Arts and Humanities Commons^™

Performance, Representation, Reception, And The Lost Cause: Re-Framing The History Of Confederate Monuments Through Embodied Assemblies, Joshua Adam Rutherford

Theses and Dissertations

Discussion of Confederate monuments has been invigorated in academic, social, and political debates during the twenty-first century. As these monuments became entangled with police brutality following the George Floyd protests, scholars have tried to understand how this history connects with the systemic injustices faced by black Americans. Because financial inequities limited the ability of black Americans to erect monuments and photograph demonstrations during Reconstruction the archive is riddled with gaps in representation, which I close by following Diana Taylor’s suggestion that we turn to the “repertoire” of performance. My thesis turns away the monuments themselves by investigating the forms of …