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Full-Text Articles in Arts and Humanities

Freakish, Feathery, And Foreign: Language Of Otherness In The Squire’S Tale, Laurel Meister Jan 2016

Freakish, Feathery, And Foreign: Language Of Otherness In The Squire’S Tale, Laurel Meister

The Expositor: A Journal of Undergraduate Research in the Humanities

No abstract provided.


Chaucer’S Reading List: Sir Thopas, Auchinleck, And Middle English Romances In Translation, Ken Eckert May 2011

Chaucer’S Reading List: Sir Thopas, Auchinleck, And Middle English Romances In Translation, Ken Eckert

UNLV Theses, Dissertations, Professional Papers, and Capstones

Middle English romance has never attained critical respectability, dismissed as ―"vayn carpynge" in its own age and treated as a junk-food form of medieval literature or kidnapped for political or psychoanalytical readings. Chaucer‘s Tale of Sir Thopas has been explained as an acidly sarcastic satire of the romances‘ supposedly clichéd formulas and poetically unskilled authors. Yet such assumptions require investigation of how Chaucer and his ostensible audience might have viewed romance as a genre. Chaucer‘s likely use of the Auchinleck manuscript forms a convenient basis for examination of the romances listed in Thopas. With the aid of a modern translation, …


Shakespeare Adapting Chaucer: “Myn Auctour Shal I Folwen, If I Konne”, Scott A. Hollifield Aug 2010

Shakespeare Adapting Chaucer: “Myn Auctour Shal I Folwen, If I Konne”, Scott A. Hollifield

UNLV Theses, Dissertations, Professional Papers, and Capstones

Geoffrey Chaucer's distinctively English spins on such genres as dream vision, fabliau and Breton lai, as well as his liberal citation of authorities in Troilus and Criseyde, offered early modern English poets the license to mingle sources and authorities within their work, rather than bend their writing to fit the format. Few authors took such productive advantage of Chaucerian permissiveness as William Shakespeare, whose narrative poems defer to Chaucer's distinctively English authority with a regularity comparable to his uses of Homer, Ovid, Virgil and Plutarch. This free-associative approach to auctoritee, the whetstone of the poet-playwright's dramatic imagination, suggests that …


Chaucer's Knight's Tale : A Symbolic Reading, Naomi Pasquine May 1972

Chaucer's Knight's Tale : A Symbolic Reading, Naomi Pasquine

Master's Theses

Chaucer's Knight Tale has called forth much critical comment. Individual lines have been commented upon, characters have been analysed and the resolution of the poem has been discussed. Critics have offered suggestions as to the poem's meaning, but an interpretation that encompasses all aspects of the poem and gives the reader the feeling that all the poetic elements of the poem have been resolved into that interpretation has not been presented. What the reader is looking for is an interpretation that will give the poem what we call today a sense of its own being or an existence of its …


Chaucer's Ecclesiastics In The Canterbury Tales, Helen Lee Coleman Jul 1968

Chaucer's Ecclesiastics In The Canterbury Tales, Helen Lee Coleman

Master's Theses

It is thought that Chaucer began composing The Canterbury Tales as a dramatic whole around 1387. This is his last and by far his best known work. In this final masterpiece Chaucer undertakes the tremendous task of presenting in poetic form a whole society. However, he does not merely explore society in general; he also develops the theme or the individual's relation to the community and the integral part that each person plays in making up the whole. The Canterbury Tales is, as George Lyman Kittredge so aptly puts it, "a micro cosmography" or a little image of a great …


A Comparison Of Two Medieval Story-Tellers : Geoffrey Chaucer And John Gower, Margaret Joan Byerly Jan 1967

A Comparison Of Two Medieval Story-Tellers : Geoffrey Chaucer And John Gower, Margaret Joan Byerly

University of the Pacific Theses and Dissertations

The purpose of this study is to compare the narrative and framing techniques used by Geoffrey Chaucer and John Gower. These authors were selected for several reasons. Being contemporaries, they lived through the days of the reign of Richard II, his deposition, and the accession of Henry IV. This was a time change: the age of chivalry and true knighthood was ending; the middle class was establishing commerce, towns, guilds; openly and violently the peasants were beginning to reject their servile positions; the corruption within the organized church was being publicly exposed, and efforts, believed heretical by some, were being …


The Development Of Twentieth Century Criticisms Of The Canterbury Tales, Donald Keith Gosnell Jan 1967

The Development Of Twentieth Century Criticisms Of The Canterbury Tales, Donald Keith Gosnell

University of the Pacific Theses and Dissertations

It will be the purpose of this thesis to survey and to evaluate twentieth-century criticisms of Chaucer's Canterbury Tales. Because the topic is so broad, it is necessary to find methods of limiting the subject so that it· may be adequately covered herein. This paper will be limited primarily to books published on the topic under consideration. To cover all the work in periodical literature would go beyond the scope of this study. Perhaps that task can be covered by someone else.


A Study Of Chaucer's Influence On English Literature Through Dryden, Elder Blair Apperson Jul 1954

A Study Of Chaucer's Influence On English Literature Through Dryden, Elder Blair Apperson

Master's Theses

Geoffrey Chaucer is one of the greatest poets of our English literature. If Shakespeare stands apart as our greatest, then it is John Milton who must dispute with Chaucer the honor of second place. Milton undoubtedly surpasses Chaucer in the grandeur of his imagination and the sublimity or his poetic style; but "he cannot equal him in the range and variety of his art." On one hand we have Chaucer, the grave and serious poet.always keenly conscious that "our human life is a shifting quicksand of mutability, that lasting happiness can never be our earthly portion;" whereas we have but …