Arts and Humanities Commons^™

Digital Curation And Information Management: Technological Changes In Art History, Joy K. Hyatt

Explorations – The Journal of Undergraduate Research, Scholarship and Creativity at Wright State

Archival and curatorial practices including information management within the fields of art and art history are changing. As a contribution to these vital fields of study, this project addresses their practical application in this digital age. My ten-week research project, Digital Curation and Information Management: Technological Changes in Art History explored this concept. Taking place at Wright State University (WSU), this included a practical application of my art history and motion picture coursework. This included investigating the many phases of digital image curation (the act of curating) through information analysis and management. The assimilation of online and written literature, program …

Time-Based Art: An Introduction, Su Ballard

Su Ballard

No abstract provided.

Embedded Ecologies: Teaching Digital Theory In Art And Design, Su Ballard, C Mccaw

Su Ballard

We are both researchers in a traditional sense and also design and art practitioners. We work in an environment where our students make things as well as study theory. Our hypotheses surround our experiences, both as academic 'makers' and through our observations in the classroom. Our position is, that if practice and theory are integrated and embedded within art and design educational experience, meaning is brought to theory and thoughtful positioning to practice. There is a wide range of literature on the theory/practice relationship within art school environments. We draw on this material but in many ways diverge from it …

D>Art05 Distributed Art And Mobile Journeys, Su Ballard

Su Ballard

There is time for the work to be examined, experimented with, and opened up to a visiting public. This kind of exhibition model has for a long time been problematic for works that do not exist within a defined 3D space, or a comfortably measured duration. D>Art05 and Mobile Journeys address the temporal and spatial restrictions of the exhibition model by making the work available for download both during and post-exhibition. Visitors to the exhibition could bring their mobiles and download any of the fourteen works in Mobile Journeys, in effect, mobilising the work.

Deliberate Use Of Creative Problem Solving In Art Making, Rebecca Dame-Seidler

Creativity and Change Leadership Graduate Student Master's Projects

This project explores the productivity of the Creative Problem Solving (CPS) tools in the visual art making process. The project offered the opportunity for high school student volunteer’s to participate in an after school program called Creative Art Group Experience (CAGE). Volunteers learned and made use of CPS tools to guide their art making. The project researched the effectiveness of using CPS tools in art making documenting volunteer progress and feedback. As an art educator, I had the opportunity to evaluate the impact of using CPS tools with the art-making process. The results of CAGE will benefit how CPS tools …

Silent Subversions, Derek Dubois

Derek M Dubois

Explores the concept of spectatorship in relation to gender in the earliest period of film history in the United States known as the silent era. Argues that a new mode of spectatorship emerges for women during the 1920s, which employs to advantage the extra-diegetic components of spectacle in theater design, new customized genres for female filmgoers, fandom, and exotic male film stars, such as Rudolph Valentino. Focuses primarily on feminist film theory and on cultural studies as methodological models.

Humanities, Sciences Must Be United -- For Our Collective Success, Carla Poindexter

UCF Forum

When Pablo Picasso presented his first cubist paintings to the world, even most educated people thought them hideous and irrational, yet his peers saw them to be ingenious.

“The Problem Of Science” In Nietzsche And Heidegger, Babette Babich

Babette Babich

Nietzsche and Heidegger pose important philosophical questions to science and its technological projects. The resultant contributes to what may be called a continental philosophy of science and I argue that only such a rigorously critical approach to the question of science permits a genuinely philosophical reflection on science. The resultant contributes to what may be called a continental philosophy of science and I argue that only such a rigorously critical approach to the question of science permits a genuinely philosophical reflection on science. More than a thoughtful reflection on science, however, the heart of philosophy is also at stake in …

Instrumental Relations: Software As Art, Art As Software, Brogan S. Bunt

Brogan Bunt

Software art is characterised by a close concern with the culture of software and the medium of programming. This inevitably demands an engagement with the terrain of the instrumental; software is a sphere of tool-making and programming is governed by conceptions of functional (and generic) utility. Yet where does this leave art? If, in Kantian terms, art is defined by its uselessness (by its lack of any externally grounded necessity) and if, in classical critical theoretical terms, this alienation from function opens up a space of critique, then how can art explore and participate within the instrumental without abandoning its …

Can We Own Art? Or Just Be Its Legal Guardian?, Carla Poindexter

UCF Forum

How can we effectively teach students to be professional artists at a time when some of society’s economic values are so unrealistic? It is true the high-end art market is thriving, but the contemporary art community is arguing whether such outrageous public auctions and private sales are good or bad for art.

The Art And Craft Of Radio Documentary: Some Australian Accents., Siobhan A. Mchugh

Siobhan McHugh

No abstract provided.

Art Is Always A Series Of Questions To Contemplate, Not Solve, Carla Poindexter

UCF Forum

Why do people value a painting or drawing? An elementary-school student I know recently answered: “Because when we look at art we can see how the artist felt about things.”

Canvassing Generations: Art Through Postmemory, Julianne Norton

Holster Scholar Projects

Investigated the legitimacy if postmemory, its relationship with art, and completed a creative project addressing the four generations of artists leading to the Norton family. What is postmemory? How does artwork allow for the conceptualization of memory? The research supported the existence of postmemory and led to an increased understanding, analyzing, and recreation of artwork from each of the previous four generations. This artwork served as a tangible form of my own postmemory.

Art And Space: Impacting The Workplace, Erin V. Mccool

Senior Honors Theses

Art in its various forms and applications has always been a part of the human experience. Art can be intrusive, thought provoking, or simply beautiful. Although art comes in many different styles and forms, art continues to capture our imagination. The purposes of this thesis are to discover how art affects human activity in the workplace as well as the qualities that make artwork in the workplace successful. Based on the findings of this study, artwork will be created for the Center for the Advancement of Faculty Excellence at Liberty University in order to create a lively, creative environment. By …

More Than Words: Rhetorical Devices In American Political Cartoons, Lawrence Ray Bush

USF Tampa Graduate Theses and Dissertations

This thesis argues that literary theory applied to political cartoons shows that cartoons are reasoned arguments. The rhetorical devices used in the cartoons mimic verbal devices used by essayists. These devices, in turn, make cartoons influential in that they have the power to persuade readers while making them laugh or smile. It also gives examples of literary theorists whose works can be applied to political cartooning, including Frederick Saussure, Mikhail Bakhtin, and Wolfgang Iser. Not only do those theorists' arguments apply to text, they also apply to pictorial representations.

This thesis also discusses changes in the cartoon art form over …

Heritage And Regional Development: An Indigenous Perspective, Robbie Collins, K. Mcmahon-Coleman

Kimberley McMahon-Coleman

Heritage is important to regional development in terms of promoting a sense of place and a sense of identity for those in the region. Heritage is often expressed through culture and the arts as a means of manifesting a community’s sense of what the community or region is about. For Indigenous communities this is particularly relevant given the lack of social capital as a result of colonialism and displacement. In these communities the value of the Indigenous way of viewing things and sense of place has been subjugated by hegemonic norms. There is a need for Indigenous peoples to find …

The 'Art' Of Colonization: Capitalizing Sovereign Power And The Ongoing Nature Of Primitive Accumulation, Timothy Dimuzio

Timothy DiMuzio

In order to dispel Adam Smith’s liberal narrative of original accumulation, Karl Marx offered his own historical account of the rise of capitalism in England. He also pointed to the English colonies, where the conditions for capitalist development were being created by government intervention in his own era.1 Playing on the discussion of the ‘art of colonisation’ in Edward Gibbon Wakefield’s comparative study of England and America, Marx argued that Wakefield’s candid advice on colonial policy and prosperity revealed the shaky foundations upon which Adam Smith’s concept of original accumulation was built. According to Marx, the value of Wakefield’s work …

All Night Silence: Live Experimental Sound In New Zealand Public Art Galleries, Su Ballard

Faculty of Creative Arts - Papers (Archive)

Since the late 19th century there have been issues with the presentation and reception of sound and music in New Zealand public art galleries. During the first New Zealand and South Seas Exhibition in 1889-1890 there were numerous musical events designed to prove New Zealand's position culturally and socially on the world stage. Audience members would spend the day traipsing around the enormous pavilions of the exhibition pausing to engage in a performance before blundering out to the next event. This mobile audience knew something about the relationship between music and art. Art was silent, static and contained within the …

Media Art: Mediality And Art Generally, Brogan S. Bunt

Faculty of Creative Arts - Papers (Archive)

The wide ranging, trans-disciplinary interest in technological media suggests the possibility of a new discipline concerned with the history, implications and practice of mediation. Within this context, the field of media art gains a new sense of coherence and identity. Given the lingering tension between media art and mainstream contemporary art, this may lead the latter to assert its disciplinary autonomy. This paper argues against such a move. Media art is better positioned as an integral strand within contemporary art and, more particularly, as a key space of creative enquiry and practice within a generally conceived contemporary art education.