Arts and Humanities Commons^™

A Perceptual Metric For Photo Retouching, Eric Kee, Hany Farid

Dartmouth Scholarship

In recent years, advertisers and magazine editors have been widely criticized for taking digital photo retouching to an extreme. Impossibly thin, tall, and wrinkle- and blemish-free models are routinely splashed onto billboards, advertisements, and magazine covers. The ubiquity of these unrealistic and highly idealized images has been linked to eating disorders and body image dissatisfaction in men, women, and children. In response, several countries have considered legislating the labeling of retouched photos. We describe a quantitative and perceptually meaningful metric of photo retouching. Photographs are rated on the degree to which they have been digitally altered by explicitly modeling and …

Liat Smestad, Amy Dosen

Asian American Art Oral History Project

Artist Bio:

"Coming from a family of architects, I saw how closely related the functions of fashion and architecture are. I wanted to explore the function of fashion further and began my coursework in fashion design, focusing on the protective aspect of clothing. My focus on the protective function of clothing led me to a 25+ years career in fur design. My artistic explorations have led me in some interesting directions. I continually reshape my idea as an artist and the boundaries of my art. I've recently branched out into photography and also returned to my childhood passion: painting. I …

The Foundation To Photographic Success, Samantha Strykowski

2011 Awards for Excellence in Student Research & Creative Activity - Documents

View Ms. Strykowski's Photographic Artwork.

The emergence ofthe digital camera has made photography less expensive, faster, and easier to share. Technology and material upgrades aside, many self-described photographers do not have the slightest idea about what goes on beyond the obvious. What I am referring to is the design and compositional elements of photographs. What makes a shot and its' editing successful? Why? How do you follow the rules and mix in personal touch? As a young aspiring artist on the verge of entering the cut-throat world of photography I feel the need to express my knowledge of design …

Modernity, Multiples, And Masculinity Horace Poolaw's Postcards Of Elder Kiowa Men, Laura E. Smith

Great Plains Quarterly

Many Indians in the late nineteenth and early twentieth century commodified aspects of their cultures in order to make a living and sometimes present their identities, history, and artworks in ways that were satisfying to them. Ten vintage postcards from the Oklahoma Historical Society by Kiowa photographer Horace Poolaw (1906-1984) indicate that he recognized popular tastes for Plains Indian male imagery while both participating in that production and working independently of it. Poolaw printed some of his photographs on postcard stock to sell at local fairs in the early to mid twentieth century. In order for the postcards to appeal …

Objects Of Desire: Photographs And Retrospective Narratives Of Fieldwork In Indonesia, Jennifer W. Nourse

Sociology and Anthropology Faculty Publications

This discussion of my fieldwork, memory, and experience begins with a nod to Handler and Gable’s essay (this volume) in which they ask what anthropology can contribute to the study of social memory. I take Gable and Handler’s insights about the false dichotomy between memory and history (since, they argue, all history and memory are perspectival) and consider ways in which fieldwork photographs demonstrate the same point. I suggest that my photographs became the repositories for individual interpretations of a host of broader issues related to the nation-state and its agenda. This agenda was reflected in ways the photographs were …