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The Aesthetic Of Revolution In The Film And Literature Of Naguib Mahfouz, Nathaniel Greenberg
The Aesthetic Of Revolution In The Film And Literature Of Naguib Mahfouz, Nathaniel Greenberg
Nathaniel Greenberg
In the wake of the 1952 Revolution, Egypt’s future Nobel laureate in literature devoted himself exclusively to writing for film. The Aesthetic of Revolution in the Film and Literature of Naguib Mahfouz is the first full-length study in English to examine this critical period in the author’s career and to contextualize it within the scope of post-revolutionary Egyptian politics and culture. Before returning to literature in 1959 with his post-revolutionary masterpiece Children of the Alley, Mahfouz wrote or co-wrote some twenty odd scripts, many of them among the most successful in Egyptian history. He did so at a time when …
History In The Making: Tunisia's Revolution, Nathaniel Greenberg
History In The Making: Tunisia's Revolution, Nathaniel Greenberg
Nathaniel Greenberg
ON THE NIGHT of January 24, 2011, I sat smoking shisha and sipping tea at a coffee shop in the downtown Cairo neighborhood of Lazoghly, just blocks from Tahrir Square. The Tunisian revolution had reached a crescendo, but there was little talk of it in this largely working-class neighborhood. With rumors spreading that protests were planned for the coming day, I asked some of the regulars if they thought Egypt could go the way of Tunisia. It was a laughable query. Egypt was too divided, they said, Mubarak too powerful. The following day seemed to confirm their skepticism. No one …
Political Modernism, Jabrā, And The Baghdad Modern Art Group, Nathaniel Greenberg
Political Modernism, Jabrā, And The Baghdad Modern Art Group, Nathaniel Greenberg
Nathaniel Greenberg
In his article "Political Modernism, Jabrā, and the Baghdad Art Group" Nathaniel Greenberg discusses how the art and literature of the late Palestinian novelist Jabrā Ibrahīm Jabrā challenged the normative perception of Arab modernism both within and outside the Middle East. Greenberg evaluates the influence of French existentialism on Jabrā's political vision of modernism and discusses the impact and nature of existentialism on Jabrā and on the Middle East. Educated in Europe, Jabrā returned to the Middle East in 1948 to live permanently in Baghdad where he was a member of the influential Baghdad Modern Art Group, established in 1951 …