Arts and Humanities Commons^™

The Tragic Mulatta Trope: Complexities Of Representation, Identity, And Existing In The Middle Of The Racial Binary, Madeline Stephens

Chancellor’s Honors Program Projects

No abstract provided.

Queering Dominant Modes Of Writing And Identity Formation In Audre Lorde’S Zami: A New Spelling Of My Name, Charlie Martin

Cultural Studies Capstone Papers

As part of a historical formation of marginalized authors who interrogate dominant modes of writing and identity formation in their work, self-described “Black lesbian mother warrior poet” Audre Lorde remakes and reimagines dominant conventions of identity and literary genres in her novel Zami: A New Spelling of My Name to articulate her unique subjectivity as a Black American lesbian writer. Drawing on the work of scholars and activists in the fields of queer theory and feminism, including Cheryl Wall, Eve Kosofsky Sedgwick, and Audre Lorde herself, Charlie Martin uses textual and contextual analysis to examine the indelible link between Lorde’s …

"Bachelor Buttons": Feminist And Womanist Essays And Poems, Billy E. Clem Jr.

Graduate Research Theses & Dissertations

In this critical and creative dissertation, I sketch a brief study of selected multicultural hybrid texts in contemporary US Anglophone literary studies; discuss their implications for reading, writing, and teaching; and present my own hybrid text.

Second-wave feminist and womanist theories and practices opened literary and cultural studies to new and exciting ideas and methods for reading, teaching, and writing both canonical and non-canonical Anglophone texts. One genre emerging anew by these theories, practices, and practitioners is the literary hybrid text, a multi-genre form composed of a variety of prose genres, poetry, drama, and/or visual imagery. Hybrid texts ask readers …

‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler

Journal of Religion & Film

While contemporary discussions about witchcraft include reinterpretations and feminist reclamations, early modern accusations contained no such complexity. It is this historical witch as misogynist nightmare that the film, The Witch: A New England Folktale (2015), expresses so effectively. Within the film, the very patriarchal structures that decry witchcraft – the Puritan church from which the family exiles itself, the male headship to which the parents so desperately cling, the insistence, in the face of repeated failure, on the viability of the isolated nuclear family unit – are the same structures that inevitably foreclose the options of the lead character, Thomasin.

#Metoo Movement: The New Wave Of Feminism, Jannette Delgado

Sociology Student Work Collection

Every wave of feminism serves a different purpose based on the state of society and how it treats women from all backgrounds. This presentation shares a glimpse on how the socially media-driven #MeToo movement has impacted all social spectrums from Hollywood to the higher courts and why it has remained effective in and outside social media.

Border-Crossing Travels Across Literary Worlds: My Shamanic Conscientization, Scott Neumeister

USF Tampa Graduate Theses and Dissertations

Border-Crossing Travels Across Literary Worlds is an autocritographical journey that places a group of U.S. literary texts into critically conscious dialogue with the “text” of my life. As a white, American, middle-class, cishetero, able-bodied man, I historicize, contextualize, analyze, and deconstruct the process by which my ten years of graduate academic studies at the University of South Florida fostered my ongoing awakening to critical consciousness—the personal and political evolution Paolo Freire terms “conscientization.” I present the analytical insights I realized about landmark feminist and womanist texts I encountered during my graduate studies that resonate with the prominent literary works and …

The Rise And Fall Of Gilmore Girls' Feminist Legacy, Mckenna Ahlgren

Honors Theses

This thesis explores the feminist legacy that the television series Gilmore Girls (2000-2007, 2016) built during its original airtime and how its later revival diminished that legacy. Gilmore Girls’ main characters are three generations of women within the Gilmore family, providing a unique opportunity to analyze their feminist identities and characterizations relative to different iterations of feminism. This paper examines how the youngest Gilmore, Rory, is influenced by her mother’s and grandmother’s embodiments of feminism. Their expressions of femininity and sexuality, their approaches to motherhood, and their behaviors in their romantic relationships throughout the series correlate with the predominate feminism …

Hip-Hop And Poetry: Listen To The Words, Jordan Dingle

Cultural Studies Capstone Papers

Hip-hop is a subculture that has become a major part of popular culture and heavily affects contemporary music, clothing, and media. The subculture initially started as a way for the historically oppressed to voice themselves and have a dialogue for social dilemmas that were relevant to them. Maintaining this voice of authenticity will become more difficult the larger and more commercialized Hip-hop becomes, thus it is important to identify mediums that are being used to express authenticity through discussion of social dilemmas in Hip-hop culture. This project identifies poetry as a medium that is used to display authenticity in Hip-hop …

Hip-Hop's Influence On Stripper Culture: The Era Of Cardi B'S, Taylor Bell

Cultural Studies Capstone Papers

Twenty years ago the terms 'stripper' or 'exotic dancer' would have made heads turn. However, today feminist politics traditional negative stimga on strip culture is being challenged by the presence of the jhip-hop industry within the strip club space. With the emergence of former stripper Cardi B as well as discussions in American politics around former port star Stormy Daniles, it's clear that the way society thinks and interacts with strip culture is evolving away from the stereotypical negative one. 39 pages.

We’Ve Come A Long Way (Baby)! Or Have We? Evolving Intellectual Freedom Issues In The Us And Florida, L. Bryan Cooper, A.D. Beman-Cavallaro

Works of the FIU Libraries

This paper analyzes a shifting landscape of intellectual freedom (IF) in and outside Florida for children, adolescents, teens and adults. National ideals stand in tension with local and state developments, as new threats are visible in historical, legal, and technological context. Examples include doctrinal shifts, legislative bills, electronic surveillance and recent attempts to censor books, classroom texts, and reading lists.

Privacy rights for minors in Florida are increasingly unstable. New assertions of parental rights are part of a larger conservative animus. Proponents of IF can identify a lessening of ideals and standards that began after doctrinal fruition in the 1960s …

"He Didn't Mean It": What Kubrick's, Kelley O'Brien

USF Tampa Graduate Theses and Dissertations

With Second Wave Feminism and the Women’s Rights Movement, 1970’s Americans began to see a shift in gender norms affecting how we relate to one another, particularly within a family structure. Scholars have noted an anxiety permeating the decade over the potential negative ramifications of such a drastic cultural shift. We see these issues of gender politics played out in numerous popular films from the 1970s and into the 1980s. Kubrick’s The Shining, like many horror films of the time, preys upon the societal fear for the family, due to these shifting gender norms, by featuring a crumbling patriarch (Jack), …

Is The Face Of Contemporary Feminism Too Pink And Too White?, Wendy Kozol

Faculty & Staff Scholarship

No abstract provided.

Betty Friedan And Juliet Mitchell: Critiques Of Ideology And Power, Jennie Eagle

Dissertations, Theses, and Capstone Projects

My thesis attends to a common thread of critique in two founding documents of “second-wave” feminism: Betty Friedan’s The Feminine Mystique (1963) and Juliet Mitchell’s “Women: the Longest Revolution.” I am interested in the ways in which both foundational texts de-naturalize male supremacy by defining it as ideological. The concept of ideology as employed by three notable social theorists – Marx’s concept of a social mythology disseminated by ruling elites to uphold various forms of hierarchy, operating through internal contradictions; French communist Louis Althusser’s concept of a social practice disseminated by the institutions of civil society; and Michel Foucault’s identification …

"The Guy With The Problem": Reform Narrative In Disney's Beauty And The Beast, Faith Dickens

The Pegasus Review: UCF Undergraduate Research Journal

When Disney's film Beauty and the Beast was first released in 1991, it was hailed by critics as a departure from the problematic portrayals of women that had plagued the company's previous efforts at converting fairy tales into animated features. Since then, feminist criticism has provided several different interpretations of the film, some of which seek to assign Beauty and the Beast to a specific literary genre. In looking at Disney's film as a literary text, critics such as June Cummins have argued that it most closely resembles a patriarchal classic romance, while others, such as Susan Swan, view it …

Away From The End Of Motherhood: Sites Of Haunting In The Social Imaginary In Lemonade And The Handmaid's Tale, Julia Michele Fleming

Electronic Theses and Dissertations

This thesis analyzes the television series adaptation of The Handmaid's Tale, specifically the episode "A Woman's Place," and Beyoncé's Lemonade: A Visual Album. I argue that these cultural texts leverage representations of women's lived experiences to scrutinize contemporary American anxieties about motherhood and reproductive justice. Lemonade, a celebration of Black womanhood, presents a counterpoint to The Handmaid's Tale's preoccupation with white motherhood in way that speculates on the utopian potentials of a woman-centered society.

Using bell hooks' film analysis, Avery Gordon's "haunting," and Luce Irigaray's "mimicry," I examine two interconnected themes: feminist aesthetics and generational haunting. …

With Great Power: Examining The Representation And Empowerment Of Women In Dc And Marvel Comics, Kylee Kilbourne

Undergraduate Honors Theses

Throughout history, comic books and the media they inspire have reflected modern society as it changes and grows. But women’s roles in comics have often been diminished as they become victims, damsels in distress, and sidekicks. This thesis explores the problems that female characters often face in comic books, but it also shows the positive representation that new creators have introduced over the years. This project is a genealogy, in which the development of the empowered superwoman is traced in modern age comic books. This discussion includes the characters of Kamala Khan, Harley Quinn, Gwen Stacy, and Barbara Gordon and …

Demanding Spaces: 1970s U.S. Women's Novels As Sites Of Struggle, Kate Marantz

Doctoral Dissertations

This dissertation offers a new view of 1970s gender and race politics in the United States by analyzing struggles in and over space in four women’s novels: Joan Didion’s Play It As It Lays (1970), Toni Morrison’s Sula (1973), Alice Walker’s Meridian (1976), and Marilyn French’s The Women’s Room (1977). My project reads space as a dynamic, politically charged realm of interactions between lived bodies, physical landscapes, and imaginative territories—including the formal characteristics of fiction. Using this critical lens, I highlight how these authors interrogate conditions of sexism and racism by representing their characters making and responding to “demands” for …

“No But”—Understanding Sally Jenkins’ Friction With Feminism, Steven Master, Taylor Joy Mitchell

Publications

In a conversation years ago with the late, legendary college basketball coach Pat Summitt, Washington Post sports columnist Sally Jenkins asked Summitt if she was a feminist (“To ‘Sum It Up”’). It seemed an odd question, considering Summitt’s unparalleled role in the rise of women’s athletics. Yet, for sports journalism scholars, Jenkins’ question was compelling for another reason. What if Summitt had responded by asking, “Are you?” Much like Summitt, Jenkins has achieved success in an overwhelmingly male-dominated profession, and she has moved the needle forward for women in sports and, by extension, for women in general. Her visibility allows …

Reimagining African Authenticity Through Adichie's Imitation Motif, Ivette Rodriguez

FIU Electronic Theses and Dissertations

In An Image of Africa, Chinua Achebe indicts Conrad’s Heart of Darkness for exemplifying the kind of purist rhetoric that has long benefited Western ontology while propagating reductive renderings of African experience. Edward Said refers to this dynamic as the way in which societies define themselves contextually against an imagined Other. Chimamanda Ngozi Adichie’s fiction exposes how, by occupying cultural dominance, Western, white male values are normalized as universal. Nevertheless, these values are de-naturalized by their inconsistencies in the lived experiences of Adichie’s black, African women. Women who are at once aware of and participant in, the pretentions that underlie …

Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths

Dissertations, Theses, and Capstone Projects

Bricolage Propriety: The Queer Practice of Black Uplift, 1890-1905 situates the queer-of-color cultural imaginary in a relatively small nodal point: the United States at the end of the nineteenth century. Through literary analysis and archival research on leading and marginal figures of Post-Reconstruction African American culture, this dissertation considers the progenitorial relationship of late-nineteenth century black uplift novels to modern-day queer theory. Bricolage Propriety builds on work about the sexual politics of early African American literature begun by women-of-color feminists of the late 1980s and early 1990s, including Hazel V. Carby, Ann duCille, and Claudia Tate. A new wave of …

Not So Revisionary: The Regressive Treatment Of Gender In Alan Moore's Watchmen, Anna C. Marshall

The Downtown Review

While Alan Moore’s comic book Watchmen is often hailed as a revisionary text for introducing flawed superheroes and political anxiety to the genre, it is also remarkably regressive in its treatment of gender. Some critics do argue that women are given a newfound voice in Watchmen, but this interpretation neglects to examine character Laurie Jupiter adequately, or the ways in which other female characters' appearance and dialogue are limited and/or based on their sexuality and relationships with male characters. Watchmen's main female characters, mother and daughter Sally and Laurie Jupiter, lack autonomy and their identities are completely intertwined …

Reimagining Movements: Towards A Queer Ecology And Trans/Black Feminism, Gabriel Benavente

FIU Electronic Theses and Dissertations

This thesis seeks to bridge feminist and environmental justice movements through the literature of black women writers. These writers create an archive that contribute towards the liberation of queer, black, and transgender peoples.

In the novel Parable of the Talents, Octavia Butler constructs a world that highlights the pervasive effects of climate change. As climate change expedites poverty, Americans begin to blame others, such as queer people, for the destruction of their country. Butler depicts the dangers of fundamentalism as a response to climate change, highlighting an imperative for a movement that does not romanticize the environment as heteronormative, but …

The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers

Electronic Theses and Dissertations

With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. Placing Parton’s actions in conversation with music’s …

Gender Revolution Of The Jazz Age: The Source Of Disillusionment In The Works Of F. Scott Fitzgerald And Ernest Hemingway, Mary Killeen

All Master's Theses

The Lost Generation was forced to develop their own principles regarding gender identity in an environment of ever-shifting cultural norms, which called into question all of their predetermined ideas on femininity, masculinity, and the ways in which members of the opposite sex should interact with one another. Although much of their writing is set amid and seems to embrace the evolving social culture of the early twentieth-century, F. Scott Fitzgerald and Ernest Hemingway largely criticize the gender revolution of the 1920s and blame evolving gender roles for the collapse of their generation. Nevertheless, I argue that Fitzgerald’s and Hemingway’s cultural …

The Road Trip As Artistic Formation In Defeo's Work, Frida Forsgren

CLCWeb: Comparative Literature and Culture

In her article "The Road Trip as Artistic Formation in DeFeo's Work" Frida Forsgren discusses previously unpublished photographic material documenting Jay DeFeo's road trip in Europe and North Africa in the 1950s. Forsgren argues that the Beat road trip is by no means an exclusively masculine enterprise and quest: DeFeo's journey helped open the door to her emancipation as a female artist and propelled her artistic development. Moreover, the global experience represented by the trip helped shape her local Beat milieu upon her return to San Francisco. While European, Medieval, Italian Renaissance, and Hebrew influences in DeFeo's oeuvre have been …

Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay

CLCWeb: Comparative Literature and Culture

In her article "Politics of Feminist Revision in di Prima's Loba" Polina Mackay explores Diane di Prima's two-volume epic Loba (1998) and, through a comparison of di Prima to the work of Adrienne Rich, argues that Loba practices a politics of feminist revision. Further, Mackay examines the ways in which di Prima starts to move away from the recovery project of female voices in patriarchal culture, associated with late twentieth-century Feminism, towards a women's literature which need not be defined entirely through its resistance to patriarchal narratives of gender in men's literature. Here it focuses on di Prima's revisionist …

Lin-Manuel Meets Moana, Daniel Pollack-Pelzner

Faculty Publications

In this article originally published in Public Books, Daniel Pollack-Pelzner wonders whether a Disney musical and a Lin-Manuel Miranda musical want the same thing.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Abdurraqib, Samaa, Iris Sangiovanni, Samar Ahmed

Querying the Past: LGBTQ Maine Oral History Project Collection

Samaa Abdurraqib is a Black, queer, Muslim woman living in Portland, Maine. Abdurraqib was raised in Columbus, Ohio. She attend the University of Ohio, and later the University of Wisconsin-Madison, where she received a PhD in English Literature. After graduating she worked as a visiting professor at Bowdoin College in Brunswick, Maine. Next she went on to work the American Civil Liberties Union in Maine as a reproductive rights organizer. She now works for the Maine Coalition to End Domestic Violence. Her advocacy and organizing work has included places such as Sexual Assault Response Services of Southern Maine, …

Knitting Rebellion: Elizabeth Zimmermann, Identity, And Craftsmanship In Post War America, Maureen Lilly Marsh

Open Access Dissertations

At mid 20th century, hand knitting in the United States was practiced as a minor and fading chore of the domestic economy, with decreasing pattern publications in national women’s magazines, and the demise of Vogue Knitting Book by the late nineteen-sixties. By 1990, it had rebounded into major new publications in periodicals and books, new and revived artisanship practices, gallery exhibitions and major international conferences and gatherings. A driving figure in this resurgence was the knitter, writer, teacher, designer, and publisher Elizabeth Zimmermann. With her initial publication in 1955 up to her retirement in 1989, Elizabeth’s philosophy of knitting stressed …