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Full-Text Articles in Arts and Humanities

Embodied Memories, Emotional Geographies: Nakamoto Takako's Diary Of The Anpo Struggle, Vera Mackie Dec 2015

Embodied Memories, Emotional Geographies: Nakamoto Takako's Diary Of The Anpo Struggle, Vera Mackie

Vera Mackie

In this article I carry out a close reading of Nakamoto Takako's book, My Diary of the Anpo Struggle (1963). Nakamoto was a writer and activist who was active in leftwing politics, the labour movement and the proletarian literature movement in the 1920s and 1930s and returned to the movement after 1945. Her published diary recounts her participation in the struggle against the renewal of the US-Japan Security Treaty and her other political activities. The book is a mixture of personal memory and political history and provides us with a distinctive ‘map’ of one person's emotional geography of Tokyo.


Embodied Memories, Emotional Geographies: Nakamoto Takako's Diary Of The Anpo Struggle, Vera Mackie Dec 2015

Embodied Memories, Emotional Geographies: Nakamoto Takako's Diary Of The Anpo Struggle, Vera Mackie

Vera Mackie

In this article I carry out a close reading of Nakamoto Takako's book, My Diary of the Anpo Struggle (1963). Nakamoto was a writer and activist who was active in leftwing politics, the labour movement and the proletarian literature movement in the 1920s and 1930s and returned to the movement after 1945. Her published diary recounts her participation in the struggle against the renewal of the US-Japan Security Treaty and her other political activities. The book is a mixture of personal memory and political history and provides us with a distinctive ‘map’ of one person's emotional geography of Tokyo.


Swells Of Enchantment, Agnieszka Golda, Martin V. Johnson Feb 2015

Swells Of Enchantment, Agnieszka Golda, Martin V. Johnson

Agnieszka Golda

Through a collaborative mixed-media installation, Golda and Johnson activate a critical space about the ways in which migrant and non-migrant artists can address the entanglement between the felt and socio-political dimensions of migratory and intercultural living in Australia.


Re-Presenting Urban Aboriginal Identities: Self-Representation In "Children Of The Sun", Colleen Mcgloin, Bronwyn Lumby Sep 2014

Re-Presenting Urban Aboriginal Identities: Self-Representation In "Children Of The Sun", Colleen Mcgloin, Bronwyn Lumby

Colleen McGloin

Teaching Aboriginal Studies to a diverse student cohort presents challenges in the pursuit of developing a critical pedagogy. In this paper, we present Children of the Sun, a local film made by Indigenous Youth in the Illawarra region south of Sydney, New South Wales. We outline the film's genesis and its utilisation in our praxis. The film is a useful resource in the teaching of urban Aboriginal identity to primarily non-Indigenous students in the discipline of Aboriginal Studies. It contributes to the development of critical thinking, and our own critical practice as educators and offers a starting point to address …


Moving Beyond Rights-Based Management: A Transparent Approach To Distributing The Conservation Burden And Benefit In Tuna Fisheries, Quentin A. Hanich, Yoshitaka Ota Apr 2014

Moving Beyond Rights-Based Management: A Transparent Approach To Distributing The Conservation Burden And Benefit In Tuna Fisheries, Quentin A. Hanich, Yoshitaka Ota

Quentin Hanich

Determining the distribution of the conservation burden and benefit is a critical challenge to the conservation and management of trans-boundary fish stocks. Given current levels of overfishing and overcapacity in many trans-boundary fisheries, some or all participating States must necessarily reach a compromise with regard to their interests and carry some share of the conservation burden. This article proposes a new approach to distributing the conservation burden and benefit in trans-boundary fisheries, and explores this approach in the world's largest tuna fishery: the tropical tuna fisheries of the western and central Pacific. Such an approach would enable Regional Fisheries Management …


Haunting National Boundaries: Lbgti Asylum Seekers, Nan Seuffert Jan 2014

Haunting National Boundaries: Lbgti Asylum Seekers, Nan Seuffert

Faculty of Law, Humanities and the Arts - Papers (Archive)

Two areas of scholarship on asylum seekers and detention camps rarely consider the position of LBGTI asylum seekers: the first is legal scholarship on asylum seeker non-entr e regime policies of 'excision' and 'exile', and the second is scholarship theorising the 'bare life', or lack of political and legal rights, and related issues encountered by asylum seekers at the boundary of the nation. This article contributes to and extends these bodies of scholarship by reading LBGTI asylum seekers into Australia's recent asylum seeker non-entr e polices of 'excision' and 'exile'. Using scholarship and reports produced internationally, it raises issues for …


Wittgenstein And Stage-Setting: Being Brought Into The Space Of Reasons, David Simpson Jan 2014

Wittgenstein And Stage-Setting: Being Brought Into The Space Of Reasons, David Simpson

Faculty of Law, Humanities and the Arts - Papers (Archive)

Wittgenstein constantly invokes teaching, training and learning in his later work. It is there- fore interesting to consider what role these notions play for him there. I argue that their use is central to Wittgenstein’s attempt to refute cognitivist assumptions, and to show how norma- tive practices can be understood without the threat of circularity, grounded not in a kind of seeing, but in doing, and the natural reactions of an organism. This can generate a worry that Wittgenstein’s position is quietist and anti-critical: critique, as a challenge to the taken- for-granted grammar of our language game, is technically meaningless. …


Philippine Territorial Boundaries: Internal Tensions, Colonial Baggage, Ambivalent Conformity, Lowell Bautista Nov 2013

Philippine Territorial Boundaries: Internal Tensions, Colonial Baggage, Ambivalent Conformity, Lowell Bautista

Lowell Bautista

The territorial boundaries of the Philippines, inherited from Spain and the United States in 1898, are disputed in international law. The boundaries of the Philippines are not recognised by the international community for two principal reasons: first, because of the fundamental position of the Philippines that the limits of its national territory are the boundaries laid down in the 1898 Treaty of Paris which ceded the Philippines from Spain to the United States; and second, is its claim that all the waters embraced within these imaginary lines are its territorial waters. The Philippine Government is not unaware of these issues …


Oral History And The Radio Documentary/Feature: Introducing The 'Cohrd' Form, Siobhan A. Mchugh Jul 2013

Oral History And The Radio Documentary/Feature: Introducing The 'Cohrd' Form, Siobhan A. Mchugh

Siobhan McHugh

In an era when audio is increasingly associated with three-minute digital storytelling, the use of crafted oral history in long-form radio narratives deserves to be recognized as a specific genre: the ‘COHRD’ (Crafted Oral History Radio Documentary), a blend of oral history, art and radio journalism. The author, a long-term practitioner of both disciplines, compares the theory and practice of oral history interviewing and the narrative concerns of the radio documentary/feature producer. The article considers how oral history may be enhanced by imaginative treatment and careful crafting, to yield a hybrid COHRD form. This combines the creative scope of the …


Staging Patti Smith: (Un)Reliable Stories, Identity, And The Audience-Text-Reader Relationship, Catherine Mckinnon Jul 2013

Staging Patti Smith: (Un)Reliable Stories, Identity, And The Audience-Text-Reader Relationship, Catherine Mckinnon

Catherine M McKinnon

Humans are the only animals that use stories to help make sense of the world. Shlomith Rimmon-Kenan argues that ‘we lead our lives as stories, and our identity is constructed both by the stories we tell ourselves and others about ourselves and by the master narratives that consciously or unconsciously serve as models for ours’ (2002:11). An inquiry into how humans construct stories is also an inquiry into reliable and unreliable narration, into identity, and into the relationship between author, text and reader. It goes to the root of what it means to be human. In this paper these three …


'Is A True Story Always True?' : An Approach To Fictionalizing Matthew Flinders' Narrative Of Tom Thumb's Cruize To Canoe Rivulet, Catherine Mckinnon Jul 2013

'Is A True Story Always True?' : An Approach To Fictionalizing Matthew Flinders' Narrative Of Tom Thumb's Cruize To Canoe Rivulet, Catherine Mckinnon

Catherine M McKinnon

First-person narrations of historical events are powerful. Yet readers, gripped by the story, often neglect to question the narrative form. What strategies guided their progression through the story? Were those strategies employed to shape their judgments about the people and events portrayed? One of the tales in the creative component of my recently completed practice-led PhD was based on Matthew Flinders’ Narrative of Tom Thumb’s cruize to Canoe Rivulet (Flinders 1985): a first-person account of the exploration trip Flinders, George Bass, and Bass’s servant, William Martin, took along the south coast of New South Wales. I was writing a fictional …


Hurt, Catherine Mckinnon Jul 2013

Hurt, Catherine Mckinnon

Catherine M McKinnon

Hurt from The Hurt Trilogy The modern world is full of new technologies, fast cars, fast foods, fast internet speeds but does our focus on the politics of the now means we lose the opportunity to set current dilemmas against more philosophical questions about what it means to be human? The Hurt Trilogy project queries whether our moral choices are important or whether we our lives are simply accidents being played out? Each of the plays examines whether, when faced with death—our own or the death of someone we love— ‘truths’ about our actions can be grasped? And more broadly, …


Dramaturgy For My Darling Patricia Production "Africa.", Christopher M. Ryan Jul 2013

Dramaturgy For My Darling Patricia Production "Africa.", Christopher M. Ryan

Christopher Ryan

Africa from My Darling Patricia, a company renowned for their unique approach to design and performance. Africa is a work for adults told from the perspective of children The following link is a description of the production in which Christopher Ryan participated as Dramaturgist http://www.mydarlingpatricia.com/2010/africa/


'They Don’T Flinch’: Creative Writing/Critical Theory, Pedagogy/Students, Joshua M. Lobb Jul 2013

'They Don’T Flinch’: Creative Writing/Critical Theory, Pedagogy/Students, Joshua M. Lobb

Joshua Lobb

In Creative Writing and the New Humanities, Paul Dawson declared that “Creative Writing needs to answer the critique of authorship and of the category of literature offered by Theory” and that central to discussion is the question “how do writing programmes negotiate the insights of contemporary theory, and the critique of literature which these offer?” (2005, 161). In the late 1990s, the rhetoric of Creative Writing academics certainly reflected this challenge. Jen Webb proposed that “one of the skills writing students need is an understanding of the politics of identity and representation” (2000); Kevin Brophy agreed, declaring that Creative Writing …


Sweat, Perfume And Tobacco: The Ambivalent Labor Of The Dancehall Girl, Vera C. Mackie Jul 2013

Sweat, Perfume And Tobacco: The Ambivalent Labor Of The Dancehall Girl, Vera C. Mackie

Vera Mackie

In his 1931 novella Dancers and Drawers (Dansii to zurosu), Tada Michio describes an enchanting figure, a dancehall girl on the streets of Tokyo: "With a cheeky bob and slim legs. With stockings of a color that matches her skin so well she looks like she's not wearing any. Her shoes are patent leather with high heels. Her gaudy salmon pink dress flutters in the wind as she steps along the pavement" (Tada 1931: 1).


Death Of The “Legendary Okama" Togo Ken: Challenging Commonsense Lifestyles In Postwar Japan, Mark J. Mclelland Jul 2013

Death Of The “Legendary Okama" Togo Ken: Challenging Commonsense Lifestyles In Postwar Japan, Mark J. Mclelland

Mark McLelland

“What’s wrong with being a fag? What’s shameful about being a fag? Why is it wrong for a man to love a man? Why is it wrong for a woman to love a woman? What is shameful is living a lie. What is shameful is not loving others.” Tōgō Ken campaign slogan.


Australia's "Child Abuse Material' Legislation, Internet Regulation And The Juridification Of The Imagination, Mark J. Mclelland Jul 2013

Australia's "Child Abuse Material' Legislation, Internet Regulation And The Juridification Of The Imagination, Mark J. Mclelland

Mark McLelland

This article investigates the implications of Australia’s prohibition of ‘child-abuse material’ (including cartoons, animation, drawings and text) for Australian fan communities of animation, comics and gaming (ACG) and slash fiction. It is argued that current legislation is out of synch with the new communicative environment brought about by the internet since a large portion of the fans producing and trading in these images are themselves minors and young people. Habermas’s analysis of the conflict between instrumental and communicative rationality is deployed to demonstrate that legislators have misrecognized the nature of the communicative practices that take place within the ‘lifeworlds’ of …


The 'Afghan Girls': Media Representations And Frames Of War, Vera Mackie Jul 2013

The 'Afghan Girls': Media Representations And Frames Of War, Vera Mackie

Vera Mackie

In this article, I survey almost a decade of visual representations of Afghan women, which have emanated from first world media organizations and have circulated in transnational media space. Only one of the photographs is explicitly linked with a political discussion. However, all of the photographs contribute to a set of possible statements about veiling and unveiling. Through discourse analysis informed by a genealogical approach, I demonstrate how these photographs contribute to the constitution of a set of power relations whereby the United States and its Allies have sovereignty and where it seems 'natural' that these sovereign nations can intervene …


Envisioning The Shôjo Aesthetic In Miyazawa Kenji's 'The Twin Stars' And 'Night Of The Milky Way Railway', Helen Kilpatrick Jul 2013

Envisioning The Shôjo Aesthetic In Miyazawa Kenji's 'The Twin Stars' And 'Night Of The Milky Way Railway', Helen Kilpatrick

Helen Kilpatrick

Despite an ever-growing body of scholarship on the shôjo (girl) in manga and anime, little has been written about representations of the ‘girl’ in Japanese picture books. Shôjo literature and culture have grown exponentially in Japan since about the 1980s, but there has been a tendency in popular media to overemphasise the 'cute', disempowering aspects of the ‘girl’. By using Takahara Eiri's (1999) concept of “girl consciousness” and Honda Masuko's (1992) envisioning of the girl’s imagined freedom through a hirahira (fluttering) aesthetic, notions of the powerless or mindlessly consuming shôjo can be dispelled. Such concepts help demonstrate that the girl …


A Hangover And A One-Night Stand: Alcohol And Risky Sexual Behaviour Among Female Students At An Australian University, Heidi Gilchrist, Kylie Smith, Christopher A. Magee, Sandra Jones Jun 2013

A Hangover And A One-Night Stand: Alcohol And Risky Sexual Behaviour Among Female Students At An Australian University, Heidi Gilchrist, Kylie Smith, Christopher A. Magee, Sandra Jones

Sandra Jones

There is a growing body of research in Australia exploring the alcohol consumption behaviours of young people and the attendant health and social risks associated with excessive use of alcohol (Chikritzhs et al. 2003; Mancina-Pena & Tyson 2007). A number of studies from countries such as the United States and New Zealand indicate that university students tend to drink at riskier levels than the broader population (see for example Wechsler et al. 1994; Kypri, Stephenson & Langley 2005; Wechsler & Nelson 2008). Data from Australia are limited, although the few studies that have been conducted suggest that Australian university students …


Contemporary Art, Craft And The Audience Management Report, Jennie A. Lawson Jun 2013

Contemporary Art, Craft And The Audience Management Report, Jennie A. Lawson

Amanda Lawson

No abstract provided.


Delivering Design: Testing A New Model For Developing Regional Audiences For Touring Exhibitions And Design Projects, Jennie A. Lawson, Lisa Cahill Jun 2013

Delivering Design: Testing A New Model For Developing Regional Audiences For Touring Exhibitions And Design Projects, Jennie A. Lawson, Lisa Cahill

Amanda Lawson

Object: Australian Design Centre (Object) partnered with the Western Plains Cultural Centre (WPCC) and the University of Wollongong (UOW) to undertake a research project to examine the relationship between the touring organisation and the host venue and how strengthening that relationship may lead to increased engagement with regional audiences.


Policing And The Responsibility To Protect In Oceania: A Preliminary Survey Of Policing Aid Programs In The 'Arc Of Responsibility', Charles M. Hawksley Apr 2013

Policing And The Responsibility To Protect In Oceania: A Preliminary Survey Of Policing Aid Programs In The 'Arc Of Responsibility', Charles M. Hawksley

Charles M Hawksley

This paper presents preliminary research about the donor aid programs that contribute to police-building in the `Arc of Responsibility' in the Pacific and Australia's `near-abroad'. It focuses on the capacity building projects that exist in Timor Leste and Solomon Islands with respect to police training. The two cases represent examples of exogenous state-building, situations in which the form and function of the state is to a great extent being dictated by outside actors. The international community provides different forms of assistance toward strengthening state capacity in the policing sector and this paper explores how police training programs and the deployment …


Contemporary Korean Cinema: Challenges And The Transformation Of ‘Planet Hallyuwood’, Brian Yecies, Ae-Gyung Shim Feb 2013

Contemporary Korean Cinema: Challenges And The Transformation Of ‘Planet Hallyuwood’, Brian Yecies, Ae-Gyung Shim

Dr Brian Yecies

This article examines how the South Korean cinema has undergone a transformation from an ‘antiquated cottage industry’ in the 1980s into a thriving international cinema – albeit with a host of new challenges and tensions – in the ‘post-boom’ years of the 2000s right up to the present. Its analysis of film culture in the 1980s sets the stage for the Korean cinema’s transnational development over the last decade, and points to a longer historical continuum involving the ‘re-emergence’ in the 1980s of a ‘cinema of quality’ that was marked by widespread critical acclaim. Additionally, this article canvasses the key …


Contemporary Korean Cinema: Challenges And The Transformation Of ‘Planet Hallyuwood’, Brian Yecies, Ae-Gyung Shim Feb 2013

Contemporary Korean Cinema: Challenges And The Transformation Of ‘Planet Hallyuwood’, Brian Yecies, Ae-Gyung Shim

Dr Brian Yecies

This article examines how the South Korean cinema has undergone a transformation from an ‘antiquated cottage industry’ in the 1980s into a thriving international cinema – albeit with a host of new challenges and tensions – in the ‘post-boom’ years of the 2000s right up to the present. Its analysis of film culture in the 1980s sets the stage for the Korean cinema’s transnational development over the last decade, and points to a longer historical continuum involving the ‘re-emergence’ in the 1980s of a ‘cinema of quality’ that was marked by widespread critical acclaim. Additionally, this article canvasses the key …


The Extraordinary In The Ordinary: Kate Llewellyn's Self Portrait Of A Lemon, Anne A. Collett Jan 2013

The Extraordinary In The Ordinary: Kate Llewellyn's Self Portrait Of A Lemon, Anne A. Collett

Anne Collett

This essay is an examination of the place and meaning of the lemon in particular, and food in general, in the poetry and prose of popular Australian author Kate Llewellyn. It focuses on the relationship between food, memory and self-portraiture


Nam June Paik, Cybernetics And Machines At Play, Susan (Su) Ballard Jan 2013

Nam June Paik, Cybernetics And Machines At Play, Susan (Su) Ballard

Faculty of Law, Humanities and the Arts - Papers (Archive)

Nam June Paik’s playful, imperfect and often ambiguous use of cybernetics has left an important legacy for contemporary media art. Paik’s works demonstrate that it is essential to temper aesthetics with ethics in order to question the utopian dreams of the very materials electronic artists work with. Paik’s works also suggest a new way to think about the machine in art. This paper focuses on the impacts of communication and control in the machine (and subsequently the network) in Paik’s Robot K- 456 and suggests a reconceptualization of Paik’s cybernetic machine as a machinic process enmeshed in communication systems.


Intimate Disavowal: Turning Away From Technological Media Art, Brogan Bunt Jan 2013

Intimate Disavowal: Turning Away From Technological Media Art, Brogan Bunt

Faculty of Law, Humanities and the Arts - Papers (Archive)

This paper describes a personal turn away from technological media art towards modes of practice that involve walking based interaction with the local environment. However, rather than stressing areas of difference, I consider points of unexpected continuity. The key association hinges on a common concern with dimensions of mediation. Within this context, I argue for a broader conception of mediation that is not restricted to technological media, but that can also incorporate our complex relation to aspects of lived immediacy.


Discoursing Love: The Classroom. A Fictional Response To Roland Barthes, Shady Cosgrove Jan 2013

Discoursing Love: The Classroom. A Fictional Response To Roland Barthes, Shady Cosgrove

Faculty of Law, Humanities and the Arts - Papers (Archive)

‘Discoursing Love: The Classroom’ offers a series of microfictions written in response to Roland Barthes’ A Lover’s Discourse Fragments (1978 [2002]). In A Lover’s Discourse Barthes seeks to ‘stage an utterance, not an analysis ... confronting the other (the loved object) who does not speak’ (3). Likewise I have written short pieces—outbursts, ripostes, manoeuvres—each less than six hundred words and connected by meditations on love as experienced by a fictional teacher towards a student. Questions include: How does love confront us? How does the emotional complexity of love, and of the loved Other, find voice in language? And how might …


Chinese Second Language Teacher Education And Teacher Self-Development, Xiaoping Gao Jan 2013

Chinese Second Language Teacher Education And Teacher Self-Development, Xiaoping Gao

Faculty of Law, Humanities and the Arts - Papers (Archive)

This paper addresses three key components in Chinese Second Language Teacher Education: the history, development and objectives of the field, the curricula of teacher education, and student teachers' self -reflection in teaching practices and its role in teacher self -development. Given the changes in the objectives and contexts of teaching Chinese as a second language. it emphasizes that student teachers' self - reflection in supervised teaching practice is central to realize teachers' self -development and to meet the requirement of International Standards for Chinese Language Teacher.