Arts and Humanities Commons^™

Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe

Theses and Dissertations

This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …

Visions: Re-Historicizing Genre: Teaching Haywood’S The Adventures Of Eovaai In A Fantasy-Themed Survey Course, Megan E. Cole

ABO: Interactive Journal for Women in the Arts, 1640-1830

Eliza Haywood is an increasingly popular author to assign in eighteenth-century literature courses. But Haywood is also a prime figure to represent the eighteenth century in courses with a broader scope. This essay proposes teaching The Adventures of Eovaai in a fantasy-focused, introductory-level survey of British Literature. Identifying Eovaai as part of the fantasy tradition leverages students’ prior knowledge and facilitates teaching this complex novel to first-year students. Eovaai provides a wealth of topics for class discussions and activities, including the development of the novel as a genre, identity and othering in fantasy literature, and the use of fantasy conventions …

"Side By Side With A Ruinous, Ever-Present Past": Trauma-Informed Teaching And The Eighteenth Century, Clarissa, And Fantomina, Kate Parker, Bryan M. Kopp, Lindsay Steiner

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article explores the need for and applications of trauma-informed teaching in eighteenth-century studies, particularly around representations of sexual trauma (rape) and consent. The prevalence of trauma guarantees its presence in our classrooms, even and especially in its absences. As the field of eighteenth-century studies continues to reframe its white, Eurocentric, male-dominated past through more intentionally inclusive research and teaching methods, particularly those that explore the intersections of eighteenth-century studies and social justice approaches to education, the presence of trauma in our classrooms will become only more significant. Keeping in mind those students of marginalized identities who are most likely …

"Maa-Multh-Nii" People Who Came Floating In: Analogues Between Nuu-Chah-Nulth And Tlingit With Spanish Colonial Expeditions In The Eighteenth Century, Suzanne R. Mcleod

Art & Art History ETDs

Spanish explorers first navigated the 2,400-kilometer stretch of the Pacific Northwest Coast in the latter part of the eighteenth-century, largely in response to rumors that Russian traders had established a presence in lands north of Alta California (then considered Spanish territory). Spain launched a series of expeditions to the region, the first in 1774 under Juan Josef Pérez Hernández, and the final, in 1792, under Alejandro Malaspina. The Spanish remained in the area until 1794 when political and territorial tensions with the incoming British forced a negotiation known historically as the Nootka Convention. By 1795, the empire abandoned its aspirations …

The Battle Of The Sexes: Montagu V. Swift, Madison Savoie

Undergraduate Honors Theses

Two of the most interesting “guardians” of eighteenth-century sociocultural standards were the satirists Jonathan Swift and Lady Mary Wortley Montagu. Swift is remembered by scholars as one of the “greatest prose satirists in the history of English Literature,” but Montagu, until recent decades, has been less well-known. This thesis will look at the satirical poetic dialogue between the Rev. Dr. Jonathan Swift and the Lady Mary Wortley Montagu and provide insights into the sociocultural dynamics of gender in eighteenth-century British print life as revealed by the individual texts.

A Revolution In Gothic Manners: The Rise Of Sentiment From Walpole To Radcliffe, Katherine E. Stein

Lawrence University Honors Projects

In this study, I assert that prior to the French Revolution, early eighteenth-century Gothic works such as Horace Walpole’s The Castle of Otranto and Clara Reeve’s The Old English Baron attempt to understand the potential consequences revolution could have on British society and that both texts conclude that society can only be maintained by upholding behavioral expectations through proper manners. However, the French Revolution acted as an inflection point within the genre, and—through the analysis of the polemic texts Edmund Burke’s Reflections on the Revolution in France and Mary Wollstonecraft’s Vindication of the Rights of Woman—I argue that the …

Representing Camp: Constructing Macaroni Masculinity In Eighteenth-Century Visual Satire, Freya Gowrley

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article asks how ‘Camp,’ as defined in Sontag’s 1964 essay, ‘Notes on Camp,’ might provide a valuable framework for the analysis of late eighteenth-century satirical prints, specifically those featuring images of the so-called ‘macaroni.’ Discussing a number of satirical prints and contemporary writings on the macaroni, the article reads them against Sontag’s text in order to establish its utility as a critical framework for understanding the images’ complex relationship of content, form, and function.

Eighteenth-Century Camp Introduction, Ula Lukszo Klein, Emily Mn Kugler

ABO: Interactive Journal for Women in the Arts, 1640-1830

A blend of the silly and the extravagant that puts the serious into conversation with the ridiculous, camp today is often signified by elements of eighteenth-century Europe with its elaborate hairstyles, exaggerated silhouettes, affected courtiers, and a rise in the consumption of exotic goods, candelabras, masks, and other markers of elite excess (often with a nod to the era’s demise in the form of either the French Revolution or subsequent Victorian strictures). Camp’s relation to queer modes of performance and its prioritization of style over (or in conjunction with) substance offers a queer aesthetic lens to re-evaluate the eighteenth century …

The Transformation Of Women's Roles In Fashion In Eighteenth-Century France: Femininity, Fashion, And Frivolity In Fiction, Christine M. Carter

Dissertations, Theses, and Capstone Projects

“The crime of luxury is that it makes us judge a man not according to what he is, but according to what surrounds him.”[1]

There is a significant existing body of scholarship surrounding the establishment of France as the European epicenter for fashion and taste beginning in the seventeenth century and reaching its apogee during the eighteenth century. The eighteenth century was a period of extensive growth for France in terms of textile production, and an increase in particular professions. These were key factors in perpetuating economic growth. Women in particular were affected by these changes. Not only were …

Common Ground, Diverging Paths: Eighteenth-Century English And French Landscape Painting., Jessica Robins Schumacher

Electronic Theses and Dissertations

In the early eighteenth century, both English and French artists traveled to Rome to study the great seventeenth-century landscape artists --Claude Lorrain and Nicolas Poussin in particular—at the source. The English were motivated by a combination of reverence for the ancient, classical world, an associative imagination and a burgeoning competitive art market. The French, by an equal regard for antiquity and the pragmatic desire to complete the requirements of the monopolistic French Academy. While English landscape painting evolved away from the idealism of Claude to a modern naturalism imbued with the artist’s subjective response to a visual experience, French landscape …

The Manuscript Map Of The Dagua River. A Rare Look At A Remote Region In The Spanish Colonial Americas, Juliet Wiersema

Artl@s Bulletin

The Manuscript Map of the Dagua River Region (1764) is a hand-drawn map produced in the Spanish Viceroyalty of Nueva Granada. While created as visual testimony for a land dispute, I argue that a careful art historical reading of the Dagua River Map, considered in conjunction with eighteenth-century archival documents, nineteenth-century explorers’ accounts, and surviving historical maps, reveals other narratives about ethnicity, industry, and society in a remote region of a peripheral Spanish viceroyalty. The Dagua River map highlights the incontrovertible place that geography held for those—namely enslaved and freed Africans—who came to control trade and transport in the region, …

The Indigenous Archive: Religion And Education In Eighteenth-Century Mexico, Mónica Díaz

Hispanic Studies Faculty Publications

This article argues that eighteenth-century native elites played a significant role in the larger intellectual scene of colonial Mexico by participating in the same debates as their creole and European counterparts. I contend that the documentation produced by native elites related to the indigenous schools (colegios), convents, and seminaries during the eighteenth century provides an important context for understanding the ways in which knowledge circulated between natives, creoles, and Europeans. In addition, when this "indigenous archive" is read in tandem with more traditional historiographical native sources, we can better appreciate the indigenous roots of the dominant narrative of …

Embodying Character, Adapting Communication; Or, The Senses And Sensibilities Of Epistolarity And New Media In The Classroom, Jodi L. Wyett

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay describes a classroom role-playing activity that incorporates both modern social media and the tools of eighteenth-century composition. Students communicate with each other as characters in the assigned novel, by either texting, tweeting, or writing longhand with quill pens. The exercise aims to help students grasp the sometimes-elusive historical contexts of eighteenth-century writing as well as the ways in which we interpret and adapt those contexts and their attendant modes of communication when we read for meaning in our own moment. My experiences suggest that the activity is particularly effective at helping students to reflect upon their own interpretive …

Charlotte Charke’S Gun: Queering Material Culture And Gender Performance, Jade Higa

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay juxtaposes readings of material culture and gender performance in Charlotte Charke’s Narrative of the Life of Mrs. Charlotte Charke (1755). It argues that the transient relationship Charke has to the objects in her life mirrors the fluidity of her gender. The essay ultimately uses Charke’s narrative as a case study in a questioning of a binarized gender matrix. The thesis suggest that, though we lack language to fully describe it, characters and historical figures like Charke move beyond and explode gender binaries.

“I Know You Want It”: Teaching The Blurred Lines Of Eighteenth-Century Rape Culture, Emily J. Dowd-Arrow, Sarah R. Creel

ABO: Interactive Journal for Women in the Arts, 1640-1830

“‘I Know You Want It’: Teaching the Blurred Lines of Eighteenth-Century Rape Culture” is a collaborative pedagogical article that addresses the problem of so-called “post-feminism” in the contemporary college classroom by way of a comparative approach to eighteenth-century literature. Specifically, we contextualize and compare the early and late work of Eliza Haywood with current cultural debates and events in order to demonstrate not only the relevance of Haywood and eighteenth-century writers like her, but the importance of continuing the feminist conversation. The article provides texts, readings, and discussion points for consideration, as well as links to relevant contemporary issues and …

The Female Accomplice: Rape, Liberalism, And The Eighteenth-Century English Novel, Dawn Arendt Nawrot

Theses and Dissertations

Previous scholarship on rape narratives within the emerging eighteenth-century novel focuses on a dichotomous construction of the female agent struggling against the male rapist and against a biased patriarchal society. However, my project expands this gendered model by evaluating how the presence of colluding female accomplices complicate understandings of female agency and patriarchal violence. I argue that depictions of femes soles as treacherous and mercenary liberal subjects, who embody the corruption of the market, play a vital part in domesticating single women of the developing middle class. I analyze the ways in which female accomplices to rape represent a sizeable …

New Perspectives On The Northampton Communion Controversy Ii: Relations, Professions, And Experiences, 1748-1760, Douglas L. Winiarski

Religious Studies Faculty Publications

The second installment of a five-part series presenting documents relating to the “Qualifications Controversy” that led to Edwards’ dismissal at Northampton, this article presents a series of “relations,” or lay spiritual autobiographies presented for church membership. These relations come from other Massachusetts churches, many of whose pastors were aligned with Edwards, and yet reveal some significant differences from the form and content that Edwards came to advocate for such relations.

New Perspectives On The Northampton Communion Controversy Iii: Count Vavasor's Tirade And The Second Council, 1751, Douglas L. Winiarski

Religious Studies Faculty Publications

Jonathan Edwards’ fateful decision to repudiate the church admission practices of his grandfather, Solomon Stoddard, provoked a bitter dispute with his parishioners that led to his dismissal in 1750. Scholars have long debated the meaning of this crucial turning point in Edwards’ pastoral career. For early biographers, the Northampton communion controversy served as an index of eighteenth-century religious decline. More recent studies situate Edwards’ dismissal within a series of local quarrels over his salary, the “Bad Book” affair, conflicts with the Williams family, and the paternity case of Elisha Hawley. This essay is the first a series that reexamines the …

Beyond The Looking-Glass: The Intensity Of The Gothic Dream In Nineteenth-Century British Literature, Anne N. Nagel

Department of English: Dissertations, Theses, and Student Research

The dream is a contested space in terms of allegory and affect, the non-conscious intensity associated with feelings and emotions. Readers tend to express disappointment when a narrative turns out to be “just a dream,” yet the dream is uniquely capable of evoking powerful affective intensity. Yet most scholarship approaches the literary dream through representational interpretation, which not only overlooks the intensity of affect, but dampens it. The dreamer cannot interpret the dream while engrossed in dreaming. By taking into consideration the perspective of the dreamer, this thesis moves beyond the reflective lens of symbolic interpretation to explore the intensity …

New Perspectives On The Northampton Communion Controversy I: David Hall's Diary And Letter To Edward Billing, Douglas L. Winiarski

Religious Studies Faculty Publications

Jonathan Edwards’ fateful decision to repudiate the church admission practices of his grandfather, Solomon Stoddard, provoked a bitter dispute with his parishioners that led to his dismissal in 1750. Scholars have long debated the meaning of this crucial turning point in Edwards’ pastoral career. For early biographers, the Northampton communion controversy served as an index of eighteenth-century religious decline. More recent studies situate Edwards’ dismissal within a series of local quarrels over his salary, the “Bad Book” affair, conflicts with the Williams family, and the paternity case of Elisha Hawley. This essay is the first a series that reexamines the …

The Bitter Relicks Of My Flame: The Embodiment Of Venereal Disease And Prostitution In The Novels Of Jane Austen, Melanie Erin Osborn

Melanie E Osborn

Resembling the mercurial, black beauty mark used as an ornamental concealment of syphilitic sores, Jane Austen’s comedy of manners likewise acted as a superficial cosmetic device that concealed the ubiquity of venereal disease and prostitution hidden within. Through her characters, Austen used veiled narrative to highlight the reality of venereal disease and prostitution in eighteenth-century England. This thesis uncovers the hidden narrative in Jane Austen’s novels, as a means of better understanding the impact venereal disease and prostitution had on sexual issues with women and the female body during the eighteenth century. Beginning with an almost comic reference to venereal …

Mme. De Pompadour: Self Promotion And Social Performance Through Architecture And The Decorative Arts, Kelly Elizabeth Boyd

Scripps Senior Theses

The structure of this thesis relies on the physical locations of Mme. de Pompadour. Although the chapters are roughly chronological, beginning with her arrival at Versailles in 1745 and ending with her death in 1764, this work makes no attempt to comprehensively chronicle the entirety of her involvement in the decorative arts. Rather, it focuses on several specific aspects of her patronage, with the goal of illuminating her social position and public image, and how she worked to control the two. Chapter One deals with the first rooms Mme. de Pompadour inhabited, from 1745-1750. These upper apartments characterize her early …

The Bitter Relicks Of My Flame: The Embodiment Of Venereal Disease And Prostitution In The Novels Of Jane Austen, Melanie Erin Osborn

Master of Liberal Studies Theses

Resembling the mercurial, black beauty mark used as an ornamental concealment of syphilitic sores, Jane Austen’s comedy of manners likewise acted as a superficial cosmetic device that concealed the ubiquity of venereal disease and prostitution hidden within. Through her characters, Austen used veiled narrative to highlight the reality of venereal disease and prostitution in eighteenth-century England. This thesis uncovers the hidden narrative in Jane Austen’s novels, as a means of better understanding the impact venereal disease and prostitution had on sexual issues with women and the female body during the eighteenth century. Beginning with an almost comic reference to venereal …

Book Review Of The Conversation Piece: Scenes Of Fashionable Life, By Desmond Shawe-Taylor, Ching-Jung Chen

Publications and Research

No abstract provided.

The Mutual Development In James, Henry, And Jane Austen's Early Writings, Margaret K. Antone

ETD Archive

Critics have long debated over whether or not Jane Austen contributed to her brother's literary periodical The Loiterer, specifically with the Sophia Sentiment letter. Observing Jane Austen's early writings in her juvenilia and Northanger Abbey, strong similarities are found in the writing styles of Jane, Henry, and James Austen. Taking into consideration the close relationship of the Austen siblings, this paper examines the recurring themes and the similarity in Jane Austen's early writing style to that of her siblings' periodical and the strong likelihood that she did contribute to The Loiterer. This study also asserts that the style of Northanger …

The Education Of Joseph Prince: Reading Adolescent Culture In Eighteenth-Century New England, Douglas L. Winiarski

Religious Studies Faculty Publications

Among the earliest extant manuscripts composed by a New England adolescent, Prince's commonplace book both confirms and modifies existing studies of the transition from childhood to adulthood in early America. Unlike the night-walking youths who appear in revisionist scholarship, Prince never was haled before the Plymouth County court to answer charges of "frolicking" with his cronies. Instead, this dutiful scion of a wealthy and politically powerful southeastern Massachusetts clan spent most of his free time perusing the books in his father's extensive library. Yet the very act of reading held subversive potential. While his parents sought to hone his religious …

Alexander Pope's Opus Magnum As Palladian Monument, Cassandra C. Pauley

USF Tampa Graduate Theses and Dissertations

The overarching goal of this study is to suggest that Alexander Pope did not abandon his project for a "system of ethics in the Horatian way," but rather that in his final days he did find a way to unite the parts at hand into a viable whole. Constructing such an argument, however, requires a similar building up from the parts, and so the core focus becomes a study on the way the image of an arch can serve as a metaphor for Pope's reconciliation scheme in his Moral Essays as he "steers betwixt" seeming opposites.

To justify this approach, …

Bodies Of Type: The Work Of Textual Production In English Printers' Manuals, Lisa M. Maruca

English Faculty Research Publications

This essay examines the shifting, ideologically situated and contested representations of print texts and technologies in two representative printers' manuals: Joseph Moxon's 1683 Mechanick Exercises on the Whole Art of Printing and John Smith's 1755 The Printer's Grammar. The construction of orderly print is supported in each by changing discourses of sexuality and gender. Moxon's manual celebrates the heterosexual working bodies of print, the laborers whose physical production of print is as important as the text supplied by writers. In Smith, however, the naturalized gendering of a now invisible print privileges only the Author, whose disembodied intellect transcends the …