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Full-Text Articles in Arts and Humanities

Full Issue, The Anthology Apr 2016

Full Issue, The Anthology

The Anthology

This is the entirety of the 2016 Winthrop Anthology issue.


Art For The People: Wpa Prints And Textiles From The Permanent Collection, Antje K. Gamble, T. Michael Martin Apr 2016

Art For The People: Wpa Prints And Textiles From The Permanent Collection, Antje K. Gamble, T. Michael Martin

Faculty & Staff Research and Creative Activity

As the first major, nationalized support system for artistic production in the United States, the New Deal’s Federal Art Project (F.A.P.) strove to create a holistic vision of art for the American people. Debates among art historians and political pundits alike pointed to the perceived-lack of a truly-American modern art. Cultural critic Lewis Mumford articulated that, opposed to European Modernism, “[w]hat American taste recognizes [is] that there is more aesthetic promise in a McAn shoe store front, or in a Blue Kitchen sandwich palace than there is in the most sumptuous showroom of antiques…” In accordance, the F.A.P. supported artists’ …


Grant Application: Compassionate Touch Short Film, Jessfor Baugh, Riddhi Daftary Jan 2016

Grant Application: Compassionate Touch Short Film, Jessfor Baugh, Riddhi Daftary

Compassionate Touch

IPEC Mini-grant application for funding of UNE student project Compassionate Touch.UNE Dental Medicine students collaborated with Creative and Fine Arts faculty and Dental Medicine faculty to create the film Compassionate Touch, focusing on five stages associated with anxious dental patients, as depicted through artwork, interprofessional interviews and scholarly sources. The film highlights the current understanding and management of the dental needs for high fear patients before, during, and after their visit to the dentist, and how interprofessional health care providers can assist patients to achieve quality patient-centered care.


Southern Steam Prints: Large Scale, Relief Printmaking, Allison Mueller Jan 2016

Southern Steam Prints: Large Scale, Relief Printmaking, Allison Mueller

Honors College Theses

Southern Steam Prints, a steamroller printmaking festival for Georgia Southern University I directed and organized. The project helped create community involvement in printmaking as an art form, gained notoriety for the Betty Foy Sanders Department of Art and especially the Print, Paper, and Book Arts Program. The project taught valuable skill mastery in relief print techniques, commercialism, and leadership for the kinds of event that artists plan, jury, and participate in, in the professional world. The Southern Steam Prints festival took place on April 23, 2016. Artworks created at the event were exhibited at the Center of Art and Theater …


Please Read, Joseph W. Anthony-Brown Dec 2015

Please Read, Joseph W. Anthony-Brown

Theses and Dissertations

This is a semi-fictional story told through a series of fake found documents. It describes my work and thoughts through metaphor. Machines have the potential to gain self-consciousness through accumulation of errors. Creativity can be confused with randomly generated variety. The acceptance of chaos and loss of control can provide a path to enlightenment.


The Land Scouts: Guide Book, Katie D. Ries Oct 2014

The Land Scouts: Guide Book, Katie D. Ries

Faculty Creative and Scholarly Works

The Land Scouts promote modern land stewardship and are open to all. The Guide Book gives an overview of the scouts as well as information on getting started earning badges and hosting a troop.


Front Matter Jan 1996

Front Matter

Inscape

No abstract provided.


Art: Kristin Ellsworth, Kristin Ellsworth Jan 1996

Art: Kristin Ellsworth, Kristin Ellsworth

Inscape

No abstract provided.


Untitled: Chris Lynn, Chris Lynn Jan 1996

Untitled: Chris Lynn, Chris Lynn

Inscape

No abstract provided.


Art: Ai Childress, Ai Childress Jan 1996

Art: Ai Childress, Ai Childress

Inscape

No abstract provided.


Untitled: Andi Pitcher, Andi Pitcher Jan 1996

Untitled: Andi Pitcher, Andi Pitcher

Inscape

No abstract provided.


Where Is Jack?, Keiko Tanifuji Jan 1996

Where Is Jack?, Keiko Tanifuji

Inscape

No abstract provided.


End Matter Jan 1996

End Matter

Inscape

No abstract provided.


Full Issue Jan 1996

Full Issue

Inscape

No abstract provided.


I Made Some Prints, Teresa O. Tempero Aug 1971

I Made Some Prints, Teresa O. Tempero

All Master's Theses

In discussing the prints and drawings chosen for this study, I wish to consider mostly subject matter and composition, giving less mention to technique. The three forms of printmaking used are intaglio, collagraph, and woodcut. A specific theme was not chosen for these prints. Since printmaking has been such a relatively new experience of expression for me, I chose to concentrate this study on the printmaking process.


Expansion Systems In Drawing, Anna Jane Licka Jul 1971

Expansion Systems In Drawing, Anna Jane Licka

All Master's Theses

Drawing as a creative mode of expression has maintained in some artistic circles a "puristic doctrine." "Puristic doctrine" in this case means the utilization of characteristic drawing implements and techniques (ie. pen, pencil, ink, charcoal, crosshatching, shading). In contrast to this "puristic doctrine" is what can be termed an "eclectic expression" in art. As applied to drawing in this thesis, an "eclectic expression" will go beyond the traditional techniques by the application of other media such as photo-stencil, stuffed fabric, and three-dimensional tableau considerations. The purpose of this creative thesis is to expand the two-dimensional quality of drawing into a …


Images And Content, Robert C. Ellis Jr. Jun 1971

Images And Content, Robert C. Ellis Jr.

All Master's Theses

My primary purpose in this study was to explore the relationship of symbolism, imagery, and concept as they relate to printmaking and drawing. The techniques used in my work were collagraph printmaking, drawing, "painting-drawing", and three-dimensional construction. These works represent my development over a period of five quarters. As a result of this study, I expect that my perception and use of imagery, concepts and technique will continue to develop.


Collograph Platemaking Techniques, Clifton A. Barrette Jan 1971

Collograph Platemaking Techniques, Clifton A. Barrette

All Master's Theses

It was the purpose of this study to investigate the techniques in the construction and production of a series of original collagraph plates and prints. These were used to portray in visual, graphic form the diverse range of collagraph printmaking techniques.


A Study Of The Influence Of The Lyrical Prose Novels Of Virginia Woolf And Hermann Hesse On The Creative Process In Intaglio Printmaking, Kathleen Heather Embree Jul 1970

A Study Of The Influence Of The Lyrical Prose Novels Of Virginia Woolf And Hermann Hesse On The Creative Process In Intaglio Printmaking, Kathleen Heather Embree

All Master's Theses

It is the purpose of this study (1) to emphasize the complementary union between literature and the visual arts; (2) to limit the exploration to those specific lyrical prose writers: Hermann Hesse and Virginia Woolf; (3) to create prints utilizing the novel as a source of image-gathering but which do not retain this identity in the finished work; (4) I to experiment with the division of the plates, as well as cutouts for the effect of creating spatial illusion or imaginary space.


Investigations In Mixed-Media Printmaking, Jarold H. Powell Jan 1970

Investigations In Mixed-Media Printmaking, Jarold H. Powell

All Master's Theses

The device man uses to transport himself is one of his dearest possessions and one of his biggest problems. The relationship between man and his machine is the basis for the content of this thesis. Since walking became impractical, men have grown dependent physically, emotionally, psychologically, economically, and socially on a personal means of transportation. My own ideas and experiences are the source for the content of this series of works.


A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller Jan 1969

A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller

All Master's Theses

It is the purpose of this study (1) to portray in visual, graphic form the negative consequences resulting from inhumanitarian acts man inflicts upon himself and others; (2) to delineate these actions in a revealing, subtle manner that is still representative of the facts of reality; (3) to experiment with a diverse range of intaglio printmaking techniques and compositional arrangements which best produce the visual, emotional effects desired.


A Series Of Original Prints With The Human Image As An Important Compositional Element, John Paul Morgan Jul 1968

A Series Of Original Prints With The Human Image As An Important Compositional Element, John Paul Morgan

All Master's Theses

It was the purpose of this study to investigate and explore the use of the human image as a compositional element in a series of original prints. All of the available printmaking techniques within the knowledge of this artist were called upon to best express concepts and forms which he desired to portray. Three avenues of approach were used in the development of the print: (1) Transferring sketches made directly from the nude model onto the plate and developing the plate for the appropriate form of printmaking, (2) Developing the printmaking plate intuitively without sketches or preplanning, and (3) Planning …


A Creative Project In Printmaking Dealing With The Production Of A Series Of Original Prints Using Multiple Plates Printed In Relief And Intaglio Techniques, Gregory Wallace Hawkins Aug 1967

A Creative Project In Printmaking Dealing With The Production Of A Series Of Original Prints Using Multiple Plates Printed In Relief And Intaglio Techniques, Gregory Wallace Hawkins

All Master's Theses

It was the purpose of this study to explore and develop technical and aesthetic possibilities resulting from the use of multiple plates in printmaking: 1. by relating the content of separate plates through the combination of shape, color and implied narrative qualities; 2. by developing the contour of the total composition as a secondary visual effect of the multiple plates with no limitation as to media, material, or color within the production of the print.