Arts and Humanities Commons^™

Beyond Their Smiling Faces: Reconstructing The Remojadas Ritual And Culture Through The Sonrientes Figurines From The Mpm Collection, Abigail Munoz

Theses and Dissertations

Sonrientes (Smiling Faces) scholarship has waned after a brief period of archaeological interest in the mid to late 20th century by both Spanish and English language scholars. Since then, brief attention to these figurines in the Remojadas style, or similar, has been given when discussing the Classic Period on the Gulf Coast and few direct studies on their interpretation or reinterpretation have been given within the last few years. The present study attempts to contribute my own interpretation of these Remojadas-style figurines and answer five major questions driving my research: What kind of rituals did Remojadas or other people carry …

The Re-Emergence Of American Pastels, Mary Beth Drabiszczak

Theses and Dissertations

This thesis examines the production, exhibition, and reception of American pastels as both a process and product in conjunction with artist groups, societies, and institutions. The growing field of illustration influenced pastelists to produce work for print reproductions through commercial publications and advertisements. Despite this, a shift back to the fine arts developed later in the twentieth century with the rise of television and digital media, reducing the need for hand-illustrated ads. While pastel has been historically marginalized as a secondary medium reserved for preliminary work or sketching, recent scholarship by technical art historians like Thea Burns and Marjorie Shelly …

The Unusual Prominence Of The Burial Shroud In The Deponitur Christi Corpus E Curce From The Adnotationes Et Meditationes In Evangelia, Valerie Vespalec

Theses and Dissertations

In this thesis, I analyze the iconography and the accompanied text of Hieronymus Wiericx’s Deponitur Christi corpus e cruce (Christ’s body is taken down from the cross; Image 132, Chapter 105; hereafter referred to as the Deposition) from Adnotationes et meditationes in Evangelia (Annotations and Meditations on the Gospels; hereafter referred to as Adnotationes et meditationes) by Jerome Nadal, originally published in 1595. I examine the unusual prominence of the burial shroud depicted behind Christ whereas in previous sixteenth-century deposition imagery, the burial shroud was either omitted or not given such prominence. Scholars in recent decades have devoted significant attention …

Negotiating Authenticity: Reproducing The Past For The Present, David Symanzik-Stock

Theses and Dissertations

Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition considers the complex relationships between "original” artifacts and their reproductions, which historically has been the focus of scholarly debate. Walter Benjamin, in his 1936 essay The Work of Art in the Age of Technological Reproduction, highlights the intrinsic questions posed of this relationship – when an original work of art (or object) is reproduced, what relationship does both the reproduction and its model (the original) have with …

Body Bound, Rachel Allison

Theses and Dissertations

Body Bound is an exhibition catalog that corresponds to an exhibition of objects on display in the Emile Mathis Gallery that opened on February 23, 2023. The Exhibition traces the historically grounded and long-standing tradition of using bodily material as the basis for bookmaking. This practice has not subsided entirely in its traditional form but has also branched off and informed contemporary book-making practices. Contemporary books, specifically artist books, are a part of a longer history of using and presenting bodies with books. This exhibition includes historical books and contemporary artist books from the UWM special collections as well as …

Aestheticization As A Type Of Erasure: An Ecocritical Examination Of Three Etchings From James Mcneill Whistler's 'Thames Set' (1859-1871), Sydney Ion

Theses and Dissertations

This thesis explores “A Series of Sixteen Etchings of Scenes on the Thames” (1859-1871), Thames Set, by James Abbott McNeill Whistler (1834-1903), a group of etchings that negotiates the effects of the “Great Stink” on the Thames riverbank and its people. I argue that the series exhibits a strange paradox: the intentional exclusion of accurate environmental elements and sensorial details to achieve a romanticized nostalgic framework that serves Whistler’s aesthetic ideals. This aestheticization of the environmental crisis is the foundation from which Whistler’s modernization grew. Recent research has understood the Thames Set as evidence of Whistler’s involvement in depicting lower-class …

Fortis Femina: Artemisia Gentileschi’S Treatment Of Cleopatra And Seventeenth-Century Italian Art, Rachel Shermock

Theses and Dissertations

Cleopatra is a historical figure with mythical fame; she has captivated the attention of artists over centuries and millennia. Two common themes of the myriad portrayals of her infamously purported death by asp are her sexualized figure and the masculine identities of the majority of artists. But, what about female artists? How did they depict Cleopatra? Did they similarly sexualize her figure? This paper seeks to partially address these previously little-answered questions by using the representative example of Artemisia Gentileschi’s ca. 1635 Cleopatra painting, which has not been as thoroughly examined as many of her other works featuring heroic or …

Function And Aesthetic Value: An Analysis Of The Milwaukee Public Museum's Thai Royal Silver Collection, Aislinn Sanders

Theses and Dissertations

This thesis analyzes 45 objects from the Thai Royal Silver collection currently housed at the Milwaukee Public Museum (MPM). Of these, 41 were donated by a single donor, Dr. Louis Schapiro, who collected the objects during his time working as Medical Advisor for the King of Siam in 1931-1932. Following his death, his son Mark held onto the objects until 1969, when they became a part of the MPM’s collection. The chosen objects include boxes, bowls, and other types of vessels. Through researching this collection, the following questions guided the direction for this thesis: How did the silver industry begin …

Off The Press: Exploring Reproducible War Art, Emily Rose Hankins

Theses and Dissertations

Aspects of modernity, such as the news cycle and ever-changing technologies, have played large roles in the construction of the history of wars through the power of reproducible war art imagery as seen in various public spheres and contexts. These include engravings and photographs of the war in news publications, propaganda posters promoting patriotism, protest posters pleading for peace, and prints and books made by artists for display in galleries. The inundation of these images become ubiquitous with the conflict, and the artists who have a hand in creating these images also have the power to construct and reconstruct histories, …

Subverting The Selfie: Analysis Of Cindy Sherman’S Instagram Photos And Untitled Film Stills, Katrina M. Russell

Theses and Dissertations

As a prominent artist of self-portraiture, Cindy Sherman has been captivating audiences and scholars for decades. Recently, some media outlets have begun generalizing all of Sherman's work under the selfie concept using her dual role as model and photographer as the defining factor along with her recent activity on Instagram. In this paper, I argue that characterizing all of Sherman's work as selfies is problematic and inaccurate while illustrating similar themes present in her early Untitled Film Stills series and more recent Instagram photos. First, I start by outlining the fundamental criteria for characterizing a photo as a selfie using …

The Interdisciplinary Work Of Senga Nengudi: How Abjection In Art Can Lead To Greater Deai In Exhibition Spaces By Danielle Lynne Paswaters, Danielle Lynne Paswaters

Theses and Dissertations

Diversity, Equity, Accessibility and Inclusion (DEAI) have become popular topics in today’s increasingly divisive and political climate. This thesis investigates how the abject in art challenges social structures and institutional norms through an analysis of the interdisciplinary work of Senga Nengudi. While this conversation has been started by Leticia Alvarado regarding the work of Ana Mendieta, there is no scholarship on the more specific ways that Nengudi’s work employs the concept of Blackness itself as abject. This gap in literature is not only a disservice to the work of Nengudi, but also to scholars and institutions that aim to understand …

Investigating Provenance And Authenticity Using Icp-Ms In The University Of Wisconsin-Milwaukee Art Collection: A Case Study Of Luristan Bronzes, Hannah Rillie

Theses and Dissertations

The University of Wisconsin-Milwaukee Art Collection (UWMAC) holds a group of supposed Luristan bronzes with limited provenances. The lack of provenance, archaeological or otherwise, coupled with the prevalence of forged Luristan bronzes across private and public collections introduced questions of authenticity regarding the UWMAC’s collection of bronzes. To address these questions, the typical art historical and visual analyses were conducted to supplement the chemical compositional analysis done using inductively-coupled plasma mass spectrometry. Of the three artifacts successfully sampled and tested, the Ibex Whetstone Handle (1985.002.38) was determined to be iron while the Master of Animals Finial for Standard (1985.002.48) and …

The Morgan Group Of Bestiaries: An Analysis, Claire Frances Kittell

Theses and Dissertations

Trying to figure out where and when a medieval manuscript was made is one of the most contentious topics in book scholarship. Instead of limiting scholarship to textual contents, new work looks at manuscripts, including bestiaries, with a multifaceted and interdisciplinary approach, which leads to exciting new ideas. Bestiaries were among the most popular texts in medieval England and have consistently been viewed as only their textual contents. Starting in the 1980’s, bestiary scholarship expanded beyond text, but a textually and iconographically similar group of bestiaries had not yet received the same holistic treatment. The Morgan Group is the British …

The Bard In Napoleonic France And Revivalist Wales: A Contrasting Symbol Of Nationality, Resistance And Liminality, Shelley Morwenna Williams

e-Keltoi: Journal of Interdisciplinary Celtic Studies

Spurred by antiquarianism and the quest for a pan-Celtic, non-classical mythology, two infamous translators and forgers sparked influential and prolific artistic production in the late 18^th and early 19^th centuries. James Macpherson (1736-1796) and his Ossian provided fuel to the fire stoked by Napoleon Bonaparte for a new imperial art, and Edward Williams (Iolo Morganwg, 1747-1826) contributed to an ardent cultural revival in Wales. Both writers have garnered renewed scholarly attention in recent decades, mostly focused on uncovering the genuine Celtic and medieval sources from which they so liberally borrowed. However, scant attention has been paid to the …

Power Through Patronage: Examining Margaret Of Navarre's Political Influence Through Sicily's Cathedral Of Monreale, Emmaleigh Anita Huston

Theses and Dissertations

This paper considers evidence for Queen Margaret of Sicily’s role in the construction and decoration of the Cathedral of Monreale, a royal foundation initiated c. 1172. For Margaret, support of Monreale was a means to counter the political ambitions of Walter Ophamil, Archbishop of Palermo. Medieval chroniclers name Margaret’s son, William II, as primary patron, and afford her only a minor role in the building campaign. However, the furnishing and decoration of the cathedral’s northern transept—a privileged space typically reserved for kings in royal Sicilian cathedrals and chapels yet at Monreale serves as the site of Margaret’s tomb—points to the …

Sara Rahbar And The Art Of Loving Otherwise, Michael Scott Lahti

Theses and Dissertations

Born in Iran and currently working in New York City, Sara Rahbar is a contemporary multimedia artist who gained some acclaim with her Flag series (2006-present), which was inspired by her experiences in the aftermath of 9/11. Many of these works merge Persian fabrics onto the American flag thus expressing her lived history and political views. To shed light on the political nature of Rahbar’s works writ large, I examine a textile from her War series (2009-2013), titled I Want to Shelter You (2013). Against a flat canvas bag, Rahbar attaches large-caliber bullet casings into a heart-shape to point out …

Performance, Representation, Reception, And The Lost Cause: Re-Framing The History Of Confederate Monuments Through Embodied Assemblies, Joshua Adam Rutherford

Theses and Dissertations

Discussion of Confederate monuments has been invigorated in academic, social, and political debates during the twenty-first century. As these monuments became entangled with police brutality following the George Floyd protests, scholars have tried to understand how this history connects with the systemic injustices faced by black Americans. Because financial inequities limited the ability of black Americans to erect monuments and photograph demonstrations during Reconstruction the archive is riddled with gaps in representation, which I close by following Diana Taylor’s suggestion that we turn to the “repertoire” of performance. My thesis turns away the monuments themselves by investigating the forms of …

Tang Elite Women And Hufu Clothing: Persian Garments And The Artistic Rendering Of Power, Gabrielle Berman

Theses and Dissertations

During the Tang dynasty (618-907 A.D.), elite women wore hufu dress to subdue the Tang court’s conventional representations of women. In contrast to the women’s classical dress styles, the hufu dress, or male foreign clothing, typically included a long robe with decorative patterns, a leather belt, long trousers and boots. This paper analyzes elite women and female elite attendants dressed in hufu dress, which established their visual personas of independence, as displayed in paintings and pottery figurines. The hufu dress connects to the foreigners’ dress traveling from the Silk Road, a period when the Tang court fostered tolerance towards foreigners. …

Coffin Soul Portals Of The Female Xunren In Tomb Of Marquis Yi Of Zeng, Mary E. Blum

Theses and Dissertations

There is a significant void in scholarship concerning the Tomb of Marquis Yi of Zeng’s (Zeng Hou Yi), Leigudun M1, Suizhou, Hubei Province, dated to 433 BCE during the Eastern Zhou Dynasty (770-256 BCE) of Bronze Age China, specifically on the lacquer coffins of the female xunren. There is extensive research dedicated to its well-preserved ritual bronze vessels, lacquer wares, and musical instruments, but this tomb is not known for the lacquer designs of portals present on twelve of the twenty-one female companion’s coffins. In this paper, I argue the xunren coffin designs in tomb Leigudun M1 of Zeng Hou …

Ethiopian Art: Christian Narratives From The Kebra Nagast, Morgan Ellsworth

Theses and Dissertations

King Ezana declared Christianity as Ethiopia’s state religion in 330 C.E. Ethiopia was the first country to mint a coin with the symbol of a cross. The Christian religion was established as a political move to strengthen economic ties with the Mediterranean world. Christianity has been used to keep Ethiopia independent. The Ethiopian artworks discussed here depict themes based on Christian narratives with multiple groupings of similar motifs and identical religious iconography. The Ethiopian art market still creates these motifs today to spread a repeated political message of the country’s pride, history, and represent their rulers’ legitimacy. I explore these …

“Noah Fires An Arrow!” The Rise Of Narrative Mechanics In Tabletop Role-Playing Games 1979-1989 And The Importance Of Archiving The Human Element, Cameron Jp Fontaine

Theses and Dissertations

Tabletop role-playing games (TRPG) emerged out of the war gaming and science fiction subcultures in the mid-1970s. During the latter half of the 1970s these games shifted away from their combat focused wargaming roots to forge their own identity separate from miniature wargaming. In the 1980s the industry expanded rapidly and many of the new games focused their efforts on crafting narrative rather than combat based mechanics. It was this focus on narrative mechanics and unique settings which enabled the industry to both directly and indirectly engage with the socio political and cultural movements of the 1980s in Reagan’s America. …

Claim, Consume, Curate: Placing Value On Functional Art, Heather Rose Sheets Hanlon

Theses and Dissertations

This paper is the written portion of the thesis requirements for University of Wisconsin-Milwaukee's Art History, Museums and Curatorial program. It corresponds with the other component, a museum-style exhibition in the Emile H. Mathis Art Gallery, as its catalog. The catalog and exhibition together address the factors of change in decorative art reception since the modern era and how museum institutions can continue to broaden the conditioned meanings of such art in a dynamic, responsive way.

These changes and suggestions are illustrated through objects and their display in the exhibition vignettes “The Home,” “The Boutique,” “The Museum,” and “Storing Stuff.” …

Architecture As As Act Of Transfer: Framing Denise Scott Brown's Architectural Practice With Performance, Kelsey Kuehn

Theses and Dissertations

This thesis examines the architectural practice of theorist, planner, architect, and activist Denise Scott Brown. Existing scholarship about the architect’s work is sparse and typically situates her as a significant figure due to her status as a woman working in a male-dominated field. To address this gap in scholarship, this thesis analyzes Scott Brown’s intellectual formation relative to her work on the Crosstown Community Advocacy Planning project carried out in Philadelphia in 1968 through the lens of performance theory. Her practice is considered a mediation between the archive and the repertoire as they are defined by performance studies scholar Diana …

When The Specters Of The First World War Return To The Anglo-Irish Estate: Elizabeth Bowen’S A World Of Love And J. G. Farrell’S Troubles, Andréa Caloiaro

e-Keltoi: Journal of Interdisciplinary Celtic Studies

In Elizabeth Bowen’s A World of Love and J. G. Farrell’s Troubles, the First World War’s dead reappear as specters within the Anglo-Irish estate. Through the lens of traumatology, this essay examines the symbolic function of this spectral return in light of its psychological, political, and cultural-historical implications for the Anglo-Irish Ascendancy, and more broadly, for contemporary Ireland. This essay argues that although A World of Love and Troubles are empathetic representations of how the Ascendancy experienced the First World War as an historical locus of trauma, their narrative designs figure spectral return as a symbolic mode of critique …

Heroic Failure: Brexit And The Politics Of Pain. Fintan O’Toole. London: Apollo, Uk, 2018. 217 Pages. Isbn: 978–1789540987., Peter C. Grosvenor

e-Keltoi: Journal of Interdisciplinary Celtic Studies

No abstract provided.

Un Miroir De Mariage: An Iconological Analysis Of The Bal Des Sauvages And Combat Des Hommes Sauvages Et Chevaliers Tapestries, Olivia Grace Lonetti

Theses and Dissertations

The enigmatic fifteenth-century tapestry fragments Bal des Sauvages and Combat des Hommes Sauvages et Chevaliers from the Château Saumur depict curious scenes of Wildfolk and humans. These fragments have received relatively little scholarly analysis. My thesis seeks to discern the subject matter and historical context of the des Sauvages tapestries in order to ascertain a clearer understanding the pieces. I accomplish this first by considering the des Sauvages tapestries’ historiography and examining the veracity of the various scholarly hypotheses put forth regarding the works and their subject matter. Chapter II of this thesis considers the tapestry medium and provides brief …

Adolf Wissel: Compliant Dissidence, A Nonbinary Reading Of Work Executed From 1933 – 1941, Jeremy Lyn Schrupp

Theses and Dissertations

Despite the vast amount of scholarship devoted to the Nazi era, there is very little dedicated to the analysis of its works of art. This paper aims to rectify that, by analyzing the work of Adolf Wissel. Aside from its didactic use amongst academia, there is only one academic analysis of his work. The intent of the present analysis is to build from that foundation and provide an additional layer of contextualization to an era that is relatively unexplored within our field. This analysis will establish that Adolf Wissel maintained specific subject, compositional, and stylistic choices that subtly opposed NSDAP …

Alexandre Cabanel's St. Monica In A Landscape: A Departure From Iconographic Traditions, Rebecca Ann Kidd

Theses and Dissertations

The iconography employed by Alexandre Cabanel in the 1845 work St. Monica in a Landscape drastically deviates from the established artistic tradition utilized in other depictions of St. Monica in Christian art. Cabanel’s work depicts a female saint accompanied by a derelict young child. This thesis considers an alternative identity for this female saint, proposing that St. Elizabeth may be the definite subject of the work, accompanied by a young St. John the Baptist. The visual content of St. Monica in a Landscape is analyzed in conjunction with other works depicting St. Monica, as well as St. Elizabeth with a …

Window 43 At Chartres Cathedral: A Hagiography Of Saint Eustace In Stained Glass, Natachia Mavis Attewell

Theses and Dissertations

This thesis looks at window 43 at Chartres Cathedral, France which is one of the fullest versions of the Eustace narrative and features furriers and drapers at work. I exam the window under a narratological lens and establish an alternative order of reading the panels that is more in tune with the story as told in the window. Additionally, I compare the window to other artworks from the time that depict Saint Eustace to establish the saint’s relevance within French society at the time of the window’s construction.

Face. Off. Faceoff: Mapping African Representations In Western Art Institutions, Samantha Lyn Goral Maloney

Theses and Dissertations

In this project, I analyze the influential perceptions of African art objects, cultures, and histories formed through audience interactions with museum representations of Africa. In the Western world, curiosity cabinets and natural history museums first presented African objects as cultural artifacts aimed to intrigue and educate viewers about distant, exotic lands. Later, art museums reclassified African objects as art and some displays highlighted this shift, but African art exhibitions largely conformed to the anthropological models previously established. Scholars have analyzed these distinct display techniques while considering the visual environment from which these works were historically significant. Despite this critical scholarship, …