marjory Stoneman Douglas's The Everglades: River of Grass stand alongside examinations of market bulletins and women's gardens, showing how the rich diversity of women's nature writing has shaped and expanded …


Thomason, Mary Jean (Healan) (Fa 1299), Manuscripts & Folklife Archives May 2019

Thomason, Mary Jean (Healan) (Fa 1299), Manuscripts & Folklife Archives

FA Oral Histories

Finding aid only for Folklife Archives Project 1299. Project titled “Ten Broeck and Mollie: An Intriguing Puzzle,” which includes variants of the texts for “Ten Broeck and Mollie” and “Skewball” collected primarily from Jesse Blair in Grayson County, Kentucky. Project may include texts, song lyrics, tunes, photos, and informant name and location.


A Mixed Place: The Pastoral Symposium Of Horace, Kristen Ehrhardt Feb 2018

A Mixed Place: The Pastoral Symposium Of Horace, Kristen Ehrhardt

2018 Faculty Bibliography

When Horace invites Tyndaris to an outdoor drinking party in Odes 1.17, he mixes the locus amoenus of pastoral with the trappings of symposia. I argue that the mixture of the two poetic spaces creates a potentially volatile combination by muddling the expectations of each place’s safety and danger. I read 1.17 in light of other pastoral poems in Odes 1 to establish Horace’s creation of safe places through the negation of natural perils. Although pastoral has its own dangers, the addition of sympotic motifs in 1.17 attracts different beasts—sexual predators—to Tyndaris’ party.


The "Odyssey" In Athens: Myths Of Cultural Origins, Erwin Cook Aug 2015

The "Odyssey" In Athens: Myths Of Cultural Origins, Erwin Cook

Erwin F. Cook

A study in poetic interaction, The Odyssey in Athens explores the ways in which narrative structure and parallels within and between epic poems create or disclose meaning. Erwin F. Cook also broadens the scope of this intertextual approach to include the relationship of Homeric epic to ritual. Specifically he argues that the Odyssey achieved its form as a written text within the context of Athenian civic cults during the reign of Peisistratos.

Focusing on the prologue and the Apologoi (Books 9–12), Cook shows how the traditional Greek polarity between force and intelligence informs the Odyssean narrative at all levels of …


Review Of A Critical Edition Of The Legend Of Mary Magdalena From Caxton's Golden Legende Of 1483, Gregory M. Sadlek Mar 2015

Review Of A Critical Edition Of The Legend Of Mary Magdalena From Caxton's Golden Legende Of 1483, Gregory M. Sadlek

Gregory M Sadlek

No abstract provided.


Lola Ridge : Poet And Renegade Modernist, Anna Hueppauff Jan 2012

Lola Ridge : Poet And Renegade Modernist, Anna Hueppauff

Theses : Honours

This thesis examines the poetry of Lola Ridge as a form of alternative Modernism. Poet, editor, anarchist, Lola Ridge is largely an unknown identity in Modernist discourses. Primarily recognised as a social justice poet, her work has been viewed through a traditional Modernist lens and excluded to the periphery as ‘sentimental’. This thesis argues that Ridge personally and professionally exceeds these categories. She modelled a practice of engagement in her personal life by actively participating in rallies and protests against injustice, and living in poverty in solidarity with the poor, giving her work an authenticity worth investigating. Her poetry provides …


Wood, Irene Hansel (Fa 364), Manuscripts & Folklife Archives Feb 2009

Wood, Irene Hansel (Fa 364), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 364. Paper: "The Theme of the Cruel Brother" [in the Child Ballads] written by Irene Hansel Wood for a Western Kentucky University folk studies class.


Angle, Dennis Paul (Fa 265), Manuscripts & Folklife Archives Sep 2008

Angle, Dennis Paul (Fa 265), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 265. Paper: "American Folk Music" written by Dennis Paul Angle for a Western Kentucky University folk studies class.


Following Tradition: Young Adult Literature As Neo-Slave Narrative, Kaavonia Hinton Jan 2008

Following Tradition: Young Adult Literature As Neo-Slave Narrative, Kaavonia Hinton

Teaching & Learning Faculty Publications

No abstract provided.


Upside Down World -- The Opposition Between Light And Dark In Bulgakov's Master And Margarita, Elise C. Washer Jan 2007

Upside Down World -- The Opposition Between Light And Dark In Bulgakov's Master And Margarita, Elise C. Washer

Undergraduate Research Symposium (UGRS)

A look at the role that symbolism plays in the novel. In this case, as it is in many other great novels, we see that symbolism is used to enhance the mood and the atmosphere of the novel rather than adding anything of importance to the plot.


"Whoso Sheddeth" : Execution Sermons And Narratives In 18th Century New England, Adrienne H. Thornblom Jan 2006

"Whoso Sheddeth" : Execution Sermons And Narratives In 18th Century New England, Adrienne H. Thornblom

Master's Theses

Murder, theft, and infanticide in eighteenth-century New England were all treated with the same punishment, public execution. The executions were not just public displays, but also a time for sermons and life lessons to teach those who witness the criminal's death to refrain from sinful behavior. At the core of every sermon was the Biblical passages used to warn the onlookers to be careful in life and a pea for the criminal to repent. In addition to the sermons, some of the criminals provided confessions to their crimes and even indicated their newfound salvation for their sins.

This thesis closely …


Musical Life At Mission Santa Clara De Asis, 1777-1836, Margaret L. Cayward Jan 2006

Musical Life At Mission Santa Clara De Asis, 1777-1836, Margaret L. Cayward

Research Manuscript Series

The Spanish missions in Califomia1 were frontier outposts established in order to defend northern borderlands and also to extend Spanish civilization to the peoples of California. From the founding of Mission San Diego in 1769 to the secularization of Mission Santa Clara in 1836, these settlements remained distant from the Spanish metropolitan areas, yet not "off the end of the road" when it came to European cultural life. The Spanish crown, in conjunction with the Roman Catholic Church,2 sent Franciscan missionaries3 to "reduce" the Indian communities in California into concentrations of the population into religious settlements known …


高行健之戲劇 : 理論與實踐, Ching Law Jan 2006

高行健之戲劇 : 理論與實踐, Ching Law

Lingnan Theses and Dissertations (MPhil & PhD)

高行健的戲劇作品與理論,兼備中西文化主題(motifs),東西方劇場的手法,最適合作比較文學的範例。本文全面分析高行健的劇作與理論,從主題與形式兩方面,審度劇作中重複出現追尋自我的主題。其劇作包括《絕對信號》、《車站》、《野人》、《彼岸》、《冥城》、《逃亡》、《山海經傳奇》、《生死界》、《對話與反詰》、《夜遊神》、《周末四重奏》、《八月雪》、《叩問死亡》;五個現代折子戲包括《模仿者》、《躲雨》、《行路難》、《喀巴拉山口》、《獨白》;一個舞劇《聲聲慢變奏》共計十八部戲劇。又整理探究理論文集《對一種戲劇的追求》、《沒有主義》、以及《文學的理由》。作者的主體意識扣緊不同時期的逃亡經驗,經一番外求與內尋的過程,不斷抗衡與否定不同的「他者」。這種抗衡,固然呈現人類本質的狀態,卻缺乏主體的自主性,也展示主題的矛盾。因為無論「他者」怎樣不斷置換為集體、強權、中國、性、慾望等對象,也不能抹殺其先於主體的實存性,反倒確立了主體的依附性。所以他的主體都一貫逃避中心、集體、缺乏實質的內涵,卻又內外交困,無法安頓。這種不斷反詰的精神,又反映在劇作的「間離」的形式上。高行健以敘事、三重角色與儀式(rituals),間離觀眾與角色。雖然他追求戲劇本質,嘗試回復中國儺戲與戲曲的傳統,也緊隨現當代劇作家如布萊希特(Bertolt Brecht)、惹奈(Jean Genet),但是難以調動觀眾的直覺感知經驗,達至娛人的目的。更有甚者,因為敘事手法的視點所限,宣揚個人主義的目的,昭然若揭。他的儀式意在增強戲劇的假定性,不在於回歸中國的佛道傳統,但效果不彰。他的「表演三重論」源於中國戲曲與布萊希特,貢獻止於為表演的監控意識命名,缺乏系統落實的方法,故難以與斯坦尼斯夫斯基(Konstantin Stanislavsky)、以及格羅多夫斯基(Jerzy Grotowski)的表演系統相提並論。本文試以高行健的劇作與理論,與現當代的國際劇作家、以及劇場理論家的成就互相發明,以鑑定其戲劇地位。


Only In Story A World : Atheistic Metanarrative In Leguin, Pullman And Wolfe, Samuel N. Keyes Apr 2004

Only In Story A World : Atheistic Metanarrative In Leguin, Pullman And Wolfe, Samuel N. Keyes

Honors Theses

Ursula K. Le Guin, Philip Pullman, and Gene Wolfe, despite their apparent ideological as well as stylistic differences, all profoundly question the way modernity has divided knowledge, posing serious challenges to contemporary distinctions between religion, science and magic. Moreover, they share a common concern for the power of narrative to accomplish this critique.

In each of their multivolume fantasies, the differences between the categories of science and religion become meaningless. After such a deconstruction, the possibility of nihilism looms unless a new system of meaning surfaces. The move away from discrete areas of science and religion, therefore, in these works …


Kodak's Worst Nightmare Super 8 In The Digital Age: A Cultural History Of Super 8 Filmmaking In Australia 1965-2003, Keith Smith Jan 2004

Kodak's Worst Nightmare Super 8 In The Digital Age: A Cultural History Of Super 8 Filmmaking In Australia 1965-2003, Keith Smith

Theses: Doctorates and Masters

This project charts the extraordinary history of the Super 8 film medium, a popular amateur home movie format first introduced in 1965 and largely assumed to have disappeared with the advent of home video technologies in the early 1980's. Kodak's Worst Nightmare investigates the cultural history of the Super 8 medium with an emphasis on its (secret) life since 1986. lt asks how (and why) an apparently obsolete consumer technology has survived some 35 years into a digital future despite the emergence of technologically-advanced domestic video formats and Eastman Kodak's sustained attempts since the mid-80s to suppress, what is for …


"We Were There": Anatomy Of A Successful Series Of Historical Novels For Young People, Deanna Lee Gasteiger Schwartz Nov 2003

"We Were There": Anatomy Of A Successful Series Of Historical Novels For Young People, Deanna Lee Gasteiger Schwartz

Theses & Honors Papers

The study of history has always been an important part of learning. Young people might ask, "Why do I need to learn about something I cannot change?" When asked "Why Study History?" William H. McNeill states in Historical Literacy : The Case For History in American Education that the "value of historical knowledge obviously justifies teaching and learning about what happened in recent times, for the way things are descends from the way they were yesterday and the day before that" (104). Between the years 1955 to 1963 Grossett and Dunlap Publishers introduce a concept that brings personal involvement into …


Viennese Feuilleton During The Early 1920s: Description And Analysis Of Bertha Pauli's Biographical Sketches As Contributions To A Literary Genre, Ruth Kirsten Seppi Nov 2003

Viennese Feuilleton During The Early 1920s: Description And Analysis Of Bertha Pauli's Biographical Sketches As Contributions To A Literary Genre, Ruth Kirsten Seppi

Undergraduate Honors Theses

Bertha Pauli belongs to a class of writers (women) who are often overlooked, writing in a style (feuilleton) that is under-recognized for its literary value. Her writings have never been systematically analyzed before despite their volume and prominence in the Vienna of the 1920s. The first half of this thesis deals with the form of feuilleton, establishing a context in which to study Pauli’s works. The second half describes the political content of Pauli’s biographical feuilletons and demonstrates her skill as a persuasive writer. Feuilletons were a popular form of journalistic writing from the eighteenth century up until the Second …


"A Plea For Color:" The Construction Of A Feminine Identity In African American Women's Novels., Kirsten A. Moffler Jan 2001

"A Plea For Color:" The Construction Of A Feminine Identity In African American Women's Novels., Kirsten A. Moffler

Electronic Theses and Dissertations

Writers of slave narratives i n the nineteenth-century manipulated the western sentimental literary tradition to appeal t o a white, predominantly female readership during a time of national ideological division. These writers had their own agendas which often m e t (or were forced to meet ) those of white-run abolitionist movements t o achieve the ultimate goal of abolishing slavery. Northern white-run abolitionist movements were kept warm by the moral fires of mid-nineteenth-century Protestant Christianity; Christian ideals flooded their meetings and publications. Therefore, it is no wonder that the writers of slave narratives are so overt i n discussing …


A Critical Linguistic Analysis Of A Popular Comic Genre In Japan, Angela Rawson Jan 2001

A Critical Linguistic Analysis Of A Popular Comic Genre In Japan, Angela Rawson

Theses: Doctorates and Masters

This research will focus on the issue of power and gender in the language of Japanese comics (manga). Comics in Japan are enormously popular and are read by a wide audience. They are aimed at specific audiences and it is my argument that the language of manga helps to reinforce certain social stereotypes - particularly the inferiority of women and the dominance of males. The language of children's manga will be analyzed using the framework of Critical Discourse Analysis (CDA), which concerns itself with the relation between ideology and power in discourse. The analysis will be at various levels including …


Textual Realisations, Judith (Judie) Cross Dec 1998

Textual Realisations, Judith (Judie) Cross

Judith (Judie) L Cross

The images in children's texts are vessels in which meaning is codified. Images are codified by their creator and decoded by the reader/viewer. This coding varies depending on the format of the text, the audience and the relationship between text and its context. Video versions of children's stories, may initially appear similar to their printed counterparts, but their meanings are usually significantly different. The reading/ viewing experience of various realisations is, in fact, essentially different although this may not be immediately apparent to the child reader / viewer. -- The profiles of ten children's stories are described in order to …


Psalter Hymnal Handbook, Emily R. Brink, Bert Polman Jan 1998

Psalter Hymnal Handbook, Emily R. Brink, Bert Polman

Faith Alive Publications

Emily R. Brink and Bert Polman, editors.

Based on the 1987 ed. of the Psalter hymnbook.


Un Estudio Comparativo De La Novela Picaresca Espanola Y Su Equivalente Persa, Ramin Ahmad-Panahi Jan 1992

Un Estudio Comparativo De La Novela Picaresca Espanola Y Su Equivalente Persa, Ramin Ahmad-Panahi

Theses : Honours

In 1554, in a dying Medieval Spain a novel was published. The author is still anonymous, and the real reasons for his anonymity are yet to be determined. However, with the birth of this short autobiographical novel an entire literary genre emerged. One question could come to mind when one reads the title of this work, that is: "What do Persian and Spanish literature have in common?" To answer this, and many other similar questions, one must take an in-depth look at the history of both countries. Thus focuses this study in its first chapter. It then continues with the …


Virginia Woolf's Keen Sensitivity To War: It's Roots And It's Impact On Her Novels, Nancy Topping Bazin, Jane Hamovit Lauter Jan 1991

Virginia Woolf's Keen Sensitivity To War: It's Roots And It's Impact On Her Novels, Nancy Topping Bazin, Jane Hamovit Lauter

English Faculty Publications

(First paragraph) War InspIred Horror In Virginia Woolf. Her antipathy toward those who cause wars is evident in her two essays, A Room of One's Own and Three Guineas. The impact of war on her fiction expands from a portrayal of individuals as victims of war to a vision of war that encompasses the possible annihilation of civilization. Between the Acts, Woolf's final novel, is obviously an artistic response to the threat posed by World War II. However, a close examination of her works reveals, to a surprising degree, her early and persistent preoccupation with the consequences of war, …


Victorian Ideology And The Discourse Of Gender In Thomas Hardy's The Woodlanders And The Return Of The Native, Juliana Payne Jan 1991

Victorian Ideology And The Discourse Of Gender In Thomas Hardy's The Woodlanders And The Return Of The Native, Juliana Payne

Theses : Honours

This analysis will focus on the perceived harmony or disjunction between Hardy's representation of women in his fiction, and the middle class ideologies of gender difference and sexuality during what is referred to as the Victorian period, roughly the 1840s to the 1880s. The parameters of the dominant middle class ideology are established, as certain ideas will be held to be predominant or widely accepted at a given time. The aim of this thesis is to ascertain to what extent Hardy subverts the dominant ideology, and how he is involved in contesting the conventional contemporary representations of women. Part of …


Doubling, Splitting And Fragmentation In Bleak House, Mary Cleopatra Lloyd Da Silva Jan 1991

Doubling, Splitting And Fragmentation In Bleak House, Mary Cleopatra Lloyd Da Silva

Theses : Honours

This thesis draws mainly on psychoanalytic theories, and explicates the doubling leitmotiv in Bleak House (1971), which portrays Victorian personality as split and its society as fragmented. This is seen as a suggestion of Dickens' conception of human identity as fragile and vulnerable. Each autonomous character represents a single aspect of personality, so that conflict, when it occurs, is in fact intra-psychic, rather than inter-psychic. The study investigates the problem of the dual or split personality via the quest for identity, and addresses Dickens' perceived need to reward self-effacing characters and punish the assertive. It explores the psychological ramifications of …


Review Of A Critical Edition Of The Legend Of Mary Magdalena From Caxton's Golden Legende Of 1483, Gregory M. Sadlek Jan 1989

Review Of A Critical Edition Of The Legend Of Mary Magdalena From Caxton's Golden Legende Of 1483, Gregory M. Sadlek

English Faculty Publications

No abstract provided.


The Dynamics Of Proximity : Hitchcock's Cinema Of Claustrophobia, Scott Edward Peeler Jan 1988

The Dynamics Of Proximity : Hitchcock's Cinema Of Claustrophobia, Scott Edward Peeler

University of the Pacific Theses and Dissertations

The implication of space in film is worth exploring in detail particularly with regard to the films of Alfred Hitchcock, since he is, perhaps more than any other filmmaker, concerned with the dynamics of proximity. Possibly because of his experience as a set designer on Graham Cutt’s silent films Woman to Woman (1922), The White Shadow (1923), The Passionate Adventure (1924), The Blackguard, and The Prude’s Fall (both 1925), Hitchcock very early in his career was faced with the task of expressing himself - without words - through setting, set shape, and room size. In Francois Truffaut's book, Hitchcock, the …


The Pastoral Tradition In Film, Andrew J. Ford Apr 1985

The Pastoral Tradition In Film, Andrew J. Ford

Honors Theses

The pastoral, whether in painting, music, literature, or film, has always attempted to capture that fleeting moment in history, real or unreal, where man is autonomous. The pastoral life occurs only after man has gained a considerable amount of control over nature and before he has found himself controlled by his fellow man or by those common evils made real and specific by civilization. In other words, the pastoral tries to capture or create that period in history where man has conquered the wilderness in some major way, usually by farming or animal herding, but has not yet become involved …


Peredur To Percival: The Rise And Fall Of The Original Grail Knight, Sandra Eddins Gee Dec 1982

Peredur To Percival: The Rise And Fall Of The Original Grail Knight, Sandra Eddins Gee

Theses & Honors Papers

No abstract provided.


Organ Chorale Forms Of The Baroque Era, Suzanne A. Utley Aug 1982

Organ Chorale Forms Of The Baroque Era, Suzanne A. Utley

Honors Theses

The development of protestant chorales reflected the new goals which the reformation brought to the church service. Martin Luther, a primary leader of the Protestant Reformation, recognized that that goal of the service was to make his revelation of faith understandable to the people of Germany. The church service now became more than a sacramental act of obedience; it was a time for people to willingly proclaim the word of God. Through the singing of the chorale, the congregation took an active part in proclaiming the new faith found in the Reformation.

These sacred songs, composed by Luther and his …